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Originally Posted by Steve Longobardi
One doesn't expect a Chrysler 300 to ride like a Mercedes 300.
It's almost unfair to compare the two instruments as they share many many different attributes beyond price.
I've owned some 8/9 GE's, so many I stopped counting. I could not get a consensus on any two of them. Each was unique to itself, especially so in voicing. I owned two that were exceptional, and one that was stellar....Unlike LeGrand's, each GE, or Heritage for that matter, is a custom build. I've owned GE's that were very vibrant...some not as much...several tap tuned. Good luck getting a tap tuned LeGrand, even for twice the price.
That's what it comes down to for some of us...the cost of diminishing returns raises its head. But if one must have a Gibson to be satisfied, nothing else will do.
In audio, buyers frequently feel the need to justify the amount of money they've spent, when a lesser amount of money could have acquired superb sound for far less. Same goes for guitars. "Best" is subjective and in the mind of the beholder.
If a LeGrand is more "vibrant" than a GBJSA, I'd like to hear one...for I've heard nothing that had the harmonic vibrancy of a GBJSA...and they're commonly available for less than $5k.
Originally Posted by Marty Grass
I'm easily getting $3500 for a year old GE.
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06-25-2016 04:40 PM
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2b ,
You bring up very valid points and resale value is consistent with market perception. As I noted, the GE is arguably the best value on the market. I for one have never really been into Gibson Archtops, but mainly boutique builders....,but im finding some of the Gibsons to be quite nice and seem to retain value. The key is buying all these guitars used - at the right price, except of course custom builds. As with anything else, the loss is consistent with spend.
I hope I didnt offend any GE owners, I would buy one in a minute - they are great guitars. As for Guild Benedettos at 25.625 scale .....they are certainly vibrant.....but known to be fatiguing .
Sent from my GT-N5110 using TapatalkLast edited by QAman; 06-25-2016 at 05:20 PM.
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I know I'll get in trouble w/ some of you here, but here goes! Heritage is certainly capable of making some excellent guitars when they put their minds to it. And I've owned a bunch H-535,Roy Clark, H-550, Millenium Ultra.
But I never felt the Golden Eagle was of the quality of Gibson archtops L-5C, Le Grand, J.S., etc Way to bright and thin of a top and back, and pencil thin necks as well. Gibson carved tops while not always having larger neck profiles, definitely have thicker tops and backs, which translated to a fuller tone acoustically. Maybe this just comes down to individual preferance, but I've never played a GE Heritage that I ever wanted to buy. And although the Gibson price is much more I definitely wanted to buy it, not that I could afford it LOL!
Just an aside I had Frans Elferink build me a 16&1/2" x 2&1'2" 25&1/2" scale 1&3/4" nut width ( Basically a George Gobel L-5C w/ floater) for around $4k and it's as good as any comparable Gibson I've played. There's a similar Elferink for $3k in the For sale forum at the moment. I have no affiliation w/ the seller!
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Both of my LeGrands were 25.5" scale length. Over the years I've found that when sellers advertise an anomalous scale length, they usually don't know how to measure it.
Danny W.
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My LeGrand measures precisely 12.655 from leading edge of nut to center of 12th fret. ( 12.655 x 2 = 25.310)
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That's the way I measure scale length too.
The SB one at TMZ right measured that way added up to 25-3/4.
Crazy..
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Wow - 25.750 is crazy !
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Originally Posted by jads57
Pencil thin necks? Isn't that a common complaint of 60's Gibsons too?
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Originally Posted by Joe DeNisco
You might want to get them to measure it again. Then again.
Originally Posted by JazzNoteOriginally Posted by Steve LongobardiOriginally Posted by Joe DeNiscoOriginally Posted by Danny W.Last edited by Hammertone; 06-25-2016 at 10:14 PM.
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2b, I do miss the HJS for a lot reasons. It was a Goto type of guitar. Very light weight, great neck, beautifully full balanced sound and 25" scale.
It was really nice. And the price was right. But I am trying to buy a similar Gibson at nearly twice the price. I should have my head examined.
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Originally Posted by Hammertone
Plus the guy knows what he is doing and I won't belittle his intelligence. I trust him.
