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What would be the difference between a 90s and one from let's say early 2000s (not the one with the floater). Did they change anything over the years? Maybe the neck profile?
TIA
DB
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11-22-2020 04:40 PM
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I haven't had one from either period, but my overall impression from occasional tryouts is that the build quality, at least finish, is inferior to a 175. Of those I have more experience; lots of QC issues in 2004-2005.
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Originally Posted by Dutchbopper
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I've never read of any alterations before the change to a floater in 2004. Mine's a '93 and is excellent. There have been complaints about the trapeze tailpiece hinge but I've had no issues. Perhaps I'm easier to please than most as it's hard enough to find any lefty archtops let alone a decent Gibson!
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I have a floater and I had a non floater, probably 6 years apart.
The neck on my Floater is FULL, (let’s put it that way..). I love the neck. But the problem is the heel. It is like “obstacle” big. I think the headstock is a tiny bit larger on my 165 than on prior years. And the headstock has inlays. The fit, finish and quality on my guitar is second to none. It is 16 years old and it is still very much perfect.
JD
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Originally Posted by PMB
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Originally Posted by Max405
DB
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Originally Posted by PMB
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Originally Posted by Stringswinger
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Originally Posted by Gitterbug
DB
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Originally Posted by Dutchbopper
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Originally Posted by Dutchbopper
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Give me a FAT NECK every time!
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I have a ‘91 which I think may be the first year of production. Excellent quality IMHO. No problems with the tailpiece. I would put the neck at a medium depth. The 490R pickup sometimes doesn’t get any love but I like it. Seems right for the guitar. Great instrument and used to be undervalued until fairly recently from what I see.
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I had a 2001 Herb Ellis. The label on mine said it was an ES-175, but it was clearly a standard ES-165 with a single built-in pickup and Herb’s signature on the headstock. It was a great guitar. I played it exclusively on all my gigs for a few years and it never disappointed me. It had a fairly substantial neck, quite similar to my 1959 ES-175. I loved the flamey top and the gold-plated hardware. The original 490R pickup sounded great to me. I removed the tune-o-matic saddle and put on a rosewood one, but that was the only change I made. I can’t speak to differences over the years, but I was definitely pleased with the one I owned and I think they are really great guitars for the money.
Keith
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Originally Posted by floatingpickup
DB
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DB, I know you are not looking for a Floater 165. But I have to say this..
For some reason, With Ti Jazz Swing 12's, my Floater 165 is an OUTSTANDING acoustic instrument. Its not really loud. Its just smooth. Perfectly well balanced. Deep but not overwhelmingly so.
If I only had one guitar, that is the one it would be. For me anyway.
From memory, my 165 had a GREAT sound. Very tight and solidly built. Better acoustically then the Modern 175s are. More like the 1953 175d that I grew up on. Electrically, very warm. More "airy" than the 175s. Same responsiveness. An absolute keeper of a guitar for sure.
JD
Another thing..
Dont give up the floater 165. Play one. The BJB is a very powerful and well balanced pickup. And the pickup placement is up against the base of the neck. Swap out the pickguard with a nice L5 Guard. Put a schatten under it, with tone and volume controls. Back the tone down to about 8 and You have transformed the Guitar into one of the best guitars out there. Trust me man. You'd LOVE it.
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Originally Posted by Dutchbopper
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Originally Posted by Dutchbopper
I wish it had inlays, not silk-screening. That's my only very mild, trivial complaint, but once I start playing it all goes away.
BTW if you listen to Joe Pass' late career custom single-pickup ES175, I often think the 165 sounds like that.
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2003 was the last year of the built in pu. They also did away with the HE silk screen headstock that year and went with a 175 headstock with a HE trussrod cover. 2004 they went with the BJB.
I am a 1pu guy so in 2010 I had Gibson make me this.
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Originally Posted by vinnyv1k
DB
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Originally Posted by lawson-stone
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Originally Posted by Max405
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Originally Posted by Max405
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Originally Posted by lammie200
DB
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They used to be dirt cheap. Sadly no more. I bought a used 96 for $900 and a new 2008 like Joe’s for $1700.
The best Gibson deals new used to be the HE, L4CES, and the TF.
Gone are those great prices.
The 1st TF I bought was a new 2008 and was $3K. Same price as a standard 175. My 2018 TF was $4600 after a lot of bargaining with CME. They wanted $7K for it because it was the last made. I waited them out till Dec. and they must have wanted it off the books.
They agreed to $4600 used no warranty. Still not a smoking deal at all.
The prices for a 175 on Reverb is quite shocking. 165’s cost more than new now.
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Originally Posted by Dutchbopper
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Dick I found the early 2000’s 165’s to have a nice medium profile. Some 90’s were also great and some were baseball bats. They are all over the map just like 175’s. I really believe the neck profile depended on the hand size of the specific builder of that guitar neck.
I believe the 2003 was the best HE. Last year of the built in pu. 175 headstock and the only year with real pearl fingerboard inlays instead of pearloid plastic.
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Originally Posted by vinnyv1k
Still, I hope to find one for 2k or under that even.
DB
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Originally Posted by vinnyv1k
DB
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Originally Posted by lammie200
DB
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i’ve seen a couple of es-165’s here for sale, all of them were 1900 euro. Some are still there.
But they all have fat necks and i want one with a slim neck.
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Originally Posted by lammie200
I TOTALLY Agree. The necks are actually kind of perfect to me. Not even close to the thickness of the neck on my Solid Formed - which is still very comfortable to me.
The only neck I had on a Gibson that was borderline chunky was a ES135. That was a head shaker..
JD
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Originally Posted by Max405
DB
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Originally Posted by Dutchbopper
3 months ago i just missed one at 1000 euro..
But it’s not even old archtops, 70’s teles and strats that you couldnt sell 10 years ago because nobody wanted them are now worth 3000.
All squier sellers think they can ask squier jv prices..
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Can we talk about the actual size then. From top of the first fret till the back of the neck? My es-175 vos is 25mm, my tal farlow 22mm.
The 22mm to me is perfect. Might even be persuaded by something a bit smaller.
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Originally Posted by Dutchbopper
I personally don’t like the floater 165. Very bright and the volume knob is in the way for at least me.
Gibson also did a limited run of single pu 175’s in 2006 and 2008 called the 175SP. They had yellowed binding but no VOS treatment and a nickel zigzag tail.
The vintage sunburst was a little on the green side though.
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Originally Posted by Dutchbopper
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Originally Posted by lawson-stone
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Originally Posted by vinnyv1k
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Originally Posted by Dutchbopper
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Originally Posted by lawson-stone
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Originally Posted by Max405
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Originally Posted by Dutchbopper
Before the demise of the 175 in 2017 the street price new was over $5K.
I bought my 1st Gibson in 1973. Since then the prices only went up both new and used. If you want a G on the headstock your bank account will suffer.
You can make more money but a special guitar is priceless. example: your 350.
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even the epi zephyr regent, which a few years ago was around the 500$ mark, is now being listed for around 1k$ and more!!
cheers
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Originally Posted by vinnyv1k
DB
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Originally Posted by icr
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Originally Posted by neatomic
DB
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I actually have one of those Epi's as well. It was $450 shipped with a case a few years back. After I joined JGF I started to get more serious about playing jazz and got sucked into acquiring an arsenal. I never broke the bank but I feel like have acquired what really works for me. I have both HE's, an ES-390, the Epi, six different Fender-type partscasters, Martin steel and nylon string acoustics, and a couple of others that may be on the chopping block at some point.
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Originally Posted by Dutchbopper
NOT JAZZ: Telecasters - they're not just for jazz...
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