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So what’s the difference between boost and drive?
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10-02-2022 08:24 PM
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Originally Posted by ccroft
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Originally Posted by pcjazz
especially BF Fender style circuits.
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Originally Posted by John A.
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May I add a +1 for the venerable Danelectro Daddy-O. The three band EQ is priceless. With my DRRI it makes 3 sound like 7, at a 3 level. I believe it's a Gov'nor variant. Edge to OMG! With a knob twirl!
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Originally Posted by pcjazz
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Check the Nux Morning star. It is a well built mini pedal that is basically a jhs morning glory clone. You get it on for about 40euros.
According to the jhs guy himself it captures 98% of the essence of their pedal.
I have it and I loved it.
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Originally Posted by pcjazz
ODs have signature tone colours (klon vs blues driver vs tube screamer) and timbre (diode vs op amp vs germanium/silicone diodes etc) and go from cleanish boost to distortion.
distortion goes further again.
the gap between boost/OD and preamp is grey as well. I think the primary difference is the signal strength potential (hence preamp) going from instrument to line level. I could be wrong on that though. The benson preamp, paradriver di, Hudson broadcast are all great examples.
How each of these react with your pickups voice and strength, amp front end, other gain pedals, other effects pedals etc is where the magic lies.
EMike.
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A boost sounds a bit counterintuitive to me – as I want less volume. But I understand that it drives the amp harder. One of the guys who's sound I like, Eddie Roberts from The New Mastersounds, uses an EP-Boost with a twin and an ES 330. I have no idea how loud this band is as I never saw them live – I was just assuming they are LOUD.
If I apply a boost: Does the volume control of my Vibrolux acts more like a master volume then?
I could just try it with the boost from my Tech21 Fly Rig for the next gig. And If that doesn't work I could try the sansamp section.
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Originally Posted by guavajelly
I'm sure that's very simplified and others will be able to speak more to the technicalities, but that's how I understand it.
A drive pedal will add a little hair without using the preamp of the amp. But many like to mix it up, but they usually want more drive than I suspect you do.
I used to gig a Tech 21 Fly Rig, and the boost functions broadly speaking the same way. I would say FlyRigs are more compressed in this regard.
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You should just get a Rockett Blue Note. It can do clean boost or overdrive. It is very versatile, works well with many amps/guitars, and is a great "starter" into the world of boosts/overdrives.
$200 new, but if you are willing to buy used, you can get them cheaper. I'll never NOT have one.
Rockett Pedals Blue Note Overdrive Guitar Effects Pedal | Musician's Friend
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Guavajelly,
I am far from an expert or even much of an enthusiast with pedals but it's not just " more volume" but rather the tone of more volume (an amp being pushed closer to it's max) at a lower level of volume. You can hit the preamp harder and or blend in some synthetic OD all while running your guitar volume knob at a lower setting. The result being the amp sounding like it would if it were hitting 105db, while the actual spl is 90db.
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Originally Posted by guavajelly
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OP: The Kingsley Page might be what you're looking for.
The guitarist in The New Mastersounds sounds like he's playing with more than a hint of gain. Some of it sounds like overdrive territory.
The Page has a more subtle overdrive as it's primarily a boost, but depending on where you set your amp it can get you there.
Any decent overdrive pedal with gain about 1/3 and amp volume up should be able to get close. Use your guitar vol to adjust for gain, on most pedals dialing it back will clean up the tone. Even a Fuzz Face with guitar vol dialed back can sound like a mild overdrive.
For lower amp volumes turn gain up on pedal, but I find that most overdrive pedals get too boxy when gain is high and volume is low.
Also, if you like TNM, you'll prob like these guys:
Last edited by street; 10-03-2022 at 10:22 AM.
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Over a year ago, somebody posted about a Zen clone hand made by one guy to order. I think the source was in the southwest, but I’m not sure. I can neither remember the name nor find the email I got from the builder. I looked into it because of the post, and found great reviews. After contacting the builder, I was ready to order one. But as I was (and still am) very happy with my Wampler, and I was notified the same week that the Superblock I’d had on backorder was coming in a few weeks, I decided to hold off on ordering the pedal.
It was in a plain metal shell with nothing on it but control lettering, and it was about half the price of a current Zendrive. Does anyone remember or otherwise know about it?
PS: I finally got the SB last month
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I'm sure Kingsleys are great! I'd love to try one some day. Hard to do with the wait-list and cost. But they are made in Canada!
The advantage with something like Rockett is you can buy on Amazon. I got a few pedals that way. One was defective. I had a new one in about 2 days with no shipping charges. I've also heard good things about 'The Archer', which they bill as Boost and Overdrive.
I think Blue Note is what O.P.'s looking for though. You know... Kenny, Grant, Pat... the record label :-)
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Originally Posted by ccroft
Where did the OP mention Blue Note tone......must have missed that.
He did mention he likes the guitar tone from The New Mastersounds and that is overdriven and sometimes goes into distortion territory. It's not a Blue Note tone at all.
That said, OP mentioned he's looking for subtle overdrive and the Kingsley excels at that. But it's definitely not the only option out there.
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You might try using a lower gain preamp tube in V1 (if you are using the Normal channel) or V2 (if using the Vibrato channel). Looking from the back, the tubes are called V1, V2, V3... across from right to left. The "Custom" Vibrasonic uses 12AX7 tubes in those V1 and V2 positions, but you may use lower gain tubes... 12AT7 is good for this.
It may seem paradoxical that lower gain might sound like a hint of drive. Some say it cuts the front stages' harshness. It does result in a smoother slightly compressed sounding tone.
Unity
Gain 12AX7
70% 5751
60% 12AT7
45% 12AY7
41% 12AV7
19% 12AU7
The phase inverter in your amp is V6 using a 12AT7, you can replace that with a 12AX7 to promote breakup at lower volumes.
Notice that you may simply trade the V2 and V6 tubes putting the 12AT7 in front of the Vibrato channel and putting the 12AX7 as phase inverter in front of the power tubes right now. You may well need to turn the amp volume higher... even higher if you use the -6dB input No. 2.
For more about this, see here... Fender Amp Preamp Tube Layout and recommendations
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If you normally use the reverb channel, just remove the V1 tube. This drives the second channel preamp a little harder. If the rectifier is a solid-state unit, replace it with a worn-out 5U4 tube. Lots of relevent info here: BF/SF Vibrolux Reverb | fenderguru.com
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Originally Posted by street
That pedal is great for the kind of breakup you'll find in some of Wes's and Kenny's records. Admittedly, they probably weren't on The Blue Note Label. Wes on Mellow Mood for EG is actually pretty hairy in his chording when they get going. Maybe it's more of a Van Gelder sound. Maybe the tweed fender or the Gemini cranked a bit to hang with Jimmy's Leslie. You can get that and much less if you like with the Blue Note.
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Originally Posted by ccroft
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The DOD 250 is a fantastic "always on" overdrive. Very transparent and dynamic. A classic pedal worth a try.
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Originally Posted by marcwhy
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At the other end of my box o'pedals is this wonderful device. Clean boost? Sure! Grit? Sure! Overdrive? Sure! Lots of distortion? Sure!
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Unless the OP just has to have boutique I’ll toss in another suggestion in for the lowly Boss Blues Driver. A fine pedal indeed.
In Praise of the Humble, Underrated Boss Blues Driver | Reverb News
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