JD
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Originally Posted by Joe DeNisco
Ooooh, ooooh…better idea:
What you REALLY want instead is a Hofner Chancellor. 25 1/4" scale. 17" body. 3" rims. Very similar overall size to a JS. Carved top/back, floating pickup,pickguard-mounted controls, gold and ebony bits. And the 22-fret neck is glued down to the top just like a JS. And the top is carved the way JS wanted, with the recarve following the shape of the guitar. In fact, I bet that, if Johnny was alive, and Hofner paid him a pile of money, he'd be endorsing the Chancellor and it would be called the Johnny Smith guitar! Or the Johann Schmidt guitar! Yeah! Coincidentally, I have one for sale/trade on this very forum! That's the ticket!
With apologies to Joe E. Ross...Last edited by Hammertone; 06-25-2016 at 11:22 PM.
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FWIW in 1979 I bought a brand new Gibson JS. I loved the pickup and the sound. I disliked the pickguard cable jack and the neck profile was wide and thin. I have only played 2 LeGrands and though not a big fan of the BJB I find the LeGrand to be superior at least to me. The build quality on the 2 LeGrands I played was a step above L5's. I could not find a flaw anywhere and I am very critical. I believe Citations and LeGrands are Gibson's very best. Best builds, woods, and QC.
Probably like the Aaron Cowles days only one guy builds them. The LeGrands I played had wonderful necks and better sustain than my JS but it might be because of the tun-o-matic. They both feedback easily. You need to be far away from your amp. The LeGrand is my next guest. I am lusting the lemon burst one at TMZ.
Joe I love you bro but their is no getting around the fact that you are going to have to lay down some serious scratch to get what you want. 2b gets the good deals and we were put on this earth to stimulate the bad economy.....:-)
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Great post bro.
You are right. I really can't play with the big boys. If my latest attempt falls short, I will concede.
I am in awe of what you got already. The Lemonburst LeGrand should be the last straw. You are welcome to live with me. I have cases of rice a roni and spam in the basement that we could live off of for a couple of years..
Happy Birthday brother!
Joe D
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Neck relief could make it measure a little shorter. As for longer, some guys measure from the trailing edge of the nut, not the leading edge. Some measure from nut to E2 saddle. Go figure.
There is chum in the waters and the remoras are out in full force.
Joe, if you want a custom jobbie, the closest thing to a custom Gibson Johnny Smith that Gibson won't make you is a Mark Campellone. Mark can make you a Standard or Deluxe or Special with a 25" scale length, 1.75" nut width, 3" rim depth, carved top, the works...and with a nice Campellone headstock and binding too.
http://mcampellone.com/Models/standard.htm
http://mcampellone.com/Models/deluxe.htm
http://mcampellone.com/pricing.htm
For $4950 with no fancy inlays (as Jimmy D'Aquisto would want them) or binding, Mark is the best deal going. Ask Mark about tap-tuning and you'd probably get, What note do you want it to be tap-tuned to?Last edited by Jabberwocky; 06-26-2016 at 12:41 AM.
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Originally Posted by Marty Grass
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Originally Posted by 2bornot2bop
Heritage took off where Gibson left off: NORLIN Gibson with all its foibles. No two Heritages sound alike. With Gibson, you get the bog-standard predictable Gibson house sound. Maybe that is not good enough for some.
What does tap-tuning mean? What does it really do?
I think it bears repeating, beware the man with only one gun because he knows how to use it very well. 8-9 Golden Eagles, 2bop? All I can say is that you owned 8-9 GEs. Do you keep any guitar long enough to take its full measure?
What does tap-tuning mean? What does it really do?Last edited by Jabberwocky; 06-26-2016 at 12:56 AM.
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I love my Le Grand especially after the techs at Rainbow set it up right. It will be 23 years old this year. I ordered it just a few months after they introduced it in '93.
It is one of the best sounding acoustic archtops that I've played .... some of the vintage pieces I've played may have the edge on which is better, but not by much
Matched to the right amp the electric tone can be quite good .. and I still have the original BJB pickup ....
Floaters can sound thin to me in some otherwise very good amps ... I am usually able to find an amp that works well with them after a few tries
I met Jim Triggs while visiting a '94 Nashville guitar show (or maybe it was the '94 NAMM?) and he made a wooden bridge for me and his bridge is still on there ... I prefer that to the tunomatic that it came with
I've only had my hands on a couple for Johnny Smiths and they were kind of dead acoustically .... both were 60s models IIRC .... so maybe a 70s or later model will be better .... I'm a Gibson fan, but I have not liked any of the 60s Gibson archtops that I have encountered.
