View Poll Results: Which Amp sounds best with a Gibson Les Paul?
- Voters
- 31. You may not vote on this poll
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Fender Twin Reverb
12 38.71% -
Fender Super Reverb
6 19.35% -
Mesa Boogie Electradyne
4 12.90% -
Mesa Boogie F50
4 12.90% -
ENGL Thunder 50 Reverb
0 0% -
RIVERA Chubster 55
1 3.23% -
RIVERA Clubster 25 Doce
2 6.45% -
Peavey Classic 30
4 12.90% -
Mesa Boogie Subway Blues
4 12.90% -
Fender Deluxe 112 plus
2 6.45% -
AER Compact 60 III
0 0%
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Mega Guitar Amplifier Review !! (part 1)
Eleven guitar amplifiers through the iconic Gibson Les Paul.
Covid19 and the quarantine that followed gave me enough time to prepare and carry out this MEGA guitar amplifier review.
In the coming days I will publish the review with some different guitars!
Next coming is a Fender Stratocaster through the same eleven amps, followed by a tele, a D' Angelico and a Gibson L5.
Enjoy!
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05-21-2020 07:43 PM
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Thanks for this! That was great!
I already knew I was a neck pickup guy, but this confirmed it.
I thought the Twin/neck sounded best.
I liked the AER more than I might have expected.
No argument with how the test was conducted, but I assume the tone control positions on these amps don't all mean the same thing.
So, another way to do it, would be to dial in the best tone (in the player's view) from each. That adds a wildcard, so I'd have done it the same way makam did, but I just want to acknowledge that adjustment in the tone controls can make a big difference.
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This just proves that guitar players spend way too much time obsessing over amps and tone. I think they all sound fine.
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I wouldn't agree that they all sound fine, but to each his own. Depends on what you are looking for from you and your rig.
That ENGL ??? The Mesa's all sounded good, warm and full, as did the Rivera's, but the TWIN neck did shine didn't it? Also, the Fender Deluxe 112 was a pleasant surprise. A few were sort of boxy, or choked sounding. I can see where trad jazz players would go for the AER, but not for me, just dull sounding.
One also has to factor in that there were probably stock speakers in each = a wide range of timbres! Did anyone say that all the amps went thru a single spkr. cab?
Can't wait to hear the TELE and the L5. Thanks Makam, well done, and well appropriated.
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I really didn't like the AER or the Engl. My favorite by a large margin was the Mesa Electra, then followed by the Rivera 25, then the Twin Reverb. The rest were just kinda OK.
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I really liked the mesa electradyne best, weird, i want to play one now...
i always loved fenders, and already have one
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Nicely done, Makis. Did you have the tone knobs set at 5 across all amps?
(Hey folks, this guy could make a cigar box strung with rubber bands sound fantastic!)
Makis Ablianitis: Makis Ablianitis – Μάκης Αμπλιανίτης
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Originally Posted by ccroft
As for the amps, does anyone play with all tone knobs in the middle? I don't and I don't know anyone who does, but what's a tester to do? So I have to agree with RP.
Seems odd to me that I found the Electrodyne to be one of the least attractive of the bunch as I've played Mesa since '76. I can't help feeling I could get something better out of that for my ears. Which are shot BTW.
RE the first half of my post, trying to find the 'great sound' can be a distraction from something far more important: what are you playing. Seems like guitarists are more consumed by gear than anyone else except photographers. I speak as someone who has suffered under the affliction. I paid the big bucks and waited like 6 months to take delivery of the first Mesa on my own tone quest. A long and winding road.
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To me the biggest surprise was how good the deluxe+ (Isn't that a budget solid state amp?) sounds and how different the AER was to all the other amps. BTW to me the Super sounds better than the Twin – a little more mids I guess? YMMV.
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It also shows that a Les Paul is pretty nice for jazz, if you can live with the weight and size.
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Nice job. I appreciate videos like this where I don’t have to listen to someone blather on and on for 10 minutes before getting to the actual demo.
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Really enjoyed that. And yes, being consistent in placing all controls in same position might mean you miss the ability to tweak any given combo into different territory, and listening on computer speakers etc...so normal caveats apply. That all said, I was surprised at how much I liked the Mesa Subway and Electra, they sounded very pleasing on all pick-up positions. That AER sounded ok to me but seemed a bit muted. What I reacted to mostly was how much I disliked the bridge pick up on almost everything else, even the Riveras. I'd never play that pick up with tone controls wide open but, again, the Mesas seemed to make even this set up ok. Thanks for this, I suspect I'll listen a few times.
