The Jazz Guitar Chord Dictionary
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  1. #51

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    It absolutely amazes me how quickly M Campellone completes a batch of 6 archtop’s while others barely complete 1 archtop in the same amount of time. He must have a serious system while being fast and efficient. Considering his age we don’t see any slowdown. I find that astonishing!

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  3. #52

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    Agree. I blinked while I pursued a few other things and I’m sure I have missed entire batches!

  4. #53

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    Quote Originally Posted by 2bornot2bop
    It absolutely amazes me how quickly M Campellone completes a batch of 6 archtop’s while others barely complete 1 archtop in the same amount of time. He must have a serious system while being fast and efficient. Considering his age we don’t see any slowdown. I find that astonishing!
    Agreed-he's very well organized.

  5. #54
    Quote Originally Posted by Doug B
    Agreed-he's very well organized.
    And very clean. Try and find some sawdust anywhere in his shop.

  6. #55

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    I don’t know the man, but Mr. Campellone seems to have just the right mix of the artist and the engineer in him for this work!

  7. #56
    Binding work

    The New Campellone fall batch-img_0624-jpegThe New Campellone fall batch-img_0625-jpeg

  8. #57

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    Quote Originally Posted by vinnyv1k
    Binding work

    The New Campellone fall batch-img_0624-jpegThe New Campellone fall batch-img_0625-jpeg
    His binding and inlay work is absolutely outstanding. The Cameo headstock is a pure work of art. I'm really surprised he even lets us into his world to see the build process going so far as to take time to thoroughly answer questions from lowly forum members, another unique aspect of Mike's personality and craft. Generous with his time! Batch is looking great as always. Blessings Mr. Campellone and you too Vinny!!!!

  9. #58

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    Quote Originally Posted by vinnyv1k
    Binding work

    The New Campellone fall batch-img_0624-jpegThe New Campellone fall batch-img_0625-jpeg
    It looks as though the Cameo extended heel cap is the default option now .

    - AC

  10. #59
    Binding cleanup and the old L-7 top.

    The New Campellone fall batch-img_0528-jpegThe New Campellone fall batch-img_0529-jpegThe New Campellone fall batch-img_0527-jpeg

  11. #60

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    Quote Originally Posted by fretbuzzard View Post
    I don’t know the man, but Mr. Campellone seems to have just the right mix of the artist and the engineer in him for this work!
    That is a perfect description of Mark.
    And he thinks some of it is luck.. That’s how good he is.
    JD

  12. #61

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    Quote Originally Posted by Max405 View Post
    That is a perfect description of Mark.
    And he thinks some of it is luck.. That’s how good he is.
    JD
    I know, but I can’t believe how quick and efficient he is! He knocks out 6 archtop’s in no time!

  13. #62
    Bodies complete except for the dovetail. Now neck time

    The New Campellone fall batch-img_0628-jpegThe New Campellone fall batch-img_0629-jpeg

  14. #63

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    2 non cutaway’s!

  15. #64
    Inlay work completed

    The New Campellone fall batch-img_0615-jpeg

  16. #65

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    Quote Originally Posted by vinnyv1k View Post
    Inlay work completed

    The New Campellone fall batch-img_0615-jpeg
    Now this is the photo I've been waiting for! An astute observer should be able to infer the direction that my guitar is headed.

  17. #66
    Neck progress and the body is a Hammertone project.

    The New Campellone fall batch-img_0530-jpegThe New Campellone fall batch-img_0531-jpegThe New Campellone fall batch-img_0532-jpeg

  18. #67

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    Quote Originally Posted by vinnyv1k View Post
    …the body is a Hammertone project.

    The New Campellone fall batch-img_0532-jpeg
    17 1/2” wide body by Gustav Glassl.

  19. #68

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    Klira Tone King?

  20. #69

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    Quote Originally Posted by Hammertone View Post
    17 1/2” wide body by Gustav Glassl.
    I thought it was wider than a 17” and yet not quite an 18.”

  21. #70

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    Quote Originally Posted by cmajor9 View Post
    Klira Tone King?
    No, those have a different look. This is a Glassl built as a Glassl, although he did a handful of these for Hopf as well, as shown below. This is one his very few "Gibson-style" acoustic carved-top guitars - most of his work is based on the designs of other West German builders. More importantly, this guitar is a total acoustic tone monster. Its vanishingly miniscule neck is undergoing the Charles Atlas treatment. Most importantly, Mark gets a kick out of it!
    Attached Images Attached Images The New Campellone fall batch-glassl-gibson-copy-x-2-jpg 
    Last edited by Hammertone; Today at 05:33 AM.

  22. #71
    More of the Hammertone project.

    The New Campellone fall batch-img_0634-jpegThe New Campellone fall batch-img_0635-jpeg