Originally Posted by
Spirit59
So many people's exposure to "free jazz" is limited to hearing groups of "free" musicians who play together without listening / reacting to one another, absorbed in their own worlds which mostly results in the typical cacaphony associated with the genre. These people can't, as you say, play anything they can imagine.
If people would only dig a little deeper, there are many fine improvising musicians that are quite capable of playing really free. There are varying gradations of "free" playing - sometimes there will be free-ish interludes within pieces that have some structure.
In the early 2000s, a friend hipped me to a David Binney record called South - not all of it free by a long shot but as I checked out some other work by Binney and side men / those within that circle (Brian Blade, Adam Rogers, Craig Taborn, Donny McCaslin etc.), I discovered ways of playing that I'd never imagined.
Really it's sort of a continuation of what Miles's second quintet was doing and then what Wayne Shorter's last group did. In the middle of that there were guys like Dave Liebman, Dave Holland, Ritchie Beirach, John Abercrombie and others on ECM.
These are just a few of the many musician who are capable, who play with great creativity and empathy, who listen and react in the moment.
A 1952 Gibson ES 150. Opinions?
Today, 02:10 PM in Guitar, Amps & Gizmos