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I was looking at this last night and noticed something that I had noticed before but had no one to ask about it. It's on (IIRC) pg 36. If that's not the right page, the one I mean is the one introducing studies on the diminished chord.
Fililberto mentions that one should do these "seven studies" daily. But aside from One, Two, Three, and Four, none of the studies are numbered, and there are many more than 7 of them. (Closer to 30.) I wonder if anyone knows where the number "seven" there comes from, or what it refers to. (Is it some sub-group of the complete group of studies?)
And, while we're at it, is there a difference between an exercise and a study? Sometimes one term is used, sometimes the other. Not sure there's any great difference between the two. (IN THE CONTEXT OF THIS BOOK.)
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10-22-2018 02:52 PM
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I like theBooks by Jody Fisher. I believe they are called "Complete Jazz Guitar Method". They are divided into 3 levels and they are also sold as a unit.
I also think that there is great value in learning actual songs and transcribed solos. Thus, I recommend a series published by Mel Bay and Warner Brothers called "Jazz Guitar Standards". These books contain Jazz Songs. Each song has a lead sheet, a chord melody solo, a comping verse and a single line improvisation.
Along those same lines the Frank Vignola Series that he did for Mel Bay is called "Play along Jazz Standard Chord Progressions". It does not contain the lead sheets, chord melodies or comping etudes but it does have great solos. I am planning on beginning a study group based on this series in the near future.
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Originally Posted by Doublea A
ditto on those!
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Originally Posted by Doublea A
I think Frank's two "Jazz Solos" volumes (1 and 2) are the solos to those standards.
Mel Bay Jazz Solos Volume 1: Improvised Solos over Standard Progressions: Frank Vignola: 9780786650026: Amazon.com: Books
Mel Bay presents Jazz Solos Volume 2: Improvised Solos over Standard Progressions: Frank Vignola: 9780786650033: Amazon.com: Books
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Originally Posted by MarkRhodes
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Originally Posted by Doublea A
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Originally Posted by MarkRhodes
I think that it is important to work on all the facets of your playing, not just the solo.
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Originally Posted by Doublea A
(I have to remind myself sometimes to just "comp" through the changes instead of just working on improvisation...
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Originally Posted by ronjazz
One advantage of focusing on exercises like this is that there is nothting else to think about while playing except how you are playing them.
In my case---and I was a complete moron about this for half a century---the hardest lessson I've had to learn is that the mistakes I make are signals / feedback I need to learn from. (I don't mean mistakes due to interruptions, distractions, fatigue, boredom, but due to just playing it wrong and the reason one keeps screwing up a simple exercise is that SOMETHING is amiss in one's technique.) It took me decades to learn I sometimes rotate my hand away from the guitar which puts my pick at a different distance from the strings (among other things.) If (IF IF IF IF IF!) I had said to my young self, "Okay, play this ten times right, slow as you have to, and pay attention to what you're doing," I would have caught on to that mistake much sooner, and it might have been easier to correct.
But I was impatient and developed some bad habits. If I had it to do over, I would have done it right! ;o)
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I’m with Steven Herron. A Modern Method for Guitar by William Leavitt is THE book for taking your playing to an advanced level.
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The book that probably did the most for my technique was Patterns for Jazz by Jerry Coker, Jimmy Casale, Gary Campbell, and Jerry Greene. It's not a guitar book, but it clearly explains how to take the raw materials of basic jazz study and permutate them in various ways to gain more tools and a better understanding of how to improvise. Since I started working through that book when I was 18 I forget how much I absorbed from it, but am always reminded when I give a lesson to an otherwise talented and skilled student who has never practiced something so simple as a scale in 4ths or how to create patterns from a diminished scale.
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My 3 favorites:
Pumping Nylon, by Scott Tennant. Paul Bollenback recommended this book to me as a way of really getting left hand technique together. It's the *only* book I've seen that emphasizes preparation in the left and right hands, which, I'm now realizing is very common on other instruments. I now study classical bass with a very good player, and *everyone* works on preparation exercises in the left hand as well as with the bow.
Sheets Of Sound by Jack Zucker. Always great for new ideas and techniques. The sections on pentatonics are just great.
Barry Galbraith's transcriptions of the Bach two part inventions. Whenever my technique needs a tune up, I practice these with a looping pedal. These expose all sorts of weaknesses in my playing.
I haven't worked with it much yet, but Miles Okazaki's "Fundamentals of Guitar" would probably make my list in the future.
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Many of these recommendations aren't really "intermediate" but trend towards advanced.
I'd recommend "The Johnny Smith Approach to the Guitar," which is actually in two volumes but I'll count it as one. He was one of the most technically proficient and refined guitarists ever; his book provides an excellent foundation for moving on to advanced techniques. Indeed, one could do worse than Leavitt -> Smith -> Goodrick as a sequence.
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Originally Posted by TOMMO
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If it concerns just physical techniques... fingering, postures, efficiency of it etc.
I think I do not know such a book.
Everything about that I learnt from teachers or figured out myself (usually thanks to direction I had from teachers).
There are classical methods that explore technique but I do not think it is possible to learn it from the book.
There are collection of studies to excercise specific techniques but again I am not sure they will work without preliminary work with a teacher.
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Surprised nobody has mentioned "Sheets of Sound for Guitar" by our own Jack Zucker.
jackzucker's Books and Publications Spotlight
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I don’t do technique books. videos much better if you want to see it done.
Also I don’t use etudes. I just play music.
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I finished Patterns For Jazz back in October, and am working my way through Connecting Chords With Linear Harmony(1/3 the way in).
When I get a good book(many, many that were not) I try to work cover to cover.
Trying to delegate 2019 to nothing but Tunes and Transcribing(and continuing with the drumming). No books.
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Here is another that looks promising: Complete Book of Guitar Technique, by Sal Salvador.
https://www.amazon.com/Complete-Guit.../dp/156222557X
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Originally Posted by snoskier63
Sal Salvador was a great player and teacher. One of his students was Elliott Randall, perhaps best known for his killer guitar playing on Steely Dan's "Reelin' in the Years."
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Originally Posted by DS71
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Originally Posted by christianm77
But now I just want to buckle down and, like I said, focus on the 2. Tunes and transcribing.
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Originally Posted by DS71
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Originally Posted by pcsanwald
New Acoustic Image 2 Channel 600 Watt Amp Head...
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