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Originally Posted by Mick-7
Sent from my iPhone using TapatalkLast edited by ThatRhythmMan; 11-02-2024 at 09:47 AM.
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11-02-2024 07:03 AM
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Originally Posted by wintermoon
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Originally Posted by Woody Sound
Those were stock on some Gibson thinlines, this ES175/Byrdland was truly a custom made guitar. I don't think I've ever seen another Gibson tailpiece exactly like it.
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It's a cool guitar. I think because no one has seen one of these, and it's a pretty schooled group of people that have been around awhile, your going to have some scepticism. Being a Johnny Smith fan, mostly curiosity on my part. It seems odd that the binding on the neck is nowhere near as yellowed as the headstock. No nibs, so a fret job at some point. You never know with Gibson they like to slap together almost anything. Is there a sticker in the guitar?
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Originally Posted by skiboyny
Appropriate Tim Shaw pickups and correct pots are in it by the way.
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Originally Posted by ThatRhythmMan
Yes, quite a few, I have never seen a Kalamazoo factory production with that diamond insignia on the back of the headstock, but I just saw a 1991 model online that does have it, so perhaps they started doing that when they moved to Nashville. I stand corrected on this particular feature.
However, there are a few other attributes of this guitar I have not seen on any other Johnny Smith, e.g., the tailpiece, which matches no Johnny Smith tailpiece I've ever seen but is identical to the one on my Japanese 1980's Japanese "lawsuit" copy of a ES-175 (as is the body of the guitar).
Originally Posted by ThatRhythmMan
So I'm still very skeptical, I think it is wise to be so when you're dealing with a guitar that has no known equivalent - caveat emptor.
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Originally Posted by Mick-7
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Originally Posted by ThatRhythmMan
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Originally Posted by Mick-7
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I think I might have seen one in Tokyo on Ochanomizu guitar street about a year ago.
I spotted a 175 that looked like the one in the photo. I didn't know exactly what it was at the time. But this photo made me immediately think about that guitar again.
I had been strolling through guitar shops for a few hours, when I came to this smaller shop further up the street, closer to the university. Ot seemed to be more focused on archtops and jazz guitars. This guitar immediately caught my eye. I remember thinking that this was probably the one I'd most wanted to take home with me, after an entire afternoon of looking at guitars.
But it was not the time and place to buy a new guitar, so I tried to not get too emotionally invested, dream too much about it or find out more.
Well You Needn’t from a recent gig
Today, 08:36 PM in From The Bandstand