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  1. #1

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    Does anyone know what brand of tapped delay Allan Holdsworth used?

    Thanks

    Doug

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  3. #2

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    maestro holdsworth used a bunch...always changing and striving for tone


    he used digital rack delay units..which were popular in his day

    he used ada stereo delays, lexicon and later tc...amongst others

    he was always exploring

    more important, to dial in the actual tap times, than the actual unit

    tapped delays go back to hank marvin and the shadows...he used an italian meazzi tape echo

    cheers

  4. #3

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    Towards the end of his career, Holdsworth used six Yamaha MagicStomps which were, I think, daisy chained together. IIRC he also used a TC Electronics distortion pedal.

    Prior to that he used UD Stomps, with the parameters noted here:

    https://usa.yamaha.com/files/downloa...dstomp_en2.pdf

  5. #4

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    Quote Originally Posted by neatomic
    maestro holdsworth used a bunch...always changing and striving for tone
    he used digital rack delay units..which were popular in his day he used ada stereo delays, lexicon and later tc...amongst others he was always exploring more important, to dial in the actual tap times, than the actual unit tapped delays go back to hank marvin and the shadows...he used an italian meazzi tape echo
    cheers

    It was ADA delays with six taps that I was thinking of. I remember that now from a guitar mag way back in the 80s-90s.

    And-those delays are still available from Universal Audio today as a software plugin:

    A/DA STD-1 Stereo Tapped Delay | UAD Audio Plugins | Universal Audio

    "A Hit with Guitarists Although it works wonders on all types of signals, in the rack-obsessed late ’80s/early ’90s, guitarists revered the A/DA STD-1’s versatile, ultra-analog delay/modulation tones. Jimmie Vaughan’s used it for faux-Leslie warble, while Allan Holdsworth obsessively tweaked two A/DA STD-1’s for complex modulation that went way beyond traditional chorus. Other STD-1 aficionados included Kirk Hammett, Scott Henderson, Steve Khan, and Bill Connors. "

  6. #5

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    I'm more familiar with AH's early work with UK or Bruford. Do you have a good example of the multi-tap delay on record?

  7. #6

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    I always meant to ask - what is a tap delay?

    I mean is it just the thing where you press the switch on the pedal with your foot a few times and it sets the delay to that tempo?

  8. #7

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    Quote Originally Posted by christianm77
    I always meant to ask - what is a tap delay?
    Hi Christianm77-this explains it far better than I could:

    https://www.uaudio.com/uad-plugins/d...ped-delay.html

    Actually, the correct name should be "multi-tap delay"

    And finally several references on the internet:

    multitap delay guitar at DuckDuckGo

    Hope that helps.

    Doug

  9. #8

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    ada made some great digital delays in their day....great company...i still have a vintage ada delay rack...still holds up


    tapped delay is based on the old multi-head tape echo machines...instead of a single head for delay, they'd have a few heads in the tape path...so that various combinations and permutations could be had...creating all sorts of rhythmic effects

    as i writ above hank marvin was one of first to use...the shadows tune-apache- is a prime example

    early pink floyd also used binson multi head echo machines to great effect


    cheers

    ps- mutitap delay was the edge/u2 sound...

  10. #9

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    ps- a current fave multitap echo in small pedal format...

    catalinbread echorec...a pedal tweakers delight



    cheers

  11. #10

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    Yes, I just saw that Echorec on Youtube today.

  12. #11

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    Quote Originally Posted by Cunamara
    Towards the end of his career, Holdsworth used six Yamaha MagicStomps which were, I think, daisy chained together. IIRC he also used a TC Electronics distortion pedal.

    Prior to that he used UD Stomps, with the parameters noted here:

    https://usa.yamaha.com/files/downloa...dstomp_en2.pdf
    Yes, I believe he programmed the Yamaha UDStomp and MagicStomp, so the following parameters could be used to create his sound:

    Setting from UDStomp User Manual below.

  13. #12

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    Quote Originally Posted by GuyBoden
    Yes, I believe he programmed the Yamaha UDStomp and MagicStomp, so the following parameters could be used to create his sound:

    Setting from UDStomp User Manual below.


    THIS ! Is the correct stuff that he used in the 2000's - these Yamaha units are scarce and highly sought after but I think that today one could approximate this setup with multiple <MODULATED> tap-delays in a modeler unit like the HELIX, the Quad Cortex and AXE FX . For the overdrive in his tone he used all sorts of pedals and often rack-mounted solid state amps from PEARCE and others.

  14. #13

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    Yep, he used 6 MagicStomps instead of the UDStomp for last decade or so of his career- 3 for clean sounds and 3 for drive sounds, plus a TC Electronics boost pedal and 2 volume pedals (controlling separate amps for clean and lead).

  15. #14

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    It's a lot of fun to fine tune multiple individual delays, though in the end it does sound like a reverb with an audible pre-delay setting.

  16. #15

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    Quote Originally Posted by Vihar
    It's a lot of fun to fine tune multiple individual delays, though in the end it does sound like a reverb with an audible pre-delay setting.

    Yes, I've set up 50 taps in DAW, the excessive taps makes it sound like reverb, multi-tap delays are easier to setup with modern software. Yes, good fun and you can create your own unique sound too.

    There have been plenty of Fractal Audio AxeFX Allan Holdsworth parameter settings:
    Allan Holdsworth Omnipatch | Page 2 | Fractal Audio Systems Forum