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Happy NGD.
I hope you didn’t go through all the trouble that others have dealing with Borys?
It’s a shame that when Vinny had his b120 recently made, Borys didn’t answer any of his attempts to make contact; on receipt of the guitar the electronics didn’t work, the case and guitar were covered in sawdust and wood chips, the tail piece, even though Vinny had specifically asked Borys not to give him that style of finish, was wrong and the nut width was wrong, making the guitar essentially unplayable for those wanting/needing the smaller nut width.
All of this joyful experience for a cool 6k.
It’s also sad that to top it off, some people on the forum who are big fans of Borys, essentially told a Vinny it was his fault and that he should apologise to a Borys for even telling anyone. It seems some fans of Borys can be as difficult to deal with as the man himself.
Enjoy your guitar B120. I’m sure it’s a wonderful sounding instrument.Last edited by Archie; 12-02-2022 at 05:47 AM.
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12-02-2022 05:32 AM
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if she sounds like she looks, wow !
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Originally Posted by fabiansey
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For me it was no trouble at all. His communication can be slow to be sure, I've always talked to him after the sale (own 2 of his guitars) he's answered the phone promptly. Guess I've been lucky.
Originally Posted by ArchtopHeaven
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Originally Posted by itsmyname
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Beautiful. I like the inlay at the first fret, which most Borys guitars don’t seem to have. It’s a small thing, but to me it just looks right to have that. And…I think I like the relic’d tailpiece. I feel like I want a Borys now.
Keith
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Originally Posted by floatingpickup
Starting the inlay at the first fret was actually an afterthought on my part. I sent Roger a text a month or 2 after placing my order. I simply asked can we start the inlay at the first fret. I got no response so I had no expectation. When he sent me a midway progress picture the fingerboard showed message received. I have other instances of that. The man listens. To me though honest to god, I just love the sound his guitars make, and the aesthetics of this one is icing on the cake. Get one before it's too late!
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Originally Posted by vinnyv1k
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Yes that is what I was steering Roger towards. His blondes were more on the brown side which I didn't like. He added red almost a burst because he knew I wanted flame wood and he believes flame looks blotchy one color. I let him do his thing and really it didn't matter. I wanted the guitar for it's sound and feel. Did come out really cool though!
Originally Posted by Gabor
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Originally Posted by ccroft
The B. will stay, but I need to do some careful comparisons to decide who's going to be shown the door :-)
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I don't know that I can really add anything to the congratulations already offered by others. I have jonesed for a B120 ever since I saw a photograph of Emily Remler playing one many years ago. I like the proportions, the curves, the headstock, the shape of the F holes, the shape of the tailpiece a lot. The guitar looks very unified aesthetically. Borys's finishing skill is outstanding as well. And in all the examples I've ever heard, the tone is outstanding. This one is a beauty! (So is Vinny's, for that matter). Congratulations and enjoy.
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Originally Posted by ccroft
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Originally Posted by Cunamara
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This is the older brother. Jimmy Wyble model.
Last edited by skiboyny; 12-02-2022 at 07:08 PM.
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Originally Posted by skiboyny
Another thing about Roger that irks some people is that he never advertises, or goes to any of the guitar shows like all the other luthiers. He also turns down any big name players who call him up, and ask him for a free guitar if they endorse it.
He mentioned that Herb Ellis tried to pull that crap with him, and he told Herb to screw off. Same thing with Paul Asbell.
He's always relied on word-of-mouth to sell his guitars, not hype, which irks some other luthiers.
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Originally Posted by sgcim
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Originally Posted by skiboyny
Curious about the difference between the two sound and playing wise. I am kind of used to the 25" scale at this point, have longer on Fenders and shorter on a Gibson.
I don't find there to be much of a problem switching between them.
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Originally Posted by bluejaybill
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Originally Posted by skiboyny
Of course, we have to take into account what a great player he is!!
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I think I have a better answer for you. The Wyble is a little louder acoustically and the timber is just a little lower. I've put lots of hours on the Wyble and the B-120 of course is brand new. I don't know if a laminate changes with time. You have to listen side by side to even hear this. When your playing it they seem very close. Amped up they are both big and fat.
Originally Posted by bluejaybill
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To my eyes, one of the most beautiful archtops ever designed. Mr. Borys has some serious talent.
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Originally Posted by m_d
Ibanez archtop with 0.010 Thomastik strings and...
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