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Originally Posted by bluejaybill
I'd go with natural, no tint, and let the natural aging of the lacquer reveal that beauty over time.
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02-22-2021 09:14 AM
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Hi bluejaybill
Not a Campy owner sadly, but my natural L5 took about ten years to go honey. Once it did it really was awesome. Dont know about you but if it were today I probably dont have the ten to wait lol!
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I just feel like natural is a bit too bright. I prefer the antique natural that Mark C applies. To my eyes it has a bit more depth and a bit more warmth.
Originally Posted by bluejaybill
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I like it when they turn this colour:
Last edited by Hammertone; 02-24-2021 at 03:01 PM.
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I definitely admire the inlay and wood art on fancier archtops. But I remem er a conversation with Mark Campellone way back where he told me. His Std e try level guitars played and sounded the same as his fanciest models.
So while I can appreciate a Beautiful Blonde,LOL ! As a player I would consider the tone and playability first and foremost. And after playing a Campellone Deluxe owned by freind , they are GREAT!
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Mark offers a pile of colours as part of his standard range. Here's another one - this is his "amberburst":
Last edited by Hammertone; 02-23-2021 at 06:39 PM.
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Hammer, the amber burst and Maccasar (or Rosewood) is a beautiful combo.
Thanks for posting those pictures.
JD
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