I'm the original owner of early Larrivee Bakersfield. It is a great telecaster. Extremely well made, beautiful rosewood 1 3/4" round full neck, a lam/veneer fingerboard vs slab. I got one of the first rosewood board models Larrivee made. The guitar came with the traditional tele pickup set. I bought an additional Bakelite pickguard from Larrivee that was routed for a mini-hum. The guitar currently has a Lollar minihumbucker in the neck and a Lolllar BS Tele in the bridge. The those two pickups in this guitar sound almost identical except for the differences due to pickup location. I should also mention I replaced the 3 barrel Callaham bridge for a six saddle Gotoh.
PS: Attempted to correct rotation of picture and instead uploaded both and can't seem to delete the lower one.
When I had Laurent Brondel build me a wider than standard Tele about 4 years ago, he used a 1-11/16” (42.9 mm) nut width instead of the standard 1-5/8” (41.3 mm). For string spacing we used 2-1/8” (54.0 mm) instead of the standard 2-1/16” (52.4 mm) as well. The later was the widest supported by available Tele hardware. What we also did was to use a deeper “D” shaped neck profile which I really liked. These subtle changes in geometry made a big difference for me.
I'm digging the Laravee Bakersfield and Laurent Brondel Teles, but currently happy with my Fender Richie Kotzen Tele with its 1.650" (42 mm) nut.
I added a concentric tone control (these do not come with a tone pot) over the volume pot and couldn't be happier with the results. Great jazz, rock, RnB tones and no hand cramping in the first position.
I am no authority but I have played a LOT of Telecaster guitars over the past 55 years. Vintage Fenders had A, B, C, and D necks that many guitarists think refer to the neck carve. The letters refer to the nut width. A is 1.5 ". I have only played A neck Jazz Basses. Most vintage Telecasters are B and C necks. Never seen a D. C is about 1.65" and is good for a Fender.
I now play an after market neck that is an inch deep and about 1 75" at the nut. Excellent but Fender doesn't carve this .
I think what joebonni was referencing was these promotinal video's Bucky made for D'angelico https://www.youtube.com/watch?v=diPEAsPbBxs .Of course Bucky would have sounded good playing a cigarbox...
Here I forgot one thing maybe I got the one off that was made better than some of the other EXL-1’s. That’s why I bought this guitar it blew out all the other jazz boxes in the shop. This could be...
I too have a Zephyr Regent; 1998 vintage. It's a great guitar. I also have an Emperor like yours although mine was made a few years later than yours and it has the Joe Pass name added to it. I...
You can think of the attenuator in a TM Twin as a knob to select several different wattage “models” of a Twin. A tube Twin can break up at very high volumes. The attenuator feature allows you to...
There’s one for sale in Omaha that is cosmetically horrible—prior owner literally scratched his name on the back plate—though plays well—for $1500.
I would sure consider it if I needed another...
I've had an EXL-1 for about 7 years now. It's a nice guitar for the money, better than a Korean Epiphone, for example. It superficially LOOKS like an original New Yorker, but that's about it. Plug it...
Bloody Brexit! Your price attracts, but less after shipping and the 24% Finnish VAT on border. That BTW will increase to 25.5% soon. Second to Hungary's 27% only in EU!
Grant Green, What is This Thing
Today, 01:59 PM in Ear Training, Transcribing & Reading