The Jazz Guitar Chord Dictionary
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  1. #1

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    I thought this was interesting... Would love a Wesmo version.
    Attached Images Attached Images Double-cutaway Gibson L-5?-image-jpg 

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    The Jazz Guitar Chord Dictionary
     
  3. #2

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    Cool, but kinda weird looking at first.

  4. #3

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    I'll pass.

    As far as double cut full depth archtops...I think the only one I ever liked was that Metheny model...that looked great.

  5. #4

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    er, makes a Kessel look conventional

    I think the Metheny shape was based on Howard Roberts modded ES150 - the ''black guitar'. He designed it so he could get his thumb over at the top end, or so legend has it..

  6. #5

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    why is the selector switch on the bass side?

  7. #6

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    Maybe the electronics guy was left handed,LOL!

  8. #7

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    I have never seen one of these before. What's the story? Anyone here know anything about them, how many were built, when, etc?

  9. #8

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    How about the "deep '335" (ES-150), and this DC '175?

    Double-cutaway Gibson L-5?-guitar-es-150-jpg
    Double-cutaway Gibson L-5?-guitar-175-jpg

  10. #9

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    Quote Originally Posted by Mark M.
    I have never seen one of these before. What's the story? Anyone here know anything about them, how many were built, when, etc?
    it's new, probably a one off.
    did someone steal the switch tip?

  11. #10

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    Hey, I took that picture!
    I played it for a good 1/2 hour.
    Even in the din of NAMM, I could tell that it was an excellent instrument.
    The guitar was labelled a prototype, as were several other really nice instruments, including a blonde L-5P.
    My guess is that Gibson will put the switch wherever you want it on a custom order.
    My guess is that some people viewed the switch tips as a suitable commemorative take-aways from their experience at NAMM - some guitars had them, some did not.
    Last edited by Hammertone; 03-09-2014 at 07:30 PM.

  12. #11

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    You know what's weird? That deep 335 looks great to me...

  13. #12

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    I bet Gibson knows that folks will take them and so left the switch tip off.

  14. #13

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    Quote Originally Posted by mr. beaumont
    I'll pass.

    As far as double cut full depth archtops...I think the only one I ever liked was that Metheny model...that looked great.

    Couldn't agree more I had a PM double cut 1 pup, nice guitar IMO the
    L5 double cut looks extremely odd.

  15. #14

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  16. #15

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    Looks too much like a 335 for me. I'd take an original L5 over that one any day.

  17. #16

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    I think it's kind of cool. It would be interesting to try out. It's unusual, to be sure. But, something about it appeals to me. I don't like the look of the ES 175 double cut, though. The double Florentine is just too much.

  18. #17

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    I think a florentine double-cutaway ES-175 would look sharp as hell in a thinline format.
    Hofner did it in the 1960's with the Ambassador - a thinline, florentine double-cutaway, 16" President.
    Attached Images Attached Images Double-cutaway Gibson L-5?-arch62e-jpg 

  19. #18

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    Or the venerable Barney Rubble model!http://www.google.com/search?q=gibso...w=1668&bih=846

  20. #19

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    Saw one at Winter NAMM this year, but it didn't appeal to me

  21. #20

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    And Guild had the Studio 302 in 1968. 2 Florentine cutaways on a thin line body. It was so beautiful, I had to buy it.
    So, I saved my paper route money for the down payment, traded in my Fender Jaguar, and then payed the balance off @ $5 a week! Played it into the ground (the frets ) and played gigs for 4 years with it, then abandoned it for the above model displayed ES 150 TDCW. I know where there is a '68 Guild like it, but with a 3" body depth. Wish I had the extra income from a paper route now !!!!!

  22. #21

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    My understanding is that it is a new guitar available through the custom shop shown at the namm show this year. From what I have read about it so far, it is 2.5" thick so not as thick as the classic L5.

  23. #22

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    Double-cutaway Gibson L-5?-image-jpg I saw this on the internet several years ago and instantly wanted one. Would love to see this new one in person.

  24. #23

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    Quote Originally Posted by Hammertone
    Hey, I took that picture!
    I played it for a good 1/2 hour.
    Even in the din of NAMM, I could tell that it was an excellent instrument.
    The guitar was labelled a prototype, as were several other really nice instruments, including a blonde L-5P.
    My guess is that Gibson will put the switch wherever you want it on a custom order.
    My guess is that some people viewed the switch tips as a suitable commemorative take-aways from their experience at NAMM - some guitars had them, some did not.
    Thats cool Hammertone, thanks for letting me nix your pic. Was there a price listed with this guitar by any chance?

  25. #24

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    Here's a Lacey Empire double-cut I once owned:




    Here's my Gibson Custom Shop ES-355 with a bit of L-5 aesthetics:




    and here's yet another double-cut Byrdland (not mine):



    Danny W.

  26. #25

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    Quote Originally Posted by StevieB
    Saw one at Winter NAMM this year, but it didn't appeal to me
    Uh, yeah, you saw the one in the picture at the top.