The Jazz Guitar Chord Dictionary
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  1. #26

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    Quote Originally Posted by Scotto
    Thats cool Hammertone, thanks for letting me nix your pic. Was there a price listed with this guitar by any chance?
    The spec sheets were next to each guitar and did not have any pricing information.

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    The Jazz Guitar Chord Dictionary
     
  3. #27

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    Quote Originally Posted by Scotto
    Attachment 11169 I saw this on the internet several years ago and instantly wanted one. Would love to see this new one in person.
    Gibson meets George Harrison!

    Double-cutaway Gibson L-5?-guitar-beatles-jpg

  4. #28

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    Moffa offers the Maryan archtop with a double cutaway option. I think it looks rather stylish.

    Double-cutaway Gibson L-5?-maryandoublecut1-jpg
    Double-cutaway Gibson L-5?-maryandoublecut2-jpg

  5. #29

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    Quote Originally Posted by Woody Sound
    How about the "deep '335" (ES-150), and this DC '175?

    Attachment 11162
    Attachment 11163
    Even though the ES 150 looks a lot like a deep 335, it's not. No center block, so it would be more similar to a double cut 175. I wonder what function a double cutaway would serve on a guitar that thick.

    Back to the double cut L5, was the body on that 17"? It looks smaller, like maybe 16" in the picture

  6. #30

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    Quote Originally Posted by Gilpy
    Even though the ES 150 looks a lot like a deep 335, it's not. No center block, so it would be more similar to a double cut 175. I wonder what function a double cutaway would serve on a guitar that thick.

    Back to the double cut L5, was the body on that 17"? It looks smaller, like maybe 16" in the picture
    At one time I was looking to pick up an ES 150 but the neck was too thin for me. I had a hard time trying to play octaves. I'm assuming the L5 is a 17" since they are calling it an L5. I've never seen a 16" L5, but then again, never seen a double cutaway until now. I agree, it does look a little small in the photo, maybe this is due to the cutaway.?

  7. #31

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    Quote Originally Posted by mr. beaumont
    You know what's weird? That deep 335 looks great to me...
    Not weird at all! I totally agree! Although I might be influenced by the fact that one my favorite players plays one regularly too:




    (Dutch guitarist Jesse van Ruller)

  8. #32

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    If you go to this video about the 3:35 mark, you can see a quick review of the L5.

  9. #33

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    I see they mentioned the new L-5P.
    why in the world is Gibson using TOM's on acoustic guitars?
    an all ebony bridge would certainly fatten up the sound.

  10. #34

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    Quote Originally Posted by wintermoon
    I see they mentioned the new L-5P.
    why in the world is Gibson using TOM's on acoustic guitars?
    an all ebony bridge would certainly fatten up the sound.

    I thimk it's a Legrande thing. They should just ship these guitars with an ebony as well as a tune-o-matic bridge top - Hofner is doing that with the current Chancellor. I have found that they sound quite different, and I like both sounds. For the record:
    Attached Images Attached Images Double-cutaway Gibson L-5?-gib-l5-label_0279-jpg 
    Last edited by Hammertone; 03-12-2014 at 04:21 AM.

  11. #35

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    Quote Originally Posted by Scotto
    I'm assuming the L5 is a 17" since they are calling it an L5. I've never seen a 16" L5, but then again, never seen a double cutaway until now.
    In this thread you can see at least five of them:

    https://www.jazzguitar.be/forum/guita...-ish-tone.html

    They are only 15.5", but why quibble?

    Quote Originally Posted by wintermoon
    I see they mentioned the new L-5P.
    why in the world is Gibson using TOM's on acoustic guitars?
    an all ebony bridge would certainly fatten up the sound.
    I try all my archtops with an ebony saddle and a TOM--some sound better with wood, some with metal. For the most part I prefer them whichever way they came from the factory, but not always.

    Danny W.

  12. #36

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    Usually anything that Mark Lacey does rings my chimes. But, that guitar just doesn't do it for me. Why would he do a double cut deep body guitar and have the cut aways non symmetric?

    I played one of his Imperials a bunch of years ago. One of the best guitars I've ever seen or played.

  13. #37
    Hi all,
    Newbe to this forum, but not to others, and certainly not to playing.
    I bought one and could not be happier. After wishing for Gibson to build
    a production model like this, it was certainly worth the 30(odd) year wait.
    A great balance of sustain and warmth.
    I did not think I would like the thin body, but perhaps that is what gives it part of it's charm.
    As for build quality- It is fantastic and a true credit to the art of the arch top.

    Cheers,
    chef

  14. #38

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    Chef, show us a picture. I had the pleasure of running into a store in Tokyo that had both colors in stock. I think these are very cool to play as well... although waiting for a single pup version. Congrats on your purchase.

  15. #39
    Here are a couple of pictures then-



    A few more will follow....
    I actually thought about a single pickup version with an Alnico pickup in the middle position....

  16. #40

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    sweet... Thanks for the pics!

  17. #41

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    The heel is so long on most of these guitars, the double-cut is almost pointless. Except for the ES-150.

  18. #42

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    I had an ES 150 in '72 -74. Played 5 nites a week on it. Never really bonded with it. The rest of the band and the singers liked it - it was the fullest sounding guitar they had ever heard. Nice for chording. Solo's just didn't sing, but that could have been me, and the amp choice.

    I really wanted an L5 CES. Price then with a custom order was about $800 incl. case. I didn't have the gumption to spend that then. My college tuition was about $4-500 per semester.

    If only that ES 150 had had a decent size neck, not a toothpick!

    Ah, if only knew then what I know now. And back then, there was no Internet !

  19. #43

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    Early Barney Kessels had a long heel, later ones had a short heel. I've owned both types. Although the newer ones had better neck access, their necks didn't feel as stable, and they didn't balance as well seated. I much preferred my older one.

    Danny W.

  20. #44

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    OT I realize....but does anyone really think (that starting out) "Herbie Hancock was just like everyone else in Chicago"?

    I'm thinking he was unique as a two-cell embryo...

  21. #45
    I love the long neck joint. I don't find it hinders access at all.
    In fact, that was something that I really wanted when dreaming about it
    for all those years.

  22. #46

  23. #47

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    Quote Originally Posted by Hammertone
    I think a florentine double-cutaway ES-175 would look sharp as hell in a thinline format.
    Hofner did it in the 1960's with the Ambassador - a thinline, florentine double-cutaway, 16" President.

    I might be wrong...but I thought I saw that instrument sitting in a stand at ..stately Wayne Mansion. (Maybe Alfred played it.)
    Last edited by goldenwave77; 02-05-2015 at 04:00 PM. Reason: Responding to Post #17

  24. #48

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    I think the DC wide body guitars are marvelous... so much so if I could wave a wand and turn all my Venetian and Florentine single cuts into DC's I'd do it in a heartbeat :-)

    It just happens that my ES150 is one of my fave playing and sounding guitars... add the master volume and it fills every need I have.

  25. #49
    Quote Originally Posted by GNAPPI
    I think the DC wide body guitars are marvelous... so much so if I could wave a wand and turn all my Venetian and Florentine single cuts into DC's I'd do it in a heartbeat :-)
    Find a luthier with experience in archtops ;-)

  26. #50

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    Quote Originally Posted by GNAPPI
    I think the DC wide body guitars are marvelous... so much so if I could wave a wand and turn all my Venetian and Florentine single cuts into DC's I'd do it in a heartbeat :-)

    It just happens that my ES150 is one of my fave playing and sounding guitars... add the master volume and it fills every need I have.
    MartyGrass recently picked up a very nice H550 double cutaway. He's got a great picture of George Benson playing the guitar he bought. If you haven't seen it, I'll ask him to post it here on this thread.