To be honest, I'm not among the 200K plus watchers of this thread. Yet, I'd like to identify the guitar in this latest post. The cutaway doesn't look like anything I've seen on a Gibson, and I've seen a few.
This is my Super-400 CES from 1963 with the sharp/florentine cutaway. Gibson originally did them like this along with the ES-350T, Byrdland and L-5 CES from ca. 1962 until ca. 1968 . Not many were made and you see them used by Kenny Burrell, Wes, Larry Corryell, George Benson, Pat Martino and a few others. Very expensive nowadays .... The one in this clip is a new custom made model, a one-off and most probably not cheap either !
Man oh man, those Jun Satsuma videos have, to my ears, some of the most luscious electric jazz guitar tones I've ever heard. Especially the sunburst Super. What a fine player on the standards, too. So nice.
Last edited by Scott Beckwith; 12-26-2021 at 05:05 PM.
In practicing this morning i realized getting as comfortable as possible at my age was a priority.In order to spend any amount any time.And once again i noticed my picking hand/arm/shoulder had slide away from the pick up.I have be wondering in frustration what happen to a tone i use to get at times for like a month.And a few minutes ago i eureka!!!! I moved my hand/arm/shoulder up toward the pickup and there it was.Now my question is ,is my ear fooling me.mind you its a (a really nice,if there was any off ) 2015 Eastman 403 playing unplugged!Another question should this be in technique section.I figured getting optimal sound it would go here?
I think all three of the platforms I use have a metronome function that sends a synchronized click. That works ok but you lose the normal time feel of a good drummer. I doubt that they do any kind of...
Welcome - both to the forum and the world of jazz guitar!
I am also based in the UK and I have experience of both Mambo and Henriksen amps. Both are great, in my book.
I wouldn't say that...
The point of amps like Henriksen and Mambo is they are portable, well built and sound good in loud, live settings, especially with archtops and acoustic instruments.
If you are at a stage where...
hey Rick... sorry i had to leave ...
Anyway what or where I'm going is .... it's not that simple. There are layers of what can and is going on all the time. By that I mean you have multiple...
Hmm, it should be possible for the software to measure the average latency on each connection continuously based on a central clock, and provide every participant with a metronome that's synchronised...
I thought he was acclaimed? He's one of the most interesting of all the avant garde style players IMO. He offers something even to the rudimentary listener that can be accessed. A RK record was some...
While I have worked as a high school teacher and college lecturer, I haven't given music lessons in decades so my story might be irrelevant or outdated for today.
My first music teaching gig came...
Modern triad pair E/G, symetrical diminished pattern over G7 or AbMaj7, really cool sound.
This is a semetrical pattern based on an E triad over a G triad using the diminished scale to introduce...
I'm not sure this is worth answering. rp has been here a long time and isn't a bad player. But all this is at the same time very basic yet is presented as extraordinarily complicated. It's not, like...
Used Henriksen or Mambo amp
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