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Originally Posted by BigDaddyLoveHandles
this particular case the light gauge strings just sounded better.
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12-07-2020 01:44 PM
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Originally Posted by Michael Neverisky
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Something I did this morning on my tele.
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Originally Posted by Michael Neverisky
For me 11s were the sweet spot gauge. What I love about the Tele is that it makes you earn whatever it gives you, and a string gauge that asks for a bit of effort is an appropriate pairing. But then I'm somebody who finds playing on lower gauges like playing on rubber bands, and things like my vibrato suffer especially.
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I use TI Flatwounds .011 - .047 mostly. I also like D'Addario NYXL, the last set I put on was .010 - .046. YMMV.
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Wow. First ‘Tele’ I’ve ever seen that I would want.
i see I’m years late to this thread, but that’s beautiful. How much was it? And do you have audio of it?
Originally Posted by marcwhy
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Originally Posted by barrymclark
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Originally Posted by coyote-1
RAM Guitars.
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Dealing with the pandemic situation, I finished two project guitars this year to stay a bit sane. However, I have exhausted my space for guitars so this has to be it for a very long time.
I started out wanting a semi-hollow because I have never have had one. I figured the only thing that would work for my skill level was starting with the Tele thinline concept and I had a lot of spare parts to make it affordable.
My biggest hang up was the stock thinline F-hole shape. In general, I don't like how Fender used the conventional shape. I have seen other builders do it well, but I wanted something more contemporary looking.
My idea was to get a reasonably priced thinline body and reshape the F-hole. Hence, the mahogany top body that you see in the pics. However, working around the existing F-hole made the new shape larger than I could stomach. So I shelved it and moved on to Plan B. I found another body through Augustus Guitars. The owner, Kevin, was into helping me use more of Ric shape F-hole and he made me a new body with a flamed maple top for an extremely reasonable price. Not wanting to waste the first body I worked both of them to get what you see in the pics. Also shown is my Tele build from a few years back. All three play really well. I couldn't have gotten these anywhere, nor for anything close to what I have into them in terms of the costs for parts.
Ric-style F-hole thinline: Allparts Fat neck, Kluson locking tuners, Earvana shelf nut, Dimarzio Area T pickups, 4-way switching w/ intuitive positions. (Neck, Both Series, Both Parallel, Bridge - I don't know why more people don't utilize their 4-way switches to get these positions, but it is super simple to do.) Very light weight guitar.
Mahogany thinline: Ebay $70 fretless neck with Strat headstock reshaped to a Tele shape, Fender F locking tuners, GFS noiseless pickup. Also a very light weight guitar.
Ash solid body: Best Guitar Parts fat roasted maple/ebony neck, Hipshot locking tuners, Earvana shelf nut, Warmoth light weight (3.3 lbs.) 1-piece body, Fralin P-92 pickup, concentric volume and tone, 6-way Rothstein rotary varitone switch. Also a very light weight guitar.
Happy New Year!
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Nice Work! Would love to hear the humbucker appearance guitar. The rick f holes are a cool idea! I used to see their hollow bodies with cats eye a long time ago. Also I think Ric once made a light show body in the sixties. Mark King the bass player with Level 42 I think has lighted neck dots. Creativity is hard to come by in big companies sometime so its very nice to see what can be done. I like Charlie Christian pups in Teles sometimes. I play a Nash lite relic with 2 Lawler med. wind Humbuckers with rosewood fingerboard. Lately I have been using 12s flatwounds tuned down a half step for my version of Ted Green who I studied with and Ed Bickert tone zone.
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Nice, @Lammie!!
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Originally Posted by steve burchfield
Except for the fretless, I use 12 flatwound sets with a 13 and 17 on top. All of my guitars are tuned down either a half or full step. Besides the decreased tension I just like the scale spectrum better. That said, one of rationales for these builds was to use alternate tunings more and also a slide. So who knows where I will end up with these two.
Right now I am using GHS Rollerwounds on the fretless. Kind of a cost thing I suppose. It is also vey difficult to chord on that guitar, BTW. We will see if I ever get to perfecting that.
