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One of the folks around here asked me about the Hofner New President on a "for sale" thread, so I'm posting some information about it here, in case anyone is interested.
"…[ ]... Hofner New President, which is @15 7/8" wide, and full depth. These have floating pickups and tend to have bigger necks. Lovely carved-top guitars that can be played electrically and acoustically.
The Gibson JS has a 25" scale. The Hofner New President has a 25 1/4" scale. The Gibson Lee Ritenour has a 25 1/2" scale. The stock Heritage Sweet 16 has a 25 1/2" scale, but you can always ask for a shorter scale."
Last edited by Hammertone; 01-16-2016 at 08:46 AM.
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01-14-2016 10:09 PM
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Originally Posted by Steve LongobardiOriginally Posted by HammertoneOriginally Posted by Steve Longobardi
- 1-piece maple neck, typically c-shape, medium to large size (it varies because necks are all final-carved by hand)
- nut width somewhere from 1 11/16" to 1 3/4" (it varies…)
- ebony board, mother of pearl inlays
- carved spruce top
- laminated anigree rims/back
- ebony bridge, pickguard, buttons, tailpiece (over a metal base)
- floating Hofner mini-humbucker, vol/tone on pickguard
- Scaller tuners, straplocks
- 25 1/4" scale
- 16th fret neck/body jointLast edited by Hammertone; 01-14-2016 at 10:21 PM.
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Those are sharp looking.
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You wont find a more acoustically responsive archtop imo but the amplified tone is poor.
If only they made a 17" wide 3" deep body, to help spread out the acoustic sound a little.
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Originally Posted by ArchtopHeaven
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Originally Posted by whiskey02
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Originally Posted by ArchtopHeaven
Now for the electric response, I find it to be very pleasing; not in the traditional Gibson sense, but rather, as a quality representation of a floating humbucker properly reproducing the acoustic tone of the instrument. If you purchase the guitar in hopes of reproducing the thick L5 tone, you will be disappointed. However, if you want a stringier acoustic sound, this instrument provides the amplified acoustic touch in spades.
I wouldn't necessarily take the Hofner President or Jazzica over dedicated electric instrument like an L5 CES or ES175, but I like having it in my tonal quiver. It's tone is different enough to get me to alter my playing a bit, which I think encourages me to think and play in different directions.
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Originally Posted by Klatu
https://soundcloud.com/archtopheaven/hofner-president
Lol I feel like a Lawyer pulling out some last mint shocking evidence to stun the court. Here are two old recordings I made of the "average" acoustic sounding (Under 16" size) Hofner President.
Its' a testament to this guitar, that I cannot decide if Im fighting for, or against it.
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I'm not sure if you think I'm badmouthing the instrument. I am not. I own a President and a Jazzica that I am very happy with and can't see letting go.
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What'chu talkin' 'bout, Willis?
I'm not badmouthing the instrument.
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Just happened onto this thread. The two are both gorgeous ! Only thing I'd think would be a teeny tad better is a floating neck pickup instead of the body mount. I know about the feedback potential. Just sayin', for the halibut ....
Question: Did Hofner improve due to McCartney's bass visibility and thus thousands of those basses eventually becoming in demand ? Or, has Hofner always made these fine archtops and other high quality instruments well before the 'whatchamacallits' (and maybe even why PM bought one in the first place) ?Last edited by MarkInLA; 01-16-2016 at 01:46 AM.
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Originally Posted by MarkInLA
Here's a really condensed look at the archtop guitars:
Hofner started making archtop guitars in the early 1930s. They were OK, functional, not fancy guitars. They re-established production in the late 1940s, and really came into their own @1953. By then they were making a full range of archtops, including some really nice acoustic 16" and 17" archtops with carved tops and laminated rims/backs. Specific early 1950s models can be fabulous acoustic archtops - I started collecting these in 1980, and have a few of them. By the late 1950s and into the 1960s, they had stopped making most of these guitars with carved tops, continued most of the models but with laminated tops, lost a lot of recarve in the designs, and were offering many more pickup options.
Hofner has always exported, but had a special relationship with Selmer, their distributors in England in the 1950s and 1960s, so lots of old Hofner archtops are known by their Selmer model variants, such as the President, Committee, Verithin, Senator, Congress, Ambassador, Golden and so forth. Hence the "New President" moniker.
By the early 1960s, they introduced all sorts of solid-body and semi electric guitars. By the late 1960s archtops were dead, they streamlined the archtop line, but they continued to offer several excellent electric archtops. Through the 1970s and into the 1980s they had very few archtops but a couple of excellent high end ones - carved tops with floating pickups, clearly designed to be amplified. They introduced the excellent Attila Zoller models (carved tops w/floating pickups). They introduced the Jazzica, a laminated guitar with a 16th fret neck/body joint) in the late 1980s. By the end of the 1990s, the Jazzica had a carved top, and they introduced the New President, with a carved top. In 2000, they re-introduced the Verythin, their thinline double-cutaway semi. By 2004, they introduced the Chancellor, a fully carved 17" archtop with 3" rims, as a flagship model. Also, by 2004, they had modified the designs of the Jazzica and the New President to have more acoustic voicing. By 2014, the Jazzica, New President, Chancellor and Verythin were discontinued as catalogue items and had become special order items.
