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Originally Posted by Prossi@cozen.com
It's a gamble to think that it only needs to be played to bring it to life. True sometimes, but.......how much are you willing to gamble on that possibility?
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02-13-2024 06:32 PM
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Originally Posted by Prossi@cozen.com
Also, your comments about the finish seem to indicate that you judged the acoustic tone as "strangled". How did it sound plugged in? Less acoustic resonance could be a good thing (i.e. less feedback) if you mainly play amplified.
Just some ideas ...
SJ
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I have a 77 Norlin CES in blonde. When I bought it, it took about a couple of months before it became "unlocked". Up to today, I believe it has not been played for? years prior to my buying. As if the tonewood had to get used again to vibrations due to it being played.
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Originally Posted by starjasmine
That said I generally prefer CES models to guitars w floaters which can be too lively as you state.Last edited by wintermoon; 02-14-2024 at 01:59 AM.
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What I find in my favorite CES examples is that they have the tone of a great acoustic archtop, but obviously much quieter. The other thing that I find in the best ones is that they don’t have a dominant resonant frequency. A lot of them go absolutely crazy when certain notes are played.
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It had brand new flats. I didn’t play it plugged in as it failed the acoustic test. I usually play acoustically!
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Originally Posted by Prossi@cozen.com
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Acoustically ? A CES is the wrong guitar. Buy a L-7, GJS, or LeGrand.
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Originally Posted by vinnyv1k
But yeah, the right tool for the job, maybe an L-5C
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So if a 1973 L5 appears to have a center seam on the back is that some evidence that the back and sides are carved as opposed to plywood? I can’t seem to find definitive start and end dates for the plywood back and sides.
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Originally Posted by Prossi@cozen.com
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weights for strap to counterbalance neck heavy...
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