The Jazz Guitar Chord Dictionary
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  1. #1

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    Am I the only one who does not like the Godin, 5th Ave guitars. I see nothing but love for them on this forum but to me they sound like cardboard boxes with strings on them. Just awful.
    I think they are fine if you are looking for an entry level archtop. But, I could not imagine ever owning one if I wanted to enjoy hearing what I play.


    Please note, I do like Godin as a company and am glad a Canadian company is doing well, and getting people to play archtops.
    Last edited by Littlemark; 03-16-2019 at 04:36 PM.

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    The Jazz Guitar Chord Dictionary
     
  3. #2

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    What are you comparing them to?

  4. #3

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    I think this sounds pretty good actually.


  5. #4

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    I didn't like the flat radius, otherwise a good guitar.

  6. #5

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    Good job Jim
    a slight imbalance in the mids ?

  7. #6

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    I tried playing one at CME a few years ago and the frets seemed rough and unfinished to me.

  8. #7

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    They use cherry for back and sides. I used to have a cheap Simon & Patrick acoustic guitar (same company) that also used cherry for back and sides. It did have a bit of a cardboardy sound. When I tried a 5th avenue at a store, acoustically it also had that exact same sound. I think it's the sound of cherry, there is a definite cardboard quality to it IMO. But 5th avenue sounded pretty OK through the amp. However if I owned one, I would've perhaps eventually start hearing that sound of cherry wood through the amp as well. That would annoy me just because now I associate the sound of cherry with cheap guitars.

  9. #8

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    Quand nous chanterons le temps des cerises
    Sifflera bien mieux le merle moqueur ...

  10. #9

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    Quote Originally Posted by Gobi34
    Quand nous chanterons le temps des cerises
    Sifflera bien mieux le merle moqueur ...
    Google translate:
    When we sing cherry time
    Will hiss the blackbird better ...

  11. #10

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    nothing personal,
    Le temps des cerises is a French song related to the 1871 revolution attempt

  12. #11

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    Quote Originally Posted by Gobi34
    nothing personal,
    Le temps des cerises is a French song related to the 1871 revolution attempt
    I git it -- cherry wood.

    Now Mahogany/mahagonny...


  13. #12

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    When it comes to lyrics, I would not trust Google
    my personal translation would be
    "will whistle the mocking blackbird better"

  14. #13

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    Quote Originally Posted by Gobi34
    Good job Jim
    a slight imbalance in the mids ?
    Now that I hear it on a decent pair of speakers it's more like an overwhelming bass. I should probably try re-mixing it and see what it sounds like.

  15. #14
    I suppose I'm comparing it to ES 150s or the loar vs300 I have. Single pickup archtops really. But even compared to the new epi archtops they still lack lustre.

  16. #15
    Are you implying I'm starting a failed revolution

  17. #16

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    I haven't tried the Loar VS300, but I had an LH309VS and the sound was severely lacking compared to my Godin 5th Avenue to my ears.

    But, you like what you like and if the sound of a particular guitar doesn't please you, don't buy it.

    FWIW, I sold the Loar but still have the Godin.

  18. #17

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    I had an acoustic 5th Ave. Compared to the other laminates in that kinda price range I thought it sound the best .It was my first archtop and I was on a strict budget. I replace the pick guard as it was to thin and flimsy and bent to easily when I used it as an anchor which I do a lot. I replaced the bridge and saddle with a full contact rosewood and fitted it to the top which hugely improved the tone to my ears. I added a Shadow AZ48 floating pickup rather than get one with a pickup already installed as I didn't like the factory pickup as it sounded thin to me. I dressed/cleaned and polished up the fret ends they were annoying and rough out of the box. I think I squeezed everything I could get out of it and enjoyed it for a while but at the end of the day it lacked the nuance and complexity of tone and dynamic I was hoping for.

