-
Originally Posted by BigDaddyLoveHandles
this particular case the light gauge strings just sounded better.
-
12-07-2020 01:44 PM
-
Originally Posted by Michael Neverisky
-
Something I did this morning on my tele.
-
Originally Posted by Michael Neverisky
For me 11s were the sweet spot gauge. What I love about the Tele is that it makes you earn whatever it gives you, and a string gauge that asks for a bit of effort is an appropriate pairing. But then I'm somebody who finds playing on lower gauges like playing on rubber bands, and things like my vibrato suffer especially.
-
I use TI Flatwounds .011 - .047 mostly. I also like D'Addario NYXL, the last set I put on was .010 - .046. YMMV.
-
Wow. First ‘Tele’ I’ve ever seen that I would want.
i see I’m years late to this thread, but that’s beautiful. How much was it? And do you have audio of it?
Originally Posted by marcwhy
-
Originally Posted by barrymclark
-
Originally Posted by coyote-1
RAM Guitars.
-
Dealing with the pandemic situation, I finished two project guitars this year to stay a bit sane. However, I have exhausted my space for guitars so this has to be it for a very long time.
I started out wanting a semi-hollow because I have never have had one. I figured the only thing that would work for my skill level was starting with the Tele thinline concept and I had a lot of spare parts to make it affordable.
My biggest hang up was the stock thinline F-hole shape. In general, I don't like how Fender used the conventional shape. I have seen other builders do it well, but I wanted something more contemporary looking.
My idea was to get a reasonably priced thinline body and reshape the F-hole. Hence, the mahogany top body that you see in the pics. However, working around the existing F-hole made the new shape larger than I could stomach. So I shelved it and moved on to Plan B. I found another body through Augustus Guitars. The owner, Kevin, was into helping me use more of Ric shape F-hole and he made me a new body with a flamed maple top for an extremely reasonable price. Not wanting to waste the first body I worked both of them to get what you see in the pics. Also shown is my Tele build from a few years back. All three play really well. I couldn't have gotten these anywhere, nor for anything close to what I have into them in terms of the costs for parts.
Ric-style F-hole thinline: Allparts Fat neck, Kluson locking tuners, Earvana shelf nut, Dimarzio Area T pickups, 4-way switching w/ intuitive positions. (Neck, Both Series, Both Parallel, Bridge - I don't know why more people don't utilize their 4-way switches to get these positions, but it is super simple to do.) Very light weight guitar.
Mahogany thinline: Ebay $70 fretless neck with Strat headstock reshaped to a Tele shape, Fender F locking tuners, GFS noiseless pickup. Also a very light weight guitar.
Ash solid body: Best Guitar Parts fat roasted maple/ebony neck, Hipshot locking tuners, Earvana shelf nut, Warmoth light weight (3.3 lbs.) 1-piece body, Fralin P-92 pickup, concentric volume and tone, 6-way Rothstein rotary varitone switch. Also a very light weight guitar.
Happy New Year!
-
Nice Work! Would love to hear the humbucker appearance guitar. The rick f holes are a cool idea! I used to see their hollow bodies with cats eye a long time ago. Also I think Ric once made a light show body in the sixties. Mark King the bass player with Level 42 I think has lighted neck dots. Creativity is hard to come by in big companies sometime so its very nice to see what can be done. I like Charlie Christian pups in Teles sometimes. I play a Nash lite relic with 2 Lawler med. wind Humbuckers with rosewood fingerboard. Lately I have been using 12s flatwounds tuned down a half step for my version of Ted Green who I studied with and Ed Bickert tone zone.
-
Nice, @Lammie!!
-
Originally Posted by steve burchfield
Except for the fretless, I use 12 flatwound sets with a 13 and 17 on top. All of my guitars are tuned down either a half or full step. Besides the decreased tension I just like the scale spectrum better. That said, one of rationales for these builds was to use alternate tunings more and also a slide. So who knows where I will end up with these two.
Right now I am using GHS Rollerwounds on the fretless. Kind of a cost thing I suppose. It is also vey difficult to chord on that guitar, BTW. We will see if I ever get to perfecting that.
Cool about your studying with Ted Greene. One of the first books that I acquired about 40 years ago was Chord Chemistry. It is still beyond my abilities, but there is a wealth of info in it that spurred a lot of my movement.
-
Last edited by Hammertone; 01-02-2021 at 11:20 PM.
-
Originally Posted by lammie200
-
Did anybody try one of these?
https://strandbergguitars.com/salen-deluxe-and-classic/
I don't feel a need for a headless telecaster but I'm curious about the "endur" neck shape and the modernistic look.
-
Pretty cool looking. I tried a Steinberger headless for a while. Felt like I was missing something. Couldn't bond with it and realized that headless wasn't for me. Then again I don't even use a pick so I might just be finicky.
-
Originally Posted by Hammertone
Hats off to Coryell's harmonics. I will have to start seeing if that can be accomplished on my end.
-
What I would love is a tele-shaped body, semi hollow, without the pickguard and big chrome hardware. All wood in front.
-
I see coyote-1's point. It may be a little ironic my Tele partscasters all have pickguards and I am thumb/finger style player. I never use a pick. The pickguards on all my guitars stay pretty clean.
One of the things that I was looking for with my Tele partscasters was some measure of a (Parallel Universe!) Fender prototype. Sort of the standard Fender design with subtle tweaks that speak to specific functional or aesthetic aspects. The ash body was to address a neck pickup only humbucker Tele with as much variety in electronic tone control as reasonably possible using parts that a builder might find in their parts bin. The maple thinline was to address a semi-hollow weight and tone, but with a different approach to the aesthetics. It was as if someone were to say that a contemporary solid body guitar shape that could be converted to a hollow body would need an F-hole but not one with a traditional shape. Take a clue from Rickenbacker that produces guitars with, arguably, very contemporary body shapes. The fretless was just desperation.
-
I thought I would point out that sometimes Jack Pearson and Reggie Wooten play Fender Squire brand Strats. But often in my experience it is hard for copies to be as good of quality as originals. What ever makes the player happy I think is the main criteria if an instrument is "good" or not.
-
Tash Neal's FrankenTele
-
Didn't find this new thread worthy, but Ibanez has after a good deal of years without high end japanese telecasters once again released a couple. They are part of their AZ line.
There is the flagship, which is the new Josh Smith signature (not stainless steel frets)
FLATV1 | FLATV | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
And then there is the AZS2209 (Love their names) (Stainless steel frets)
AZS2209H | AZS | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
And the AZS2200 which has a trem
AZS2200F | AZS | ELECTRIC GUITARS | PRODUCTS | Ibanez guitars
Dunno price wise .. maybe 2-2,5k?
-
Originally Posted by Lobomov
-
-
-
Do you know what model that Ibanez tele is that JC is playong in the Garana Jazz Festival video you shared? Can't seem to find any info on jt anywhere...
-
Necks of the mahogany era ES-175s
Today, 04:14 AM in Guitar, Amps & Gizmos