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...Don't forget that the scale length of your guitar can also make a difference to the feel of a string....
An '11' strung on a 23.5" 'Byrdland' a 24.6" ES 175, and a 25.5" L5 can feel a lot different...
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07-24-2018 08:38 AM
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Originally Posted by advid
Thanks !
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Warmer, slightly louder, less prone to intonation slip ups during fingering. I use 10's or 11's on strats, LPs or 335s and a 12 gauge TI or D'Addario flats, replacing the top two with 13 and 17. 12s feel flimsy now. A good setup should eliminate any challenge with extra pressure, and I have them on 24.75 and 25.5 scale archtops. So many small details to get a good setup, some of which is still a mystery to me, but this change is one I agree with.
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Use whatever strings you like, then listen to "God Bless the Child" (1962) with Jim Hall and Sonny Rollins. Know that Jim favored light strings 11-50 flatwounds with a plain G and a medium pick. Nowhere near plinky.
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Originally Posted by JCat
Just wondering because as you write, by the sound of his old recordings i'd never guessed him to be using an 11.
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Didn’t Bickert use .10s at that?
Jim had a bit of ‘rolled off’ sound - one way of getting rid of the plinkiness.
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Originally Posted by JazzNote
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I kept the top 2 strings the way they were when I used the JS110 Extra Light Flatwounds w/ Brass Plated Trebles because I replaced the original Humbucker Pickups on my Eastman Archtop Acoustic-Electric w/ these Railhammer Pickups The Bass Strings have Rails & the Treble Strings use these Larger Sized Pole pieces to compensate for the reduced Volume.
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I think a lot of what different players like for gauges
Has to do with how hard they play
For example
Ed Bickert sounds incredible on light strings
but he picks very light
Pat Martini , the opposite thing
Grant Green, What is This Thing
Today, 01:59 PM in Ear Training, Transcribing & Reading