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That one is a beauty! Congratulations!
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10-04-2016 12:51 PM
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Billy Bean shall not be overlooked when it comes to bebop chops, he had monster chops and is worth digging
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yes, not to mention Pat Martino
Originally Posted by vinlander
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Joe, it wasn't personal. I can only imagine you and Patrick didn't have the experience with each other at the time of the transaction. Had Patrick began counting that money a second time in my presence I'd have snatched it from his hands, snapped the bills on his forehead while saying "Marine if you count that money one more time I'm going to put you in a headlock and honk your nose until you say Navy." We'd have shared a laugh and that would have been the end of it.
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Yes, you are right, we were just beginning our friendship. Don't get me wrong, I got over it. In fact, the day he passed away we were supposed take Ronaldo to lunch at a Cuban place across the street from his shop. But he called me the day before and told me he couldn't go because he said 2:30 was too late for him.. Then it turned out the real reason was because Peter Frampton was going to be in the shop that morning and he wanted to see Peter. Patrick never made it.. I got "better deal'd".. But that's OK. It was Pete Frampton. What am I gonna do.. Originally Posted by 2bornot2bop
Joe, it wasn't personal. I can only imagine you and Patrick didn't have the experience with each other at the time of the transaction. Had Patrick began counting that money a second time in my presence I'd have snatched it from his hands, snapped the bills on his forehead while saying "Marine if you count that money one more time I'm going to put you in a headlock and honk your nose until you say Navy." We'd have shared a laugh and that would have been the end of it.
Patrick was a trip.
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Joe, every single one of us has done things, said things, posted things that we shouldn't have. And we all know regret. I didn't know him personally, but I would bet it all that Patrick did, too. Play one just for him, to him, and tell him everything you have to say. And keep on playing until you get it all out. That song will get sweeter, and it will resonate with many more than Patrick, because we all know that song.
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Wow, Joe. That is a beauty of a guitar. I am listening to your clips as I write this and it certainly sounds like you found your perfect partner in crime with that Gibson. Enjoy the heck out of it!
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A couple of months after he passed, I actually played Lush Life for him the very next day after I bought his Heritage DA. He told me that was his favorite song. So I said before the song, "I'd like to dedicate this song to Patrick Amato"... When I was playing it, I looked around the restaurant and saw a couple of people looking around at other tables, whispering to each other, "Who the hell is Patrick??" True Story. Originally Posted by aboutIt
JD
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Man, I about busted my gut reading that
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Wow. What a beauty. Got my juices flowing.
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Thanks Fred.
JD
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Yeah, it is an amazing Guitar. Originally Posted by artdecade
I played the Heritage a little last night. I just might be able to drift back and forth between the Gibson and the Heritage. I will admit, its kinda cool to own both.
Im trying to figure out which one sounds better with a drop D tuning. Maybe I can leave one Standard and the other Drop D.
That would be ridiculous..
JD
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You know, I listened to some Grant Green last night. I liked it a lot. Originally Posted by vinnyv1k
It really is amazing how much the blues influenced those guys. The half step transitions that he throws in really fit the progressions very well. I don't do that, at all. I think I listened to WAAAAYYY too much Al DiMeola when I was developing. I have his runs etched into my head. What I need to do is loop a 25 song compilation of GG, Tal, JimmyR, Herb and Wes, and fall asleep with the headphones on. Do that for a week. Then it will all come naturally.
JD
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I really think you should include Pat Martino in the compilation. Apart from his tremendous technique he is probably the most soulful ballad player i ever heard. Originally Posted by Joe DeNisco
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Jim Hall.
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Originally Posted by Joe DeNisco
As long as we're throwing in names, I think you should get some Barney Kessel in the mix. He could bop with the best and then he could also do amazing arrangements of vocal classics like he did for Julie London.
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Joe, you could always put rounds on the HJS and in some respects have a different guitar. TI Bebop round 14's work for me, but they're available in 12's too...good string...and the other option is to place 80/20's or any other acoustic string to your liking. I'd be surprised if the HJS didn't excel with acoustic strings. I'm pulling the TI Swing flats off mine today...that top deserves to sing with a round wound is my thinking. Originally Posted by Joe DeNisco
I understand those of you who prefer flats on an acoustic electric archtop...When the HJS arrived last week I installed flats to hear what the fuss was about...I'm not feeling it personally....an acoustic electric needs to be driven with a string other than flats to my ear. I'm playing for my own personal enjoyment so string noise is really a non issue.
Excuse me while I go cut off a pair of week old $23 strings
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Originally Posted by 2bornot2bop
Joe, you could always put rounds on the HJS and in some respects have a different guitar. TI Bebop round 14's work for me, but they're available in 12's too...good string...and the other option is to place 80/20's or any other acoustic string to your liking. I'd be surprised if the HJS didn't excel with acoustic strings. I'm pulling the TI Swing flats off mine today...that top deserves to sing with a round wound is my thinking.
I understand those of you who prefer flats on an acoustic electric archtop...When the HJS arrived last week I installed flats to hear what the fuss was about...I'm not feeling it personally....an acoustic electric needs to be driven with a string other than flats to my ear. I'm playing for my own personal enjoyment so string noise is really a non issue.
Excuse me while I go cut off a pair of week old $23 strings
don't cut, unwind and save if the length jives w/another guitar
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Or send them to me. I'll use them.... Originally Posted by wintermoon
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Every other guitar has TI Swing 13's or Benson 14's Originally Posted by wintermoon
But I did unwind them and set them aside in the event of a string break.
The previous owner forwarded 3 sets of DR 80/20 bronze wounds...so I decided to sample my first set of 80/20's on the HJSLast edited by 2bornot2bop; 10-05-2016 at 04:12 PM.
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Cant be wastin those TI's bro..
That's like gold around here..
JD
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The DR bronze wounds were crap. They lasted all of 3 hours, and I trashed them. 3 sets of strings in one week and I'm settling on the TI Bebop round 14's for the HJS. Originally Posted by Joe DeNisco
JD I'd be curious to hear the GJS recorded with TI Bebop's of your choice. I find acoustic electrics sound richer with the TI Bebop's.
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Congrats Joe! I really like your tone and playing and this guitar seems to be the peanut butter to your jelly. You deserve it.
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He won't do it because of string squeaks, I tried before. Originally Posted by 2bornot2bop
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medblues, I'm sorry bud. If I played without an amp most of the time, I'd probably use roundwounds. I just love the feel, sound and smoothness of flats. To me, that's the sound a jazz guitar should make. Originally Posted by medblues
335! Where ya been man? Welcome back. And thanks for your nice words. But I've been slacking. Too much rearranging the lineup and not enough practice. That's officially over (stop laughing Vin). Originally Posted by kid335
2b, I do like the strings that Patrick had on the 18" Unity. They were either Bebops. Originally Posted by 2bornot2bop
I will try them, I promise.
JD
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