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Originally Posted by oldane
Oldane,
My thoughts exactly.
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10-19-2011 02:52 PM
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re: the chordal instruments potentially overplaying, I actually thought about that this morning...how maybe I should 'work out' where I make my stabs, etc, but then I thought...hmmmm that kind of defeats the purpose of learning to play 'on the fly/in the moment'. I don't want to just play what's written in front of me. I think I will stick to using my ear to find space and playing sparsely. I will regularly ask the conductor - a local jazz pro - for her feedback to assess. I hate playing just what's in front of me...that's why I quit classical music as a kid. This is a fun community band, so there is room for some mistakes.
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Originally Posted by coolvinny
I don't want to just play what's written in front of me.
This is a fun community band, so there is room for some mistakes.
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Originally Posted by oldane
2: I have no desire to step on other band members' toes, and I wish to play sparely. Everyone seemed very happy with the other night's result!
3: I don't do dogma. If it sounds good, it is good.
4: Aiming for mistakes? Please...not worthy of a response...
Time to move this to the 'comping' thread.
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Originally Posted by coolvinny
Personally, I would only do a big band gig with two guitars if there was no pianist. That way one plays straight rhythm, while the other comps.
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Vinny,
I play in a community band of about the same size you're now in. Instead of a second guitar, we have a vibraphone. (I'm the guitar).
I have never thought of how a second guitar might fit in....Saw a few 70s arrangements that allowed for one, but the point is, it was arranged stuff.
I'd say enjoy it for what it's worth, but be prepared for setbacks. Steer clear of the breakers if you can, and good luck.
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With the risk of beating a dead horse, I'll make one last post - and then no more in this thread, I promise.
Aiming for mistakes? Please...not worthy of a response...
Originally Posted by coolvinny
Of course, what I wrote was from my personal perspective as a guitar player with quite a few deficiencies in my musicianship. I wouldn't be able to play in a big band without having a written part or at least a lead sheet reflecting the actual arrangement, not just a standard fake book version. I might make an ebellishment here and there if it fitted the overall idea of the arrangement and the conductor didn't object to it, but I would have to talk to the rest of the rhythm group about it beforehand. Since I'm not a fast sightreader, I would also very much like to have my part in advance so I could be well prepared at the rehersal/gig.
I acknowledge that you may well be a much better musician than me and that you may in fact be able to play it all by ear so it fits smack dab in the middle. It's just that there are so few - even among top musicians - who can do that.
I also acknowledge that you may in fact have been called to be a featured soloist, and in that case you have of course much more freedom.
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Roland Cube 80XL go play one under 400bucks.
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Having worked with in public schools for many years and conducting Jazz Ensembles and "stage bands", some of my favorites have been:
Polytone Mighty Brutes and Mega-Brutes
Roland Cubes (30's and 60's)
Roland Jazz Chorus 120 (big , heavy but plentiful used;check e-bay)
Evans JE200's
and Ultrasound Amps.
I like any of these for use with jazz boxes or semi-hollows/rhythm guitar stuff.
Why in jazz are the raised 6th and 7th notes...
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