To be honest, I'm not among the 200K plus watchers of this thread. Yet, I'd like to identify the guitar in this latest post. The cutaway doesn't look like anything I've seen on a Gibson, and I've seen a few.
This is my Super-400 CES from 1963 with the sharp/florentine cutaway. Gibson originally did them like this along with the ES-350T, Byrdland and L-5 CES from ca. 1962 until ca. 1968 . Not many were made and you see them used by Kenny Burrell, Wes, Larry Corryell, George Benson, Pat Martino and a few others. Very expensive nowadays .... The one in this clip is a new custom made model, a one-off and most probably not cheap either !
Man oh man, those Jun Satsuma videos have, to my ears, some of the most luscious electric jazz guitar tones I've ever heard. Especially the sunburst Super. What a fine player on the standards, too. So nice.
Last edited by Scott Beckwith; 12-26-2021 at 05:05 PM.
In practicing this morning i realized getting as comfortable as possible at my age was a priority.In order to spend any amount any time.And once again i noticed my picking hand/arm/shoulder had slide away from the pick up.I have be wondering in frustration what happen to a tone i use to get at times for like a month.And a few minutes ago i eureka!!!! I moved my hand/arm/shoulder up toward the pickup and there it was.Now my question is ,is my ear fooling me.mind you its a (a really nice,if there was any off ) 2015 Eastman 403 playing unplugged!Another question should this be in technique section.I figured getting optimal sound it would go here?
Well done Jim.
I'm Glad you could carry the brand on.
I've always found your guitars to look elegant and unique. A testament to your designs.
Cheers to you!
Here's where I am with the tune. This is the loose intro it changes each time I play it followed by the little solo section that I play between verses. Comping with the singer is four to the bar...
Great news! I’ve had three hollowbody guitars: a 1974 Gibson ES-175, a 2002 Heritage Eagle, and a Soloway Gosling single 15. I just let go of the Gibson and I’m inclined to sell the Eagle if I can...
That's an interesting one.
It seems at some point lyrics were written to this tune...the vocal versions that use those lyrics don't have that little flourish that was clearly there, right from...
As you say in your thread title, it's just "Stupid Real Book" -- the Aebersold you posted has the correct line as does this sheet from the Colorado Cookbook:
The recording is always right.
For what it's worth, John Lewis does it sometimes where he plays the melody without that, but there will be a saxophone or something playing an approximation of that...
I’m almost in the same boat as you. I heard Yaffee playing hers at Shalin and now I need to try one. May even make a trip to Georgia if I have to. I’m in southern nh. If you end up finding one and...
https://youtu.be/hremf06x0CQ?si=gegPqy8ioJqcOt6w
Tone log 4.19.24: The Compliant Rim Ribbecke continues to impress me with its willingness to do what I want at the same time it guides me...
Alrighty then, ladies and gentlemen...I know you've all been waiting with bated breath.....
Anyhoo.....JAN Philips 6L6WGB - quite honestly it was reminiscent of the CV4024 with the EL34. Same...
So, I've been looking at Afternoon in Paris the last couple of days, and there's a peculiarity w some of the Real/Fake book lead sheets. The first A section have a little melody line in the last two...
John McLaughlin and Joe Zawinul duet Zawinul’s...
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