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Originally Posted by Mick-7
The chord scale system does like cute labels for all the seven note pitch sets haha. Seems likely.
As for the original use of the sound, it was new enough in composed music during Mozart’s time for theorists to complain about it.
What Is a Hermaphrodite Note? – Essays on Music
But it seems to have come in earlier in improvisation - as early as the seventeenth century. as they were all comping with jazz chords back then apparently whatever the charts said - 4:23 ish.
Last edited by Christian Miller; 11-27-2024 at 08:26 PM.
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11-27-2024 08:06 PM
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"When discussing the Fonte, he criticizes a version in which the major segment includes a chromatically lowered sixth scale step as “a wrong hermaphrodite” (“ein verkehrter Zwitter”), although “it pleases hundred connoisseurs” (“Er gefällt hundert Kennern”; Riepel, 1755: 103)."
That's amusing.... damn cross-dressing scale notes will ruin our music!
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Originally Posted by Mick-7
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Originally Posted by pamosmusic
Yes, very good stuff, I'll concentrate on really simple lines today. Thanks
Edit: Below, this Dom Half Step Rule 1 example seems really simple:
Last edited by GuyBoden; 11-28-2024 at 07:14 AM.
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Yeah those little resolutions are super fun.
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'Really Simple' examples for Dom Half Step Rule 1:
Starting from the 1st.
Starting from the 3rd.
Starting from the 5th.
Starting from the b7th.
I've posted all my 'Really Simple Dom Rule 1' examples in this post. Mainly, for my own convenience.
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Barry was as good as anybody. That said he is not my fav to listen to, maybe say top 10, not 1. But I must say his way of teaching a music language and how to acquire it is by far the best I have run into.
I also have to say I got a lot out of the book Forward Motion.
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Originally Posted by Petimar
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I've been working on shortening the Dom Half Step Rule 1 lines.
Example below:
Edit: Updated, improved line.Last edited by GuyBoden; 12-02-2024 at 03:37 PM.
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Still practicing the BH Dom Half Step Rule 1 lines, they are starting to sound a bit more like Jazz.
Below Shortened Line.
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I am still working with 'Dom Half Step Rule 1', but starting before the bar, on the beat (4+), using V-I changes.
After these weeks of practice, the lines are starting to get instinctive in most keys.
Example below:
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Planning on continuing to check in with this stuff.
I’ve been doing tritone substitutions lately. Using pretty simple embellishments of the line itself, I’ve been running the dominant/bebop scale down to an arpeggio of the tritone dominant scale. Just whatever is closest.
So for G7-Db7 that’s ….
G down to G, but stepping from A down to Ab and running up the Abm7.
F down to F, and running up the Fm7b5
D down to D, but stepping from E down to Eb and running up Ebm7.
B down to B, and running up the Bmaj7.
Resolving these is a bit trickier and probably is video territory. I’ll get there eventually.
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Here are two classic David Baker type Bebop phrase endings.
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Originally Posted by GuyBoden
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Originally Posted by GuyBoden
Thanks for this stuff Guy..
gave me some extended harmonic/melodic ideas for endings..after the D note..
Eb 6/9
Eb
G
C
F
Ab6/9
Ab
F
Bb
Eb
CM7/G --slow..one note at a time
G
C
E
G open
B open
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Interestingly, I remember that Jerry Bergonzi had a slightly different method with Bebop scales, but it had the same result.
The Dom Bebop scale 'BH Half Step Rule 1' was the same with the Jerry Bergonzi method.
But, for other scale degrees, you added an extra approach note to where the initial Bebop Scale begins.
So, the C7 Dom Bebop scale would have a an extra Db note. (Add a flat 2nd)
Examples starting on the 2nd and 4th below:
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I am still working with BH 'Dom Half Step Rule 1' including some David Baker too.
Personally, I've been playing these lines repeatedly everyday, then after weeks of this continued practice, the lines have started to occur in my playing style. (I have been playing them in most keys.)
Major V-I example below:
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Originally Posted by GuyBoden
When you start on a chord tone, the differences are negligible, but when you start on a nonchord tone, Barry just has you omit or add and extra half step.
Baker has you make a correction to get chord tones back on downbeats:
1. make the first note a quarter note.
2. syncopate the first chord tone
3. add a passing note before the first chord tone.
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Barry Harris scales are a bit like Pokemon
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Originally Posted by Christian Miller
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Originally Posted by Christian Miller
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Originally Posted by GuyBoden
as far as I know, bergonzi’s is pretty much David Bakers.
though Bergonzi also has bebop modes which is interesting.
He also has loads of really interesting material, just not bebop focused in the same way
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Originally Posted by pamosmusic
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I have no experience with Bergonzi’s stuff
You know I’d say pick a thing and practice it for a few years.
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Originally Posted by Christian Miller
Thicker Plates - Deeper Carve
Today, 06:05 AM in The Builder's Bench