Threads 101 to 150 of 566
Yeah- A3 is even more mid-focused than A2. I want a set of A3s for my tele.
Go to the local music store and see if they need a teacher. Show them you're competent and can play stuff in Mel Bay Book 1. You'll mostly be teaching kids, so the bar is low.
Awesome, each and everyone of them. Who makes pickguards for Mark? Dave Arkay?
My day job is increasingly grating on me and more and more I'm considering trying to do something with music. I'm not so naive as to believe I could make a living playing, but it seems that teaching...
That's a cool tip, might have to try it. But on that department I'm very happy with my current SD.
I've found what you are saying to be very true. Talking to a guy at Seymour Duncan he would say you could do this, but if you do that it would be better, but if you do this other thing that would be...
I have had the previous version of this amp (not the newer Recording with additional features) since 2016, and it is an amazing amp. I cannot think of a better sounding amp for lush and warm jazz...
I think these are the two most true statements on this thread.
^ If you want jazzy tone but less bass than A2 and A5, try A3.
I didn't read the whole thread but I have to say I've not found this to always be true. It's true some people have a lot of talent and waste it, but in the long term it's very hard to fight lack of...
I would be careful when asking for advice from companies on jazz related topics - it's not that they're not knowledgeable, they are, but in these bigger companies it's very rare that you find someone...
Scales are just another approach for a reference to create relationships with.... that can be different than chord tones etc... Not better or right.... but is a different understanding to use as...
Big +1 on comping along with chordless trio recordings. A good way to regularly feel bad about yourself, but also ideally to expand your ears hahaha. Some others to add are: -kenny Garrett...
How did you get your teaching gigs?
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