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Hi all
Just a quick question regarding Action!
Having played many guitars I have always found that unless you have a pretty high action there is always a small amount of string buzz! Me personally will tolerate this especially if its only noticeable at very low volumes! I was just wondering if anyone else accepts a small trade off for a lower action?
Regards
Eddie
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05-01-2010 12:26 PM
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If you have a good set up you can get the action pretty low without any string buzz.
I won't tolerate any string buzz.
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Dave hunter wrote an article on the gibson site suggesting setting the actrion as HIGH as possible and then lowering it until you can play comfortably. Makes perfect sense to me. When I play other guitars I am not spoiled (and look like a star) and on my own guitar no buzz and more sustain.
So to answer your question.. none (or very very very little).
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Thanks! good answer!
Its funny though because most of the education videos I own all contain some string buzz! Emily Remler, Joe Pass Larry Coryell and even George Benson's "Art of Jazz Guitar" Though he apologizes for it lol!
I must also add that I am an ex professional studio sound engineer so I can be a bit anal! LMAO.
That said though all of the above are playing at a very constrained volume in these Vids!
Regards
EddieLast edited by merseybeat; 05-01-2010 at 01:32 PM.
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Originally Posted by fep
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Originally Posted by SamBooka
Sam? Any link on that Dave Hunter article?
Cheers mate
Eddie
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I always think the same. But then Dan Erlewine says having a small amount of buzz is 'normal' and can be tolerated to get slightly lower action.
Mind you, since he's the guy responsible for getting the buzz out of guitars, I guess he would say that!
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I have the GB video and it all sounds like crap.
Great playing but geeeeeeze.. (great vid too.. beyond me but he is very charismatic).
Here is the hunter article.
Gibson Tone Tips #33: String Height ? Raise It For Tone!
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Excellent, thanks so much!
Eddie
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NP.
And for the OP this is assuming the nut is cut correctly and your truss rod is set to your own personal preferences. I still prefer a little bit of relief but that may be a hold-over from my skinny string days.
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I think low action is something I never grew out of from my heavy metal days in high school. I probably tolerate more string buzz than a lot of people on here, at least on my PRS (rock 'n' roll gtr). I do keep it to a minimum on my jazzbox and on my semi-hollow; those guitars just have great necks. For classical, I won't tolerate it. My teacher in college was really strict about tone, so now I'm extremely picky about nylon-string guitar tone. I keep the action on my classical high enough to walk under.
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Basically its a custom factory built Gibson 137, great guitar but man the frets where higher than the Golden Gate Bridge! Its been a while since I set my own guitar up from scratch but I just returned everything to neutral. Stoned the frets down a touch, re-polished them, new Thomastik GB 12 flats and adjusted the truss to give a perfectly straight neck!
Now it plays like a dream! There was a slight buzz on 2nd string 5th fret (very slight) so I had the option to give a little neck relief but I opted for a slight bridge raise and all is well.
Why are Gibson leaving their frets so high???
Eddie
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When it starts to sound like bees are living inside my guitar, its time for a set-up.
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I bought two used guitars from shops that had string buzzing issues and they sat on the wall for months. Both were strung with skinny would strings and I cured both buzzing problems instantly by installing heavier flats and raising one or two bridge saddles slightly on the tunamatic bridges.
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Being a former Rock/Metal/Fusion guitarist, I was initially amazed at how much lower you can get the action when you go with heavier flatwounds. The action on my archtops is absurdly low, and no buzz at all unless I really punch the low strings.
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no string buzz. I don't compromise that sort of thing for low action. I play with a very medium if not high action (so I've been told). I've recently gotten my action on my 225 to be really low and it's uncomfortable and I'm adjusting. But I go back to my 335 and it's home.
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Lately I have tended to adjust the action down to where there is just the mearest tiny suggestion of fret buzz starting to happen when picking reasonably loudly unamplified. Once you plug in it isn't noticable.
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05-03-2010, 11:46 AM #18TommyD Guest
Mine are probably too high (ES165), but I can't turn those knurled bridge-height adjusters by hand unless I loosen the strings considerably, and I'm damned if I'll put a pliers to them. So there they'll stay, I guess.
Tommy/
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Hi tommy.. Loosen your strings.. it is worth it..
Again.. crank your bridge as high as you can and then start working down
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reasonable me says "as long as it doesn't come thru the amp." but i'm not that reasonable, i say "none."
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13 flatwounds, frets levelled,truss rod set to .008" relief at 8th fret, nut taken down where there's .006" between 1st fret and string when string is fretted at 3rd fret, check saddle(wooden, tunamatic, bone) is same radius as fretboard, then action set at 2mm for bottom E and 1 - 1.5mm for top E. No buzz. Top E can bottom out 12th - 14th fret so raise that side until it stops or you can live with it.
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