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Originally Posted by A. Kingstone
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08-05-2019 06:51 AM
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Originally Posted by Squirrel
Db G Bb E
2 . 3 .1 . 4
Then stretch/slide 2 and 1 back one fret.
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Originally Posted by Vladan
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“8 7 6” phrases
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Thanks. Which changes did Barry Harris play during his solo on Moose The Mooch?
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Rhythm changes?
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Originally Posted by rintincop
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Sorry I wasn't more clear. I meant which version of rhythm changes chords was Barry doing during Moose, particularly bars 5-8.
For example, bars 5-8 , "old school" walk up style:
| Bb Bb7/D | Eb Edim | Bb/F G7 | C-7 F7||
Or, was Barry thinking the later, more cyclical path for bars 5-8:
| F-7 Bb7 | Eb Ab7 | D-7 G7 | C-7 F7 ||
Of course it can go either way. I know Milt Jackson, Oscar Peterson and Ray Brown like the first way, old school.
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Originally Posted by NSJ
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Originally Posted by rintincop
Bb | F7 | Bb | F7
Bb7 | Eb7 | Bb | F7
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Originally Posted by christianm77
In the solo I posted he gets most of his mileage out of anticipations or delays (like going into the bridge), as opposed to chord subs. He's pretty by the book on this version in terms of changes.
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Long time Barry Harris student, tremendous teacher Howard Rees podcast.
Catalyst of The Barry Harris Workshop Videos, We Are One concerts and Jazz School Online .
Good interview provides some clarity regarding Barry's method.
Last edited by A. Kingstone; 08-17-2019 at 12:03 AM.
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Originally Posted by christianm77
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Bb Up and down right christian?
Last edited by A. Kingstone; 08-16-2019 at 10:12 PM. Reason: de-capitalization
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Yeah the changes in the solo look to be the simple ones with a lot of anticipations etc.... one oddity is the G7 arp going into the Bb7 scale.... you could see that as brothers and sisters.
Other than that he doesn’t play the G7 at all? This is similar to many Parker solos.
Also Eb7 in bar 6 and on the last A Ebmaj7.
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Originally Posted by A. Kingstone
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Originally Posted by christianm77
Last edited by A. Kingstone; 08-17-2019 at 09:50 AM.
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Originally Posted by A. Kingstone
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So, A2 and A3 turnarounds (Bb for 2 bars):
A1
| Bb | F7 | Bb | F7 |
| Bb7 | Eb7 | Bb | F7 |
A2
| Bb | F7 | Bb | F7 |
| Bb7 | Eb7 | Bb | Bb |
BA3
| D7 | D7 | G7 | G7 |
| C7 | C7 | F7| F7 |
| Bb | F7 | Bb | F7 |
| Bb7 | Eb7 | Bb | Bb |
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Look who came by Barry's class this week!
(Photo by Richie Vitale)
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Lee Konitz!
Last edited by A. Kingstone; 08-21-2019 at 06:26 PM.
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Is that Tom Hanks?
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That's Lee Konitz in blue. The gentleman leaning on the piano is pianist Michael Weiss - his credits are a who's who of bop and modern jazz.
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My 876 phrases, extrapolated from 5432 phrases.
8#237
7b7#56
624b634#45Last edited by rintincop; 09-07-2019 at 01:29 AM.
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I do hope that these few Vid-Clips of… Barry Harris can be of some ..music-help.,!!.
RIP Nick Gravenites
Today, 05:48 PM in The Players