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Mine still gets a lot of love. My 2022 Whitfill Custom.
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09-12-2024 08:49 AM
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Originally Posted by Hep To The Jive
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Originally Posted by Moita
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New member here, I’ve been lurking awhile though.
I just put together this kit I got off Amazon, a Bexgears Thinline Telecaster for $139. I did have to upgrade the pickups as the ones it came with were bad, I went with Fender Vintage 50’s Vintera for $100, so I am in it for $240.
The kit went together quite easily, finish is just OK, I’m no expert, I just dyed it and finished with poly. From any distance away it looks great, but close up shows flaws, (there is nothing wrong with the kit, just my lack of skill).
Right out of the gate, it plays and sounds fantastic, it may be my best guitar. The neck feels great, even though it is thinner than what I would have chosen, l got used to it in about 30 seconds.
Only problem spot is one pesky high fret that I can’t seem to level, just needs a little more work. I’ve been learning as I go, but the frets otherwise were great. I assume that the tuners won’t last, but so far they are fine. I have been wanting another Tele for 30 years, I can’t put it down.
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Took my DIY 50ies inspired Tele to a blues jam. Unsurprisingly it felt right at home…
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Ukutele
(And no, I didn’t buy it, just saw it in the store.)
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Originally Posted by shrews824
I absolutely love it. You're making me want to piece one together like this...
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Originally Posted by mr. beaumont
1959 FENDER Telecaster Blonde > Guitars Electric Solid Body | Lark Street Music
The stamp on Jimmy Page's dragon rosewood neck is 58. But who knows the real story on that.
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I put this in The Semester of Solo Guitar thread (thanks for starting it, Jeff), but it also belongs here.
I pulled my Tele out last night for the first time in months and improvised the way I used to do on my old gig. It’s a 1991 MIM toploader with the six saddle bridge; poplar body, maple neck, D’A Chromes. I’m playing through my Jazz 12, with everything set to noon:
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Originally Posted by Gilpy
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New Tele:
Warmoth neck, 1 3/4" at the nut, standard scale, 10–14" compound radius
Warmoth alder chambered body, French polished (by me, far from perfect). Being as soft as alder is, I've already dinged it up.
Tortoiseshell pickguard
Wilde Micro-coil pickups
Gotoh three-piece bridge with compensated saddles
I've had the neck for at least 10 years, if not 15; it's been on several different cheap guitar bodies. I decided, but I wanted to have a better quality standard looking Tele. So far I'm pleased. It's light, comfortable, resonant and plays quite well. Still experimenting with pickup adjustments, etc.
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This "LP Custom Tele" has been fun.
A detailed philosophical examination of whether this guitar is a Telecaster or not has been underway over on TGP.
Feel free to snipe away . . .
Fun guitar.
Quite a decent Jazz Tele (for those who think that it's a Tele).
I think it's pretty.
Statistically I may not but the last owner but I appreciate it in the present.
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Originally Posted by Sam Sherry
Bunch of great plank guitars I don't need
Last edited by Hammertone; 11-18-2024 at 02:05 PM.
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Bearing in mind that Fender also sold a TSO with dual humbuckers and a set neck. And IIRC a 24 3/4" scale.
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Sire. Lot of Tele for the money, to my ears. Tim's playing sure helps.
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My two Teles. A 2017 Fender Elite with Fralin Blues Specials and a stock Xotic XTC-1 from their Xotique line.
https://www.jazzguitar.be/forum/attachment.php?attachmentid=118054&stc=1&d=1732590 355
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Here’s my G&L tele, newly equipped with a P90 in the middle position and a five-way switch. I still have to get used to the new sounds that are available.
The P90 by itself sounds much as if it was in the neck position. The difference to the tele pup is noticeable. The P90 has a more neutral tone to my ears, not like a tele at all, but can sound a bit harsh sometimes. I have toyed with the pup height and are not quite pleased yet. Any advice would be greatly appreciated.
The tone pot has been replaced by a push-pull pot so that I have the neck pickup available with any other combination. Some nice stratish sounds in pos. 2 and 4. All three pups together can sound quite thin, much to my surprise. I still have to find out whether that’s a usable tone.
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72 Tele Thinline conversion to filtertrons
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Why is it that most folk use a tele with humbucker for jazz but few use a Strat, humbucker or not.
Doug
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Originally Posted by Doug B
Strat neck pickups (I'm talking the single coil ones) don't sound like tele neck pickups...so I think a lot of people lookinf for a "jazz" sound would prefer the tele neck sound to the strat neck sound...strats always sound a little more "springy" or "spongey" if that makes any sense. And since it's more difficult to modify a strat, players go tele, single coil or humbucker.
Teles also have a simplicity factor that I think players who may also play an archtop enjoy.
I think there's the precedent factor too though. There were a few people who bucked the hollowbody trend years ago and happened to take the tele route...had they went strat, you might see more strats today. I play a tele for jazz a lot, originally because it was just the guitar I had when I got into jazz. But a little research led me to see there were other people doing it, and that validated the guitar for me, so I felt no need to get something else and it was years before I had the $ to try out an archtop. Now I have both, but man, I'll never stop playing my tele.
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Originally Posted by Doug B
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Originally Posted by Bobby Timmons
Sheeple beware!
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Originally Posted by Doug B
Leo Fender called the three original switch positions on the Stratocaster:
- Rhythm (the "Neck Pickup" most use for soloing)
- Normal (the "Middle Pickup" most use only to get "quack")
- Lead (the "Bridge Pickup" rarely used for soloing)
To get "quack" the middle pickup is combined with either the neck or bridge pickup, but to get the strongest quack tone, the middle pickup must be lowered way below the elevation of the neck or bridge pickup heights.
One of the results of this is that a lot of Strats have their middle pickup set for max quack, which renders the middle pickup undesirable for use when selected to play alone. This is unfortunate because the middle PU raised high and played alone actually sounds most like the older brighter tone of archtops (not the darker tones in favor later) than any other selection.
A lot of folks playing a Strat to hear if it sounds like jazz will not hear that potential if the middle PU is lowered down for quack. You must carry a Phillips Head screwdriver if you want to ensue hearing an LOQ (lack of quack) Strat.
I know this does not match the instinct to use the Neck PU for jazz, but that comes from the archtop world and should be checked when looking at a Strat. The Neck PU on a Strat is very nice, but you may find that the raised Middle PU is the real deal for approaching archtop tone.
With the middle PU elevated up with the others, and with a little attention to fingering, articulation, and range, it can actually become the central foundation for switch selections sounding like three different families of guitars.
Neck - Clarinet (pure, dense, woody)
N+M - Classical Guitar (soft, sweet, round)
Middle - Archtop Guitar (neutral body, pleasant bright)
M+B - Flat Top Guitar (dry with some jangle)
Bridge - Trumpet (articulate, liquid sheen)
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Originally Posted by Doug B
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Originally Posted by Doug B
Tone Poem for Mercy
Today, 03:26 PM in Improvisation