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Originally Posted by MatsP
But no worries, as I rarely play at my limits of speed anymore, except for in other genres of music. (Although with COVID ending, I will probably be jamming more with my speed freak buddies, which will require getting my stamina back up again).
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03-16-2021 08:35 PM
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Originally Posted by AlsoRan
Did I miss something?!!!
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Originally Posted by Lobomov
No. Paganini must be performed at tempo and that IS the standard for a competent Classical Musician. However, that's not the speed I'm talking about but rather . . . speed for speed's sake. . . say Stevie Vai. And, "Anthropology" by Parker should be played fast, at tempo, but again . . . where is the dividing line between competent musical speed and showmanship? So, for clarity, speed is a function of a competent musician however, speed alone DOES NOT IMPLY MUSICIANSHIP. And, this creates much confusion and angst among some musicians. Pat Martino was capable of playing very fast; Kenny Burrell not as fast. Was Burrell's musicianship diminished in any sense? I hope that's clear.
Marinero
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Originally Posted by Marinero
I stumbled on this thread again about my use of the term "top" used among Chicago Jazzers versus "head." Thought a few of you might be interested since there was so much animus and inaccurate assumptions thrown around by some people .
Marinero
What is the origin of the phrase "take it from the top?"
English Language & Usage Stack Exchange › questions › what-is...
Aug 26, 2013 — Jazz). from the top: from the beginning of a piece of music, typically for a second or subsequent time; also in extended use.
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Players I know also use the term "capo" for the very beginning of the chart, consistent with D.C. al coda, for example.
The old big band charts didn't use DC that often. In fact, they were more likely to be multipage charts without repeats than to have a difficult roadmap. So, they wouldn't be thinking "capo" so often and "top" was very clear.
"Gertrude" - Daniel DeLorenzo
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