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I play a stock MexiStrat with the bridge blocked (I left the springs in, because I think they contribute to the tone). It's not a traditional jazz tone, but it's got character out the wazoo. The Made-in-Mexico fenders are a great value these days. The quality is top-notch. I think the only thing the American-made ones have on them is slightly better wood. For $600 brand new, it's hard to find a better value.
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12-31-2015 12:03 PM
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I actually have a like problem... I have a Strat as well (a Squier Affinity, if that makes a difference) and a Mustang I V.2 amp. I can use the Fender Fuse software as well, but what amp and what settings can I use to get that classic guitar sound?
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ya know what I did? I rewired my strat knobs.
1 - Master Volume
2 - Treble Cut
3 - Bass Cut
Neck pickup with a bit of the treble and bass cut will usually get me much closer than just treble cut on a stock strat. Takes out some of the woofiness.
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A Stratocaster can easily be a Jazz guitar without trying to simulate the tone of an archtop. It's a very versatile guitar with a wonderful sound.
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Originally Posted by blkjazz
It would be interesting to know what amp Quentin was using with his Strat as the effect pedals back in "64 were limited in range.
PS: What a joyful sound all three make together in this video.
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Originally Posted by Drifter
Now, I play jazz, but I love Mark Knopflers sound from the Strat and Twin reverb on the first Dire Straits albums.
FWIW, my Strat is strung up with LaBella flats 15-56 at the moment. Sounds pretty jazzy to me. The neck PU is nicely placed right at the imaginary 24th fret, providing a sweet sound.Last edited by oldane; 01-26-2016 at 03:34 PM.
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Notice that the Stratocaster is on the bridge pickup. Whoa!
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Check out Dave Cliff at 4 minutes 0 secs here (with Georgie Fame).
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I use a Villex SJMB passive mid boost and it makes it very jazzy. Almost a humbucker sound.
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I have two Strats and play jazz on both and love the tone and feel. Here is how it all works for me:
First off, I use a "jazz" amp. In my case that is an Acoustic Image Clarus with a Raezer's Edge Stealth 10 cabinet.
My 1995 American Standard did not give me an acceptable jazz tone with the stock setup. I changed the bridge pickup to a Duncan 59, changed the pots to 500's, I blocked the tremolo and I put 12 gauge TI flats on it. It is an extraordinary jazz guitar now.
My Hot Rod AVRI 62 is set up with the stock setup with only the following changes: 5 springs on the tremolo and a wound third string with my 10 gauge roundwounds. It has a fine jazz guitar sound.
The right pickups, setup and amp make the strat a great jazz guitar choice.
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Originally Posted by Greentone
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Not mentioned yet: lock/block the tremolo. And see which tone you like better for your jazz tone.
There are a few threads on picks and/or using your thumb for altering your tone also.
Pickup height: lowering the (neck) pickup and turning the amp higher may work better.
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Sounds good to me!
So much tone is in your hands - how you pick the strings and fret the notes.
To be honest it would be a dull place if we all sounded the same. Just go for the sound you like best.
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I don't think Chis Crocco does anything more radical than twist a few knobs to get his tone.
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Thanks a lot. I agree "great jazz tone" is an absolutely subjective thing, but I'm just starting to discover what jazz is(what I like and dislike) so it was tough for me to explain exactly what I am aiming for. I could not agree more with the fact that tone is in the fingers and I don't dislike my actual set up,but it's been a while now since I played with my stratocaster (I mostly play metal) so I was just looking around and searching for possibilities. I think I'll start by putting bigger gauged flat wound strings and continue to listen more and more to jazz ! As for the guitarists I really like the sound of right now there's pat metheny (I know he uses an archtop), allan holdsworth and kurt rosenweinkel (did I spell it correctly ?)
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Originally Posted by stratcat
and he has played a long time and developed his sound over many years..
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To me jazz is less about tone and more about feeling. I just got a G&L Legacy, which I was playing tonight. It did jazz just fine in my opinion. There is a huge range of guitars, in terms of style and cost, that are commonly used in jazz. It all comes down to what feels best and sounds best to each individual. Give Barney Kessel, Jimmy Bruno, Grant Green, Joe Pass, or any other great jazz guitarist any guitar you choose and I am willing to bet that their playing will be easily recognized.
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I have a blacktop strat that I think sounds incredible.
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I bought a Seymour Duncan cool rails pickup (lower output humbucker) for the neck on my strat. Sounds great.
Interesting clip of Lorne. FYI, a buddy of mine studied with him and says one of the ways he achieves his tone is by playing heavier gauge strings with a light touch.
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these strats sound pretty cool
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There is my jazz sound on Strat.
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Originally Posted by kris
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Originally Posted by christianm77
You probably need to go and lie down for a bit now.
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While I greatly prefer to play and hear a Les Paul, I have to admit that a strat is by far the most comfortable guitar to hold against your body; it's just melts into you. To repeat what's said above, block the trem, put on .11 or .12 flats and when you feel like bending a step and a half, don't.
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Regardless of the strings, there is just something about a strat that makes the strings bend all by themselves, whether you want them to or not.
Is the Bud 6 Really That Good?
Today, 02:33 PM in Guitar, Amps & Gizmos