I'm the original owner of early Larrivee Bakersfield. It is a great telecaster. Extremely well made, beautiful rosewood 1 3/4" round full neck, a lam/veneer fingerboard vs slab. I got one of the first rosewood board models Larrivee made. The guitar came with the traditional tele pickup set. I bought an additional Bakelite pickguard from Larrivee that was routed for a mini-hum. The guitar currently has a Lollar minihumbucker in the neck and a Lolllar BS Tele in the bridge. The those two pickups in this guitar sound almost identical except for the differences due to pickup location. I should also mention I replaced the 3 barrel Callaham bridge for a six saddle Gotoh.
PS: Attempted to correct rotation of picture and instead uploaded both and can't seem to delete the lower one.
When I had Laurent Brondel build me a wider than standard Tele about 4 years ago, he used a 1-11/16” (42.9 mm) nut width instead of the standard 1-5/8” (41.3 mm). For string spacing we used 2-1/8” (54.0 mm) instead of the standard 2-1/16” (52.4 mm) as well. The later was the widest supported by available Tele hardware. What we also did was to use a deeper “D” shaped neck profile which I really liked. These subtle changes in geometry made a big difference for me.
I'm digging the Laravee Bakersfield and Laurent Brondel Teles, but currently happy with my Fender Richie Kotzen Tele with its 1.650" (42 mm) nut.
I added a concentric tone control (these do not come with a tone pot) over the volume pot and couldn't be happier with the results. Great jazz, rock, RnB tones and no hand cramping in the first position.
I am no authority but I have played a LOT of Telecaster guitars over the past 55 years. Vintage Fenders had A, B, C, and D necks that many guitarists think refer to the neck carve. The letters refer to the nut width. A is 1.5 ". I have only played A neck Jazz Basses. Most vintage Telecasters are B and C necks. Never seen a D. C is about 1.65" and is good for a Fender.
I now play an after market neck that is an inch deep and about 1 75" at the nut. Excellent but Fender doesn't carve this .
Sure the shape is awkward, but why did they also decide to drop the ones made of wood and go with such a cheap looking multi-ply cut plastic one? Wood isn’t generally my preference but at least it...
and if you want to stuff ,but keep
the weight off , like me ….
try stuffing with soft foam instead of cotton
again it still sounds like a hollow body
jazz box
(i have since settled on...
I owned the Elitist Broadway and a Gibson L5ces and played them side-by-side very often. Honestly, neither my ear nor my hands could tell the difference except that the Elitist Broadway had a...
I can underline Archie's point about trussrods on Gibsons. Like SS, I've had at least 7 175s, rangeing from early 60s, through 70s, 80s, 90s, to 2000s models. One thing that consistently bothered me...
I love my milkman into my raezers edge stealth 110 ER. It’s among my favorite cabs for jazz. The sound is very direct and punchy, quite unlike the spongier sound of a fender amp.
one thing that...
Hi everyone! The Holst is still available. Feel free to ask any questions! And if you are near Philadelphia you are welcome to come check it out in person!
Rirhett/Jake - out of curiosity I reached out to Bill Comins last evening, and the saddle is indeed reversed. He said it may result in the D & G string being a tad off. I mentioned to Bill I'm not...
That's fine, we don't have to agree. I think if you're exclusively playing rhythm guitar then that'd be the application for which an acoustic amplifier would be least problematic.
Looks like I lost the last message. Anyway can you recommend a good fit for a acoustic flat top. I can't seem to get the projection or tonal response I want with Jazz set ups. ? Considering a...
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