Most of the German-built New Presidents, Jazzicas, Verythins, and versions of these models that one finds these days will have been built between 2000 and 2010. Chancellors are so limited in production that they rarely appear at all in the secondary market. As well, their owners tend to keep them for some reason. Although there is one for sale on this very forum…..hmmmm…..
Hofner introduced "Gold Label" instruments @2014 - these are essentially German-built "Custom Shop" instruments - special woods, cool colours, limited editions, one-offs. If you are looking for a purple Beatle bass, I'd be happy to help you out. The beat goes on!Last edited by Hammertone; 01-16-2019 at 03:07 PM.
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Just a bit of context:
Hofner has been making violins, violas, cellos and upright basses since 1887. They have been making classical guitars since the 1930s. The have been making the 500/1 violin bass since 1956. They have always had an export orientation, in line with the evolution of the German and Bohemian instrument-building tradition going back over the past couple of hundred years. I'm sure that the violin bass helped their fortunes immensely when low-cost Japanese guitars entered the market and put most other European makers out of business. One must realize that the availability and cost of American-made instruments in post-war Europe made them largely unattainable, which supported the existence of a broad range of instrument makers. But, by the mid-1970s, almost all of the European makers were driven out of business, leaving the market for American, Japanese, then Korean and now Chinese-built instruments.
The Beatle bass was simply one of many Hofner products for many years, just like the Les Paul one simply one of many Gibson products for many years.
Hofner began producing violins, violas, cellos and upright basses in China over 20 years ago. They have an office and a production plant for violins and other orchestral string instruments in the Beijing area. By 2007, they were offering less expensive versions of the 500/1 and 500/2 basses, as well as various electric and jazz guitars, all sourced in China or Indonesia from other factores. Today, like many other companies, they offer a full range of Chinese-sourced instruments at different price points. These include a few 17" laminated archtop guitars, now called the "Bluetone" series.Last edited by Hammertone; 01-16-2019 at 03:08 PM.
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Ive never really considered a Hofner due to limited knowledge
and perhaps because they have never really been a household name in USA jazz circles(No one talks about their great Hofner). However, after listening to some clips the other night I was quite surprised with its tonal pallete - and would certainly consider buying a post 2000 New President - at the right price.
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Hofner quality= top notch.
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Thanks for all the Hofner info. I never knew all this history about them.
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Sadly, Hofner has pulled away from the US market. Back at the turn of the millennium, Hofner ads were seen in magazines, pros were using them in studios and in performance; and seemingly from one day to the next, they were out. Most endorsers who had taken to playing Hofners left their instruments at home (with Bobby Broom being the exception), and the visibility of the brand dropped to neat zero.
I really hope to see them take another shot at the American market because I feel that their instruments are unique enough to fill a niche that most players don't know exists. There are plenty of manufacturers offering variations on the Gibson theme but far fewer offering totally new designs, and I feel those brave designers need encouragement and support.
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Originally Posted by Klatu
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I have been extensively comparing my New President with the Heritage Johnny Smith: I put the same set of strings and played them through the same amps and compared acoustically for many hours. I love them both. They are clearly different but pleasing in what each does.
I hope to record something like these in the future:
This one reviews the non-vintage model more extensively (electric and acoustic):
Last edited by medblues; 01-21-2016 at 07:11 PM.
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The last post was 2016, so I hope this will be seen. I read the stuff about pickups in the thread.
I have a 2004 (I think) New President. Nice guitar, but I’m not fond of the pickup. I’d like a fatter PAF-type tone or P90 type tone.
I’m guessing that a standard size mini-humbucker won’t fit that floating ring; am I right?
Considering trying to put a somewhat hotter PAF type on it.
Many info or ideas? Also, does anybody have a reference to the specs on these diamond mini humbuckers from 2004?
Thanks
victor
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Hopefully Hammertone (the forum's registered Hofnerologist) will chime in but in the meantime, I'll say that I'm currently having a Krivo Stealth PAF installed on my New Prez. I'll let you know how that works but there is a little bit of modification necessary (removing the bracket and mounting the pickup on the pickguard). I've seen others replace the pickup with a Kent Armstrong PAF-0 as well (like the photo below) so there are a few options. Pete Biltoft at Vintage Vibe can probably build you whatever you want.
Edit:just saw that Hammertone already replied in another thread so you should get quite a few options. Let us know how it turns out.
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As I mentioned, there is a way to use a standard mini-humbucker with the ring. I'll post more later on this. Stay tuned...
Last edited by Hammertone; 06-13-2019 at 11:39 AM.
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What other thread?
Grant Green, What is This Thing
Today, 01:59 PM in Ear Training, Transcribing & Reading