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The type of tone control must be considered. A Fender type with bass and treble turned all the way down is close to “flat” for example, where an Ampeg or Henriksen on 5 is “flat”.
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Originally Posted by wzpgsr
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Originally Posted by Gitfiddler
Yes tone knobs all set at 5.
If I put the settings I like, most of the amplifiers would sound nice but similar ...
However, I never put the knobs in the middle when I play, especially since this setting is unfair primarily to Mesa Boogie, RIVERA and Peavey, but it is very favorable for Fender, which is mid-scooped.
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Originally Posted by Jimmy Mack
Thank you Jimmy.
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Originally Posted by boatheelmusic
What Fender says flat is: TREBLE = 0, MIDDLE = 10, BASS = 0 and that's because Fender is very mid-scooped.
On the other hand, Mesa Boogie considers flat or as a standard starting point: TREBLE = 1:00, MIDDLE = 8:00, BASS = 1:00 (clock position) but the pots are so interactive that you need several hours of searching, but in the end you will bring the sound of your guitar where you like it!
RIVERA suggests: TREBLE = 6, MIDDLE = 1, BASS = 4
Peavey: TREBLE = 12:00, MIDDLE = 10:00, BASS = 1:00 (clock position)
while ENGL: TREBLE = 5, MIDDLE = 5, BASS = 5
Go figure!!Last edited by makam; 05-28-2020 at 06:11 PM.
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I liked all the Fender amps the most. Rivera's came second after the Fenders. Among the Fenders Super Reverb sounded the best to me. Mesa's cleans were relatively unremarkable.
Last edited by Tal_175; 05-24-2020 at 10:59 AM.
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I liked the Mesa F-50 the best. I also liked the Super Reverb and the solid state Fender (that one surprised me!) quite a bit. And I have always liked a Lester for jazz.....
Thanks for doing that and I look forward to the other 4 tests.
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Mesa's sound like they have more mids and mellower highs compared to Fender's. They might sound better in an band setting than solo or duo IMO.
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Originally Posted by Tal_175
Mesa amps are built with circuit boards, but of the highest quality, so they are long lasting just like the vintage Fender amps. The one knock on Mesa amps that is totally true is that they require a LOT of fiddling with to dial in the sound you want (they have very interactive controls). A bass player that I have done many gigs with is a close friend of Randy Smith, Mesa Engineering's founder/owner and has told me that Randy is a jazz guitarist. I think all of the Mesa amps from the 70's through the mid 90's are capable of great jazz guitar tones. Some of the models since then are geared to the Rock playing crowd and may not do jazz quite as well.
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What nice problems to have! All sounded fine, and the rather subtle differences get diluted in a band setting anyway. I don't even try to arrange these amps into an order of preference. That the bridge PU position was to nobody's liking is no surprise, given which Forum this is. Instead, that neck+bridge sounded so close to neck alone was a surprise to me. Jazz players should try the combination more, to get both the round bass end and the treble-end timbre. Overall, the Fenders were brighter than the rest - again, not a surprise. In a test like this, where you (assumably) place the mic quite close to the speaker, you lose the presence and dynamics of a twin as opposed to a smaller amp. It would have been interesting to have a cherished Polytone and a contemporary solid-state amp such as Quilter, Acoustic Image or Raezer's Edge among the herd.
Interesting to hear the other guitars, especially the L-5. This may turn out to be a guitar rather than amp test in the end.
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I like the Electra Dyne best-it sounded different, but in a good way to me. I recall Kevin Eubanks played one on the Tonight Show.
My Mesa has treble, bass, midrange, presence, and EQ-sliders (not to forget a clean & fat switch)-so if you can't get tone you like, it's not the amp! There was no amp I truly disliked in this roundup.
BTW-No one does a shootout/comparison like Makam--Thanks!
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Makis had done a comparison video set playing "Fly Me to the Moon" on different archtops all else the same which helped me greatly when I was considering to buy my Hofner New President. He played Gibson L5, L4, Heritage archtops, Eastman archtops and a D'Angelico.
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Originally Posted by medblues
I would have preferred to hear them with a little less brightness. I thought they all sounded a little harsh. Of course, the tester has to make choices about how to present the guitars -- and all knobs up full with amp flat makes complete sense for the comparison. But, as for the amp comparison, I'd also like to hear each one adjusted by the player for the best tone. That's how I would do it if I was testing them to purchase one, but I'm not saying the tester should have done that. It introduces a poorly controlled variable. So, I appreciate what he did, but I couldn't pick a guitar based on it.
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