    Will

  19. #18

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    Quote Originally Posted by Littlemark
    I suppose I'm comparing it to ES 150s or the loar vs300 I have. Single pickup archtops really. But even compared to the new epi archtops they still lack lustre.
    I haven't played either one of those, so I can't comment on that comparison. I have a Kingpin -- acoustically, I like it because it fills a very particular need. The actual quality of the sound is pretty good (especially compared to most laminate electric archtops I've tried), but it is not as loud as a legit acoustic guitar. So I can practice with it unplugged and get (to me, anyway) an OK sound without bothering my family too much. So what you call its cardboard sound is more of a feature than a bug to me. Plugged in, I think it's a completely legit electric guitar. It's its own thing/flavor, and maybe not to everyone's taste, but I think it holds its own. When I play out with it, I get a lot of compliments from other musicians about its sound. I have other guitars, and it would not work for me if it were my only guitar, but I get a lot out of it. But we all have our own needs and tastes when it come to gear, and one person's trash is another's treasure.

    John

  20. #19

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    Yeah, I think if you compare it to a solid wood (or even solid topped) archtop, the sound isn't as good unplugged. But honestly, for what it is, a small laminated box--I think it sound a heck of a lot better unplugged than the other laminated guitars in it's price range (Epiphones, Ibanez, etc.)

    As far as "lustre" goes, that's all the Epiphone "Masterbuilt" line has, in my opinion. I much prefer Epiphone's electric archtops (broadway, Joe Pass, etc.)

    Plugged in, it's a P-90, and a pretty good one, imho. You either like that or not.

    If we're comparing apples to apples, the single pickup Kingpin is most like an ES-125, and fares quite well in that comparison.

    But hey, we all like different things. World keeps spinning.

  21. #20

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    All 5th Avenues are amongst the most comfortable guitars to play, for me anyway, and they can sound great. Like any guitar, and more than most, 5th Avenues benefit from a really good setup.

  22. #21

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    Quote Originally Posted by mr. beaumont
    Yeah, I think if you compare it to a solid wood (or even solid topped) archtop, the sound isn't as good unplugged. But honestly, for what it is, a small laminated box--I think it sound a heck of a lot better unplugged than the other laminated guitars in it's price range (Epiphones, Ibanez, etc.)

    As far as "lustre" goes, that's all the Epiphone "Masterbuilt" line has, in my opinion. I much prefer Epiphone's electric archtops (broadway, Joe Pass, etc.)

    Plugged in, it's a P-90, and a pretty good one, imho. You either like that or not.

    If we're comparing apples to apples, the single pickup Kingpin is most like an ES-125, and fares quite well in that comparison.

    But hey, we all like different things. World keeps spinning.
    Jeff nailed it, IMHO.
    I can't play like Jim, or Jeff, but the guitar in my avatar certainly works for me.

    And I should add, I've always found the Kingpin II surprisingly lively for a laminated box with two pickups drilled into it. I got mine from Jay (Jehu on this forum) so it may be that he'd done some work to it before I received it, but the fretboard feels great, there's a liveliness to the unplugged sound as I mentioned, and it excels at a plugged-in sound in its price range, IMO. Of course, that's a different discussion re. the P90s...

  23. #22

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    I too had lately an opportunity to try out the famous Kingpin. Second hand, very cheap. Very veeery beautiful! Gorgeous!

    But when I changed the stock bridge to a brass TOM bridge I noticed that the original brigde – and the holder too – was plastic. No wonder that it sounded, uh, plasticky!

    The brass bridge didn’t bring it alive for me. I didn’t have enough patience to buy and try ebony bridge and holder, I was too disappointed and I sold it for same price I bought it.

    I hope everyone else have had better luck!

  24. #23

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    I had one for a while, and thought it was a great guitar but the lack of cutaway and p90s ultimately didn't work out for me.

    I thought it was a great playing guitar and that it sounded good too, just not the sound I wanted. Happier playing an Ibanez archtop (happier still playing a tele).

    For a brief moment I had a Godin Glissentar. A fretless 11 string instrument that was a mix between a guitar and an oud. Now that thing was cool! The ebony neck and nylon strings felt amazing. But, I decided I didn't want to dedicate myself to that (and it was sitting unplayed too often) and let it go.

    All that to say that even though I don't have a Godin now I think they're a really great company and make really great guitars.

  25. #24

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    I'm surprised when I see how many pros use them as a working guitar. It makes me assume they are a basic dependable tool that gets the job done....as an electric jazz guitar.

  26. #25

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    Quote Originally Posted by Jim Soloway
    I think this sounds pretty good actually.

    Great playing there, Jim. I could never make a Godin sound this lively.

    edit: That's not meant as a Godin dig - I just can't make 'em work in my hands.