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AJL of Finland does a fancy natural version for $5469 USD:
AJL Guitars | Archtop Guitars
Maple Archtop Guitars
My main goal with these 17-inch archtop guitars is to have an acoustically superior guitar, with good separation, volume projection and a classic vintage look. Top and back are handcarved and graduated in the traditional Cremona-style. Without compromise in the chosen woods and hardware, every part is a top drawer. "Stealth" volume pot is hidden behind the edge of the pickguard. Different choices are available for pickups.
Technical data
Scale length: 25 1/2"
Body size: 17 inch
Top: Solid European spruce
Back & sides: Solid masterclass flamed maple
Neck: Solid masterclass flamed maple, two piece, rosewood stripe
Neck dimensions: 43mm at the 0-fret, 54mm at the 14th fret
Fingerboard: Ebony with m.o.p. inlays and side dots
Frets: Jescar EVO
Bridge: Brazilian rosewood with gold plated thumbwheels
Hardware: Grover Imperial tuners, Fingerstyle tailpiece. All gold-plated
Truss-rod Two-way adjustable, two unidirecional carbonfiber rods
Inlays: Genuine Mother of pearl
Pickguard: Bound tortoise-style with hidden volume control
Finishing options: Natural, Aged, Traditional sunburst, Tobacco sunburst, Bordeaux
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Originally Posted by 2bornot2bop
Originally Posted by 2bornot2bop
Originally Posted by 2bornot2bop
Most of us are not into flipping guitars; we actually buy them to play them. My 2012 Le Grand costs me $5500 used all in. I still have it. If a guitar is great, I don't think about resale although i am aware of resale values.
That Lemonburst Le Grand is a smorgasbord of YUM. I'd buy it if I can afford it but I can't but that is my problem, not Gibson's.
Gibson Custom Shop Le Grand Archtop Electric Guitar Lemonburst | The Music Zoo
No doubt it brings up the hackles in some.
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When it comes down to reductive reasoning, why buy a Heritage at all? Go to Mr. Wu and he will whip one up for the princely sum of...Jiu Bai Mei Jin! Nein Hun-led Dollahs...
Last edited by Jabberwocky; 06-26-2016 at 01:38 AM.
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The rapier wit of the Jabber remains unequaled!
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It is kind of funny how circular all these guitars are. Here is a timeline of sorts:
Gibson invents the L-5
D'Angelico makes a hand built guitar somewhat based on the L-5
Johnny Smith plays a superb D'Angelico
Guild makes the Johnny Smith Artist award based on JS's DA
Johnny Smith gets mad at Guild
Johnny Smith has Gibson make a Johnny Smith model (Guild's model now becomes the Artist award)
When Gibson moves to Nashville and Heritage begins, Johnny Smith has Heritage build a Johnny Smith model (Gibson alters the scale length and nut size of the Johnny Smith and calls it the Legrand)
Bob Benedetto redoes the Guild Artist Award. Johnny Smith plays one and endorses it and it goes full circle back to being the Johnny Smith Award (Heritage stops making the Johnny Smith model).
Guild archtop production in the US ceases and Johnny Smith dies. So there are no more new Johnny Smith guitars or Artist Award guitars. All that is left is the LeGrand.
And we jazz guitar players have to sort through this mess to figure out what we like.
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Maurice Dupont:
Attachment 32807
Stefan Sonntag:
Archtop Jazz Guitar J16/J17 Standard
Attachment 32808
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Originally Posted by helios
And funny, Joe, all you asked about in your OP was the scale length of the Le Grand and for those with any real experience of the Le Grand to pipe in.
Paisan, take a trip to TMZ. You have got the chops to find out for yourself its "harmonic vibrancy". That is what my last girlfriend said to me, she's packing her dildo because it has got more vibrancy than I do. Sorry, hun, I don't run on batteries, you know.
That Energizer Rabbit ad...I know whom their target market is.Last edited by Jabberwocky; 06-26-2016 at 02:43 AM.
Sonny S. -- Les Paul Player
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