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Originally Posted by JazzMuzak
Also, the balance problem is a dealbreaker on the JS IMO unless you always play sitting.
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09-16-2015 07:02 PM
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Originally Posted by jzucker
But on Chris Potter band he plays strats and teles regularly and makes them sound very dark (as usual).
My point was solely both Rogers and Lund can take dark sounds from bright guitars.
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Originally Posted by jzucker
Originally Posted by jorgemg1984Originally Posted by jorgemg1984
It really depends...I was hoping to not go above $2,000. The Bruno is probably closer to the Jim hall model and the verythin closer to the 335, but both are still very different beasts.
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Originally Posted by JazzMuzak
For info purposes:
These are Hofner Diamond pickups.
The pickups will fit into these type of Hofner surrounds.
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Originally Posted by JazzMuzak
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As the new guy I'm afraid I have nothing to contribute to the discussion regarding the Verythin's attributes, but I would like to thank Cunamara for posting the Jimmy Wyble clips. I'll definitely be on the lookout for his published etudes.
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My special dream after death will be to reborn into
a form of Hammertone 's leather chair,
This very chair that holded so much beautifull guitars,
And I would be pleased to be photographed as well in such compagnies ..
Although I maybe have to manage Hammertone's butt ,
How much do you weight please ?
I' ll make then my decision.
christophe :-))
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Originally Posted by Hammertone
Sorry, but the measured scale on my Verythin John Stowell model is a full 25 1/2". My Jazzica is 25 1/4". But there is no doubt that the Hofner JS Verything has the full "Fender Scale".
I asked John Stowell about this while doing a clinic with him last year. He said that the specs on the Verythin JS model are "all over the place", suggesting that one can find both 25 1/2" and 25 1/4" scales.
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Originally Posted by Mr. Byrd
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Originally Posted by HammertoneOriginally Posted by Mr. ByrdOriginally Posted by Klatu
I'll assume for the moment that everyone has measured correctly, and that John's reference to specs on the Verythin JS model being "all over the place" may apply to the scale length as well as to other specs (I wonder to which other specs he refers?). This would mean that there are Verythin John Stowells with scale lengths of 25 1/2", Verythin Classics and Standards with scale lengths of 25 1/4" out there, and Jazzicas with scale lengths of 25 1/4" as well as 25 1/2" out there.
If so, I must give my friends at Hofner credit for offering these choices, because my understanding is that cutting fret slots and routing cavities for fretboard inlays is a deliberate act. As well, the maple necks would need to be made slightly longer, to ensure that the neck/body joints correctly line up with the bodies. Luckily, no accommodation would be needed for the floating bridges on these two models, and the non-traditional soundholes do not have notched reference points for bridge placement (unlike those on, say, the Gibson Byrdland or L-5 Lee Ritenour models). That's a lot of work for a few hundred guitars produced over a decade. No wonder they discontinued the JS! And the Classic. And the Standard. And the Jazzica. And the New President. And the Chancellor.
Since the Verythin Stowell model has essentially been out of production for the last decade, I suppose that owners who are curious about their instruments can always check the scale lengths of these guitars. Same for the Jazzica (although there are still a few new Jazzicas, not yet sold, resting comfortably, away from public eyes. No point in letting consumers know about these, eh?).
In my own case, I'll check a few Hofners currently resting in the bunker and report back. FWIW, I measure scale length from the live edge of the nut (where it meets the vibrating string) to the center of the twelfth fret, then multiply by two.
I'll also ask the owner of Hofner about this, since I'll be seeing him at this year's NAMM show.
And speaking of NAMM, it will be a blast from the past, with a new Jazzica, Verythin Classic and Verythin Standard on display, along with various basses. Hey! I'll measure those as well!Last edited by Hammertone; 01-14-2019 at 03:49 PM.
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Someday I'd like to see a photo of the "bunker"
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So funny that Hammertone mentions the Byrdland.
So sports fans, anyone want to note the actual (vs. typical “nominal” BS) scale length of a Byrdland?
And that is, as Stephen kindly notes, the distance from the front of the nut to the CENTER of the 12th fret X2.
The nut to bridge will vary based on the bridge compensation of a given action height and string set (and screw up in the setup).
*******
Probably the ony guitar I want back, after selling so many over 4 decades, is the Verythin JS.
Regardless of measured scale length.
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Originally Posted by GuyBoden
Last edited by Hammertone; 01-13-2019 at 05:40 PM.
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Originally Posted by ptchristopher3
OK, Chris, so what IS the actual scale of a Byrdland? I don't have one handy.Last edited by Hammertone; 01-13-2019 at 05:40 PM.
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Wow look at them [true] northward f-holes. Must be a special guitar for the canadian market!
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Following Gibson isn't always a good idea, sigh...
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As you note, it is no small thing to randomly vary scale length. The actual cutting of fret slots in the FB is the primary determining factor.
I have no idea why a company would maintain a slovenly (no offence to Slovenia intended) difference between “nominal” scale length and actual scale length.
In my opinion, one needs to carefully measure from the front edge of the nut to the CENTER of the 12th fret along the G or D string, then multiply by 2.
Any other measurement (unless one wants to actually measure absolutely down the center of the FB) is subject to remarkable error.
Byrdland guitars are filled with quirks to say the least. But I have worked on so many that were just great to play, and finally bought one from Dave’s that had the characteristics that I liked best in the ones I have played over the decades.
I think that you will find they are typically more like 23 3/8 as the actual scale length.
This is the actual scale of mine, and the scale that I have noted when I recall actually bothering to measure on other Byrds.
Does 23 3/8 vs. 23 1/2 matter ?
Nooooooo.
Is it sloppy to quote the wrong scale length?
Priceless.
I would skeptically suspect ANY scale length “measurement” that was not VERY carefully done from the front of the nut to the CENTER of the 12th fret along the D or G string - by a person given to care and precision.
Hope all is well with you and yours in the great true north.
Miss Patrick2 to a notable extent.
Chris
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On the Lee R.:
You need “modern art” f-holes to hide the odd placement on smaller body guitars.
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My Byrdland with the opposite “problem” vs. the Lee R.
F-holes are too far south. Yet music is made.
I specifically looked for a wide and varied top grain on a Byrd’ since I repeatedly preferred this to one of the butter-smooth tight-grain tops on many. This one has “it”.
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Anyway, back to the great Hofners from Thomas Stulein and Hubert Kaa. A true golden age even if most ‘consumers’ are clueless.
Hope I spell the names correctly.Last edited by ptchristopher3; 01-13-2019 at 06:13 PM. Reason: Wanted to
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I have a 2004 New President. The diamond pickup is ok, but I’d like a fatter PAF-type of tone.
So, a standard mini-humbucker won’t fit the ring? Or too thick, maybe?
Rewind, or maybe try to get a different ring mount or make one?
Thanks
victor
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Originally Posted by Martin223
Last edited by Hammertone; 02-23-2020 at 12:34 AM.
Part 2 Secrets to McCoy Tyner using 4ths,...
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