I'm interested in hearing what people who have played a Seventy Seven Albatross (MIJ, not "Japan Tuned) have to say about what it's like, especially in comparison to a traditional semi-hollow. For context, I have a Seventy Seven archtop already, so I know and like the brand, especially the neck and the overall craftsmanship). I'm contemplating cashing in the semi I have for something a little smaller and with a neck that more closely matches my other Seventy Seven and my LP (which has a '50s profile neck).
I recently played an ES-339 with roughly that neck profile and a really liked it (but did not like the $3500 price tag). Does an Albatross come close to the sound and feel of a 339 or 335 (or similar), or are they more like, say, a double-cut LP. Also, how is the balance? Do they neck dive? It's Impossible to find one in a shop to try.
I had an early (made in Japan) Seventy Seven Albatross. Since you own a Seventy Seven, you already know about the flawless workmanship and playability of these guitars. I particularly liked the pickups on this model, a warm full sound but not at all muddy. I've owned three Seventy Sevens and they all had the same full neck.
I would describe the sound and feel as being more like a semi-hollow than like a Les Paul. I found the guitar to be versatile and used it for jazz, R&B and rock gigs. The guitar is small and sits on the lap much like a Les Paul only much lighter.
My albatross did not neck dive, but I am very sensitive to having guitars that hang properly on a strap. I guess you could say it was slightly neck-heavy, nothing extreme. So I put a few lead fishing weights in the body cavity to balance things and it hung fine.
I thought it