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Call it a midlife crisis thing...my first guitar was a Strat copy...
So my Jazzmaster is living with a friend possibly for good, as I didn't really play it, and he's actually using it in a surf band. Before I gave it to him though, I took the Warmoth neck I had made for it off and put the original on...so I have this lovely neck that'll fit a JM or a Strat...and I'm thinking...why not buy a loaded Strat body and see what happens.
Anyway, I thought I'd share...I'm starting to look for bodies, but I'm going to wait to find something cool at a decent price. The neck is maple with an ebony board, and the headstock is painted black, so I'm thinking a black strat with a black pickguard...
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09-13-2022 01:16 PM
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Jeff, I have owned many Strats and while my latest Tele has my current affections, I still very much like the look and feel of a Strat. My experience is that the hardtail Strats have a different sound, but blocking the Tremelo can get you most of the way to that sound. I also like the tone of the American Standard body with the so called "Swimming pool" rout. That gives you lots of choices for pickup configuration and a bit of a semy-hollow tone, which is great for jazz.
HTH
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Jeff:
I've put together a boatload of plankcasters over the past few years - great fun, but I am largely finished with it. I have several loose loaded/unloaded strat bodies. Here are some of the plankcasters I've put together (with a couple of Hansens lurking in there):Last edited by Hammertone; 09-13-2022 at 08:53 PM.
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Originally Posted by Stringswinger
Definitely want to go traditional three single coil pickups...it's the in-between sounds that are luring me right now.
Actually, it's this particular song--the perfect little guitar parts and solo--that have me thinking about how I could use an in-between sound and some subtle whammy use in a jazz context.
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Originally Posted by mr. beaumont
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Originally Posted by John A.
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Originally Posted by mr. beaumont
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Strats are very fine for Jazz... comfort, feedback suppression, and with some time spent experimenting with amp and guitar settings you can get authentic Jazz tones. Seriously, I can make this one sound like an L5.
I'm considering a partscaster project myself. I have this pink monstrosity with an absolutely superb neck (the finger board dots are pink). I may look for a pawn shop guitar to get a Strat body, then buy a pick guard with everything already mounted and wired.
What body colors might look good bolted to maple with pink dots?
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Black. Goes with everything.
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Originally Posted by pauln
That green strat is a real beauty.
As for the pink, I love a shell pink strat...couple that with a mint green pickguard...whoa.
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Originally Posted by mr. beaumont
As my one and only stage guitar, we've 12K
hours of live performance, never's failed me.
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Originally Posted by mr. beaumont
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Originally Posted by lammie200
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Originally Posted by mr. beaumont
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Originally Posted by mr. beaumont
As with Teles, there are also whole rabbit holes for types of metal and the way they're made for the bridge components. I took the coward's way out and bought an entire Stratocastor, brand new, actually made by Fender. 33 years later, sloth and fear have kept me out of the rabbit holes.
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Originally Posted by John A.
Teles are a lot easier for the generally unhandy to put together, I've done two now.
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Originally Posted by pauln
Originally Posted by mr. beaumont
Go with the 2 point trem, it's just all around better IMHO. You should be able to find what you are looking for here:
https://reverb.com/shop/the-stratosphere?product_type=parts&category=guitar-bodies
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Originally Posted by mr. beaumont
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Originally Posted by John A.
My old strat copy I had when I was 12 was six screws...Never noticed much in the way of issues, so I think it'll come down to deal, and somewhat superficially, color.
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Originally Posted by mr. beaumont
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6 screw trems work more smoothly after you remove the 2 middle screws as well. Andy Timmons (Danger Danger) trick.
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Speaking of color... there was a book called Styles of the Studio by Leon White that had a natural wood strat and maple neck. It was the early days of me taking up guitar, around 1976. This 1975 strat looks just like what I remember and lusted for:
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Be careful, you could be like John Mclaughlin and realize the trem is an amazingly expressive tool for jazz guitar phrasing and not be able to play a guitar without it again....and start putting bigsbys on your archtops
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Originally Posted by mr. beaumont
I bought the pine Tele from this series here on this forum and love it. Best Tele I’ve owned.
Ibanez archtop with 0.010 Thomastik strings and...
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