Cool about your studying with Ted Greene. One of the first books that I acquired about 40 years ago was Chord Chemistry. It is still beyond my abilities, but there is a wealth of info in it that spurred a lot of my movement.
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Last edited by Hammertone; 01-02-2021 at 11:20 PM.
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Originally Posted by lammie200
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Did anybody try one of these?
https://strandbergguitars.com/salen-deluxe-and-classic/
I don't feel a need for a headless telecaster but I'm curious about the "endur" neck shape and the modernistic look.
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Pretty cool looking. I tried a Steinberger headless for a while. Felt like I was missing something. Couldn't bond with it and realized that headless wasn't for me. Then again I don't even use a pick so I might just be finicky.
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Originally Posted by Hammertone
Hats off to Coryell's harmonics. I will have to start seeing if that can be accomplished on my end.
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What I would love is a tele-shaped body, semi hollow, without the pickguard and big chrome hardware. All wood in front.
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I see coyote-1's point. It may be a little ironic my Tele partscasters all have pickguards and I am thumb/finger style player. I never use a pick. The pickguards on all my guitars stay pretty clean.
One of the things that I was looking for with my Tele partscasters was some measure of a (Parallel Universe!) Fender prototype. Sort of the standard Fender design with subtle tweaks that speak to specific functional or aesthetic aspects. The ash body was to address a neck pickup only humbucker Tele with as much variety in electronic tone control as reasonably possible using parts that a builder might find in their parts bin. The maple thinline was to address a semi-hollow weight and tone, but with a different approach to the aesthetics. It was as if someone were to say that a contemporary solid body guitar shape that could be converted to a hollow body would need an F-hole but not one with a traditional shape. Take a clue from Rickenbacker that produces guitars with, arguably, very contemporary body shapes. The fretless was just desperation.
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I thought I would point out that sometimes Jack Pearson and Reggie Wooten play Fender Squire brand Strats. But often in my experience it is hard for copies to be as good of quality as originals. What ever makes the player happy I think is the main criteria if an instrument is "good" or not.
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Tash Neal's FrankenTele
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Didn't find this new thread worthy, but Ibanez has after a good deal of years without high end japanese telecasters once again released a couple. They are part of their AZ line.
There is the flagship, which is the new Josh Smith signature (not stainless steel frets)
FLATV1 | FLATV | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
And then there is the AZS2209 (Love their names) (Stainless steel frets)
AZS2209H | AZS | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
And the AZS2200 which has a trem
AZS2200F | AZS | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
Dunno price wise .. maybe 2-2,5k?
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Originally Posted by Lobomov
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Originally Posted by Little Jay
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Do you know what model that Ibanez tele is that JC is playong in the Garana Jazz Festival video you shared? Can't seem to find any info on jt anywhere...
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Originally Posted by funkmuff1n
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...he gives us the details here:
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Originally Posted by callmejs
Tim Lerch TLTX Chubby Signature Model — Mike Lull Custom Guitars
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This is my Tele that I built from parts.
(and for good measure, the Blackguard Book, which is amazing and exquisite)
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Originally Posted by daveyisgreat
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Originally Posted by D'Aquisto Fan
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Originally Posted by daveyisgreat
Lovely guitar! Well done!
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Bought this fully loaded no-name mahogany body last week and attached to it my spare neck original to the Yamaha 1511MS you can see on the left, which I have happily been using with this Warmoth conversion neck for quite a couple of years now. All that was required was a little shimming (using a piece of cornflake-box-style cardboard, what do you call these?) and stringing (trying D'Addario Pure Nickel 10s for a change).
The mahogany body is actually nicer than I thought it would be, both visually and soundfeelwise, given the 160 euros I spent on it. It came loaded with a Wilkinson M series humbucker in the neck and a Duncan SD-4 (Jeff Beck) in the bridge position, including a push-pull tone pot for splitting.
Never had an SD-4 before; was skeptical at first, but in a sense it seems to be growing on me. The Wilkinson M in the neck, though ceramic, is a _very_ warm-sounding humbucker that seems to give me a fabulous sound from the high E to the D strings (I mean, really), but alas lets me nasally down on the A and E strings.
Anyway, both are not a good match IMO. I think eventually, based on a few days of research now, I should going for a Duncan Jazz, i.e. SD-2, in the neck unless somone here comes up with a convincing alternative suggestion.
Anyway, I'm glad that I immediately went for this body when I saw it on ebay.
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Tip for your tele: pickups from AliExpress!
In my DIY tele I had a $10 Alnico standard tele bridge single coil. Best pickup I ever found at such a low price! But at 5.6K it was no match for the 8.0K Lolar P90 at the neck.
So I bought an $8 ceramic blade humbucker in single coil format, again on AliExpress. It measures 7.6K, is very wel made and sounds absolutely great for an $8 pickup! Heck, if it was a $100 pickup it would still sound great! Amazing......
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I picked up my FSR MIM Tele from my tech this a.m.
A couple of years ago, I went to the guitar shop to buy a pedal. The pedal turned out to be an older version and not the current model that I’d ordered. So with the purchase money burning a hole in my pocket, I pulled this Tele down from the wall.
MIM Fender Special Run butterscotch blackguard Tele. The big deal was the control plate was reversed (not a selling point for me frankly). Maple. 9.5 radius I think. Frankly, pretty generic.
It was a good jazz Tele. The crappy ceramic pickups sounded great. I’ve never been a maple guy, but the neck felt pretty good. I had the store set it up for 0.010s.
This past week, I had my tech unreverse the control panel, and install an Earvana nut, and brass compensated saddles. My tech also leveled the frets.
It now looks, plays, and sounds like a dream. If I could only keep one guitar, this might be it.
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Hi everyone, here is my lockdown project. It's a cheap (£90) Gear4music ash tele DIY kit. I was really curious how good this can be for that price, but it was a pleasant surprise, fret work was pretty bad (to be expected for that money) so had to level and it needed a shim for the neck, aside from that it's great, pickups are cheap but sound fine, everything fitted together nicely, it's on the heavy side but I like that (no neck dive). It comes unfinished with big headstock so it can shaped however you want. I staid the body with yellow food colouring and boiled linseed oil and the neck just boiled linseed oil. Plays great with nice low action, well worth the money if you are handy with tools and setup, much better that many Squiers I had or tried.
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Originally Posted by papaj77
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Originally Posted by Little Jay
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Chiming in after lurking for two years... for good reason
Finally got myself a Tele! Player series, 2020. AMAZING bang/buck ratio. And yes great jazz sounds to be found on the neck pickup. Happy to join the Tele-owner crew!
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Hi, look at my tele
Tele especially for jazz players, semi hollow construction compound radius and "JAZZBUCKER" pickup 2,9kg
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Here's my contribution.
A 1995 Yamaha Pacifica 302S which I just sold. Amazing quality as always from Yamaha. Severely underrated instruments.
The other one is a MiM Telecaster Special from around 1993. Completely stock incl. the humbucker and the TBX tone control. Lovely axe. With the translucent finish it looks really classy. Only downsides are the weight and the flaky neck finish (which seems to be a trademark feature of 90s Fenders).
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Originally Posted by papaj77
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Originally Posted by Half-trick pony
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Not set up for jazz, but this is my second partscaster used for playing praise and worship at church. The neck is a Warmoth modern with ebony FB. Bootstrap Palo Duro pickups. Chambered body with maple cap and belly carve.
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Originally Posted by jim232777
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Originally Posted by guavajelly
neck feels like the most natural and obvious thing in the world, no need to “try” and “adjust to” for me, it just clicked like we’d been together ever since... my choice was made on tone and feel and playability, headless wasn’t a goal for me - and still isn’t, only a by-product i can live with.
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Damn, haven't checked this thread for a while... serious gas attack!
How about this one?
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The best microphone for recording classical guitar
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