The Jazz Guitar Chord Dictionary
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  1. #1

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    Felt like recording this today. Not exactly jazz (rnb). I have a couple of stacked low gain pedals and thought the tone was nice enough to share with yall.

    Plugged into my 64 vibrolux reverb. The best amp.


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    The Jazz Guitar Chord Dictionary
     
  3. #2
    Let me know if you can't open the link!

  4. #3

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    The Strat is the most popular electric guitar ever. Your video showcases why that is.

  5. #4

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    Who doesn't like chime? Nice tone.

  6. #5

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    Quote Originally Posted by omphalopsychos
    Let me know if you can't open the link!
    Instagram seems to embed into the forum no problem.

  7. #6

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    Great strat tone and sweet licks. Which pedals did you stack?

    I only got one complaint....I wanted to hear the whole performance cause your solo was smooth and lead me back to a rich, sonorous voice I only got to hear a snippet off. Hook a brother up, I love soul and RnB and it was being nicely done in your clip! More please!!!

  8. #7

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    Quote Originally Posted by Bop Head
    Instagram seems to embed into the forum no problem.
    I can listen to the embedded Instagram but clicking on it leads to a "something went wrong" Insta message.

  9. #8

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    Oh look, a thread directly speaking to me, sweet!

    Nice playing and the strat fits there perfectly, smooth R&B funky groove, sounds good! If I had to play a strat I would do it for that kind of gig. If....

  10. #9

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    Jazz adjacent. Love it!

    I just built a Strat and have to admit I’m flummoxed by the vintage pickup selector setup.

    Which pickups were you using on this recording?

  11. #10
    Thanks guys. Yeah I owe you some jazz on a strat to show the versatility since SS and I talk it up so much as a great instrument for straight head.

    anyway here’s the full performance where I got the solo: derwyn Perkins with Nigel hall.



    and the pedals are vemuram Jan ray plugged into a Fairfield circuitry barbershop. Both set just barely to breaking up, the Jan Ray pushing the barbershop a bit.

  12. #11

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    I haven't commented because I'm not a Strat hater. But if I must, sounds great!

  13. #12

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    Quote Originally Posted by omphalopsychos
    Thanks guys. Yeah I owe you some jazz on a strat to show the versatility since SS and I talk it up so much as a great instrument for straight head.

    anyway here’s the full performance where I got the solo: derwyn Perkins with Nigel hall.



    and the pedals are vemuram Jan ray plugged into a Fairfield circuitry barbershop. Both set just barely to breaking up, the Jan Ray pushing the barbershop a bit.
    Thanks Juan. I'm now a Nigel Hall fan. That was great. Some nice pedals you have there. If you ever get a chance to try a Rockett Blue Note give it a shot. Also a low gain OD with a wide range of adjustment through those low gain tones so you can really dial it in to your rig. I was stacking a couple of those with a strat-Marshall for clean-ish and then adding the second for a little extra gain before I went full Twin-335. And it works great with that combo also so I still have one in regular use.

  14. #13
    The j rockett archer and the blue note are both amazing with a strat. I use both interchangeably in my live rig.

  15. #14

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    Sounds great Juan.

    I’m definitely not a strat hater. FWIW, here’s a somewhat more straightahead bit of strazz.



    [‘89 American Standard into S-Gear blackface style amp, no effects except reverb + a little compression on the overall mix].

  16. #15

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    I'm not a strat hater. They do have some great sounds. I have three but I hardly ever take them to a gig. If I need to rawk I just can't with the bridge pickup as it's so ear piercing. Stick in a humbucker and it's either blatantly too loud or it ruins the bridge/middle setting (that's all it's good for). I've thought about the Ibanez Andy Timmons.
    I'm far more at home with an LP, SG or Tele and an archie for jazz.

  17. #16

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    Nice tone and playing as always Juan. The Strat is capable of a wide range of tones, and a perfect instument to show the true voice and all the nuances and dynamics of the player.

    I'm also using for a long time the Jan Ray and the Barbershop, but the other way. Barbershop always on into the Jan Ray for bluesy tones.

  18. #17

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    coincidentally did a quick vid with my EJ strat doing some solo jazz stuff a couple days ago...really like a strat in that setting.


  19. #18

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    One thing that I think is important to keep in mind is that recording oneself playing a guitar solo or with a backing track is not really a test of whether it “works for jazz” (guilty as charged your honor). For that, you need to try it in a band context.

    All I can say is that I’ve played my strat with bands a lot. IME, it can sound great, but with some amps it doesn’t work very well. Compared to my semi and archtop, it’s more dependent on how the tone controls work and whether I can get the amp to overdrive/compress slightly.

    Through a typical PA-ish “jazz amp”, meh. Through the right BF or tweed style amps, it sings.

  20. #19

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    Quote Originally Posted by Spook410
    Who doesn't like chime? Nice tone.
    Speaking of chime, have you ever played or listened to a set neck Fender Showmaster?

  21. #20

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    Quote Originally Posted by John A.
    One thing that I think is important to keep in mind is that recording oneself playing a guitar solo or with a backing track is not really a test of whether it “works for jazz” (guilty as charged your honor). For that, you need to try it in a band context.

    All I can say is that I’ve played my strat with bands a lot. IME, it can sound great, but with some amps it doesn’t work very well. Compared to my semi and archtop, it’s more dependent on how the tone controls work and whether I can get the amp to overdrive/compress slightly.

    Through a typical PA-ish “jazz amp”, meh. Through the right BF or tweed style amps, it sings.
    agreed w all this (i think i mentioned this dynamic about playing in a group in my description, cant remember tho, i know i wrote it somewhere)...the way ive always thought of strats is they "need help." i played my strat in plenty of jazz groups in college and it did fine with a caveat...i always had a preamp pedal in there, or a boost combined with an EQ pedal for more mids. plugging my archtop or 335 is just a way easier way to get to that sweet spot.

  22. #21
    I don't agree. I've played strat at jazz gigs and rehearsals countless times plugged straight into the amp. The rest is subjective.

  23. #22

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    Quote Originally Posted by spencer096
    agreed w all this (i think i mentioned this dynamic about playing in a group in my description, cant remember tho, i know i wrote it somewhere)...the way ive always thought of strats is they "need help." i played my strat in plenty of jazz groups in college and it did fine with a caveat...i always had a preamp pedal in there, or a boost combined with an EQ pedal for more mids. plugging my archtop or 335 is just a way easier way to get to that sweet spot.
    Also agree. Call me a stratophobe, but all of the above rings true for me too. Even some teles ''need help." As long as we are talking about classic jazz, it applies. But anything R&B or fusion related strats are excellent choice.

  24. #23

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    Quote Originally Posted by omphalopsychos
    I don't agree. I've played strat at jazz gigs and rehearsals countless times plugged straight into the amp. The rest is subjective.
    If you walk into a rehearsal room with a Strat and a 335. The only amp there is a JC120. Which guitar comes out of the case?

    You go to the room next door, and the only amp is a Hot Rod Deville. Now which one?

  25. #24

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    Quote Originally Posted by John A.
    If you walk into a rehearsal room with a Strat and a 335. The only amp there is a JC120. Which guitar comes out of the case?

    You go to the room next door, and the only amp is a Hot Rod Deville. Now which one?
    I have owned many 335's and currently own none. I never bonded with that model (and not for want of trying). I have owned many Strats and currently own three. I have done many jazz gigs (solo and with a band) with just a Strat and an amp (tube amps and SS amps).

    Does that answer the question? Sorry, but in my view, if you cannot get a good jazz tone out of a decent Strat combined with a decent amp, it ain't the gear.

  26. #25

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    Quote Originally Posted by John A.
    If you walk into a rehearsal room with a Strat and a 335. The only amp there is a JC120. Which guitar comes out of the case?

    You go to the room next door, and the only amp is a Hot Rod Deville. Now which one?
    I stay in the room next door because I really despise the JC120. The only nice thing about it is the chorus. Without that efx it is a dry, lifeless sounding amp, IMO. Go ahead and hate me for that if you like; I'm a tube amp snob, too :-)

    As for the guitar, I'm not a Strat hater - I think they sound nice - but I've never bonded with Strat necks, so I guess I'd take my chances with the 335 and the HRD.

    $0.02