View Poll Results: Do you use roundwound or flatwound strings?
- Voters
- 649. You may not vote on this poll
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Flatwound
370 57.01% -
Roundwound
258 39.75% -
I'm a trombonist
21 3.24%
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I never met Andres, but my friend studied with him briefly in the 70s (wow, what a rare opportunity). I'm guessing if he had been (alive at that time, which he wasn't) in the audience with me that night, he would have politely left the building. That squeal wasn't musical, it was dominating the music and louder than the proper notes.
Nice quote, though ... hope you get a lot of mileage out of it when applicable.
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07-09-2014 01:00 PM
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I am also with SuperFour00 on the squeaking topic, I can't stand that; Segovia quote or not!
Big flats all the way on my archies for the great tone, the low action and absence of squeaks...
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Flats on archtops. basses, electrics and acoustics
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Flat wounds for my main (Jazz) guitar. Round wounds on my 'studio-and-session' guitars.
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Depends on the guitar.
I use flatwounds on my Gibson L6-S and my G&L S500 fretless. I think I have 'em on an old Ibanez Joe Pass too. Everything else has roundwounds.
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I have experimented with different strings on my guitars quite a bit. I have tried many different brands and guages. I went up to really thick rounds on my strat to get that heavy chunky blues sound. Sounded cool, but hard to play. I put some thick flats on my old Gibson SG a decade or so ago when I first started to get brave enough to try playing jazz. I loved the sound and no more squeek. However, I had nightmares that I would wake up to the crack of the neck snapping. Back to thinner rounds on that one recently. I picked up a semi-hollow body a while ago and put some medium flats on it. The sound is even better with the semi-hollow body and I still love no squeek. I am inspired to play more becuase I just love the sound I have right now.
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For Jazz on my archtops I exclusively play medium/heavy flat wounds (15-56) has it gives me the tone I like.
I could bring the action very low without buzz and I like the comfort, tension and speed they provide.
I only use round wounds on my solid bodies (Les Paul 10-46 and SG 11-49) they get use for fusion, rock and metal.
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I started to use Daddario Chromes flats 2 years ago, and thought the tone was good... but only for clean jazz. It sounded really terrible with any amount of overdrive. Then, out of curiosity, and because many folks praised them, I put on TI Swing flats. Woww! Not all flats are born equal! To say there's improvement is understatement. I'll never look back. I can play any style with any setting and Thomastik delivers, it just the best strings period. For me.
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D'addario Flatwounds on my strat. The tend to have a more trebly sound than typical flatwounds and given the nature of a Stratocaster I don't really have to worry about sounding too muddy.
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Both, some of my electric guitars have flats, some haver rounds. Dreadnaughts rounds only. Can't answer the poll like many above.
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Hi all. I really like the sound of flats on my Eastman hollowbody, but have been trying to find a good feeling string. I tried Tomastik Infelds Swing Jazz strings and found them to be "sticky" or almost "scratchy." Anybody else have a similar experience? I also had a similar experience with stainless steel D'Angelico's.
Currently I'm using D'Addario chromes and find them quite pleasant on the fingers and the ears.
All good things for 2015.
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The chromes give a very smooth feel, yes and very little finger sound. But also quite a dull sound. This is marketed as 'mellow'. I have recently changed to TI swings flats and find the sound to be more lively The finger sound is only slightly more than the chromes but I prefer the lower tension on my ageing finger joints. However on my other archtop I am using elixir nano webs - love em!
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I'd love to try TI strings, but I don't know of any retailer which offers them =(
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It's this easy
Contact | Thomastik-Infeld Vienna
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You can do that? As long as I can afford it.
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Or buy from a web shop.
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I hate sqeaks too... especially when I have to play at low volumes. Besides, I think with archtopds it is different than with flatops which are louder and brighter and more ringing sonorous... so squeak is more integrated into the whole sound...
And also I like punching attack of the flats... on archtop I like them even on acoustics (though I had to find my way wit hthem - at first they did not sound)
As per Segovia - sqeak of nylon is different, I played classical guitars, lutes - and I never thought about sqeaks, never even noticed it...
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I've played guitar for many years and only two years ago bought my first arch-top. An Eastman 810. I've been loving the guitar since; it suits me well as a singer/guitarist. I've not been that happy though with the strings I've been using and decided to venture into the world of Thomastik-Infelds. I put on a set of the "Plectrum" strings and can't believe how those stings have brought out a richness of tone from the guitar. I'm considering going with "Spectrums" on my Collings OM flat-top. I'm also a dance fiddler and never hesitate to drop 40-50$ on fiddle strings. It made me realize that maybe we short change ourselves by investing so much into our guitars (mandolins, etc.) and then balk when a set of strings start costing more than 10$ or so. Just my opinion here as I learn for the 800th time that you get what you pay for.
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I love the TI plectrums on my Larrivée OM... So rich and light... Makes it sound like a grand piano.
McCoy Tyner style Pentatonic sequence with 5ths,...
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