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Originally Posted by Doctor Jeff
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01-23-2021 09:01 PM
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Originally Posted by christianm77
This is not a good time to make major purchases.
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Originally Posted by Gitterbug
I don't think this is a reflection of the state of the market so much as a reflection of the quality of the current management team.
Gibson archtop production? I don't think the fat lady has sung yet. I think the margin opportunity in a M2M program that includes archtops is probably quite attractive if it's well-managed.Last edited by Hammertone; 01-24-2021 at 04:54 PM.
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I saw a recent-looking Furch archtop the other day on Reverb or eBay. Didn't bother to check but I wondered if they started making archtops again. Looked nice, reasonable price.
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Originally Posted by Litterick
Wealthy people always have to have something to spend their money on. If they aren’t traveling to Hawaii or Vail, they might consider a high end guitar, or (if they took string instruments in high school) a CELLO.
Heck, I’m not Uber-wealthy, but since I DIDN’T go to Hawaii in 2020 I found it easier to justify buying a new guitar.
Also, what else you gonna do with your free time. Talk to your S.O. 24/7???
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Slightly off-topic but since cellos were mentioned...
My buddy and bandmate Jon collects basses. I mean literally—he has about 35. He usually gets them for a song—old big-band or college basses that have been used and abused—and he has a talented guy in town who can rehab them for a couple of hundred dollars.
He has a lot of them painted by a local artist as well—some are airbrushed using car paints, some are acrylic artsy works. He has a couple of aluminum cellos that were popular with schools because they don’t warp or crack—has an auto guy sand them and polish them to a high sheen.
I guess my only point is that maybe quality violins and cellos are hard to come by, but basses seem to be not so desirable on the used market.
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Apparently by mistake posted a draft that I later decided not to post
Last edited by Lobomov; 01-24-2021 at 06:17 PM.
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Originally Posted by Lobomov
Sent from my iPhone using Tapatalk
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Bought a Taylor acoustic last spring and a Mesa Rosette amp. This winter though I’ve been playing my 2017 Memphis Figured Natural 175 from the CME blowout through the ToneMaster Twin from a sale a year ago. I consider myself to be a lucky man.
Es 175 is gone from production
Mesa is no longer independent
Taylor is employee owned - probably a good thing
Hope Fender sticks around.
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Originally Posted by Jim Soloway
It is interesting to know there was a precedent. Thanks!
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Originally Posted by Doctor Jeff
Originally Posted by Doctor Jeff
Interestingly enough, when Epiphone called it a day in 1957, Gibson bought Epi specifically to acquire its cheap upright bass manufacturing capabilities. The guitar-making stuff that came with the deal was a bonus, and has been described by some as a surprise to Gibson when they unpacked the crates that they received. Gibson upright bass production was a failure for a bunch of reasons, and they gave up on it by '64, when the last remaining uprights were shipped.Last edited by Hammertone; 01-24-2021 at 07:13 PM.
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Originally Posted by vinnyv1k
And just to clarify - they are still making them, just limited and through only a few dealers?
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Vinny
Dave’s L5 at 10599 says it’s on hold.... wonder if it’s anyone here?
( no not me ones enough)))
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Originally Posted by Hammertone
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Well they do have the semi hollow models and ES-350T. Looks like the Epiphone offerings are limited too. No Emperor, Broadway or ES-175 models
. Wow, I can't believe they're asking $9,999.00 for a Jimi Hendrix Flying V and SG Custom.
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Originally Posted by RobbieAG
Finding 150 people with 10k to burn is doable .. finding more probably not.
Reviews are stellar
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Originally Posted by Lobomov
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Originally Posted by Doctor Jeff
Danny W.
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Originally Posted by jazzkritter
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Another plate of crow I must eat......my dislike of Henry J. He actually wanted every genre of music covered. Hindsight is 20/20.
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New CEO is doing a great job. They will probably be back one day. But if they can't sell enough them, of course they will stop making them.
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Originally Posted by Danny W.
Keith
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Originally Posted by Lobomov
Last edited by Jim Soloway; 01-25-2021 at 02:32 PM.
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Originally Posted by Jim Soloway
I don't get it either .. I mean at least the V has that videly known picture to go with it, but the SG?
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Originally Posted by Lobomov
John
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Originally Posted by Jim Soloway
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Originally Posted by floatingpickup
He drives a Lexus 350 now, and it fits in there reasonable well apparently (there is a use for SUVs after all I guess...).
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And from what I’ve read his estate likes to capitalize on his name for good money deals.
he sure don’t look happy with that V around his neck)
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We'll probably see a lot more jazz being played on Teles ala Ed Bickert.
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Originally Posted by Lobomov
John
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Originally Posted by John A.
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No affiliation, but there are some absolutely gorgeous WesMo's on Reverb and an equally gorgeous Lee Ritenour.
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Originally Posted by Midnight Blues
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Originally Posted by silvertonebetty
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The problem is that Gibson sound is unique. No one does it. There are for sure other builders which might be even better in terms of quality. Like Campellone, or Trenier or Triggs. But the sound of Gibson is quite unique. The thicker tops... It is not that you can imitate that easy. Someones does even better instruments. But that sound of the L-5 no ones does it. Neither Heritage guys.
Enviado desde mi LG-H870 mediante Tapatalk
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Besides sound, two other strong points would be the playability and feedback resistance of Gibson archtops. Don't know how they do it, but there is a world of difference with most other brands in both areas.
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Originally Posted by silvertonebetty
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Originally Posted by Midnight Blues
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Everyone complains about slanted pickups on Gibson archtops.
Jim Culberson told me it helps reduce feedback.
They do it on purpose. Reduces magnetic strength.
Hence I don’t flip mine.
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Originally Posted by Doug B
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Oh man, sad news.
In 1960 Gibson stopped making Les Pauls because everybody thought they were ’yesterday’.
Then went seven years when they realised that the World needs Les Pauls and started to make them again in 1968. And it still goes strong.
Let’s hope that history repeats itself!
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Originally Posted by Herbie
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Originally Posted by Doctor Jeff
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Originally Posted by Herbie
It was until July '66 when the Beano Album hit the record stores that things changed
So what we need know is a gifted guitar player to make a Top 10 record, where he makes new and innovative sounds on his Gibson archtop guitar
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Originally Posted by RyanM
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Miles Okazaki - contemporary player, vintage Gibby.
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Originally Posted by citizenk74
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Originally Posted by Lobomov
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Originally Posted by archtopeddy
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Originally Posted by RyanM
the UK, Cost as well as lack of availability is the problem for younger and the not so well off players. Gibson Archtop prices are now exorbitant
I assume that older players cling on to cherished Gibsons and private Luthier built guitars for that reason. The Gibson company's attitude to
their long term customers is one of indifference, The focus with their new CEO seems to be centred upon Solid bodied and thin line guitars.
Possibly an error of judgement in closing the Crimson Custom shop.(?) Having owned several Crimson Custom built Archtops one can say that they
are/were superb. and the prices, although high , were within reach of the serious buyer. The consequence has been the rise of the Independent good
Luthiers ,a number of whom are able to produce guitars equal to or better than the current crop from Gibson and at a considerably lower cost.
Kind regards, Silverfoxx
Jazz chords guitar exercise - Lofi Jazzhop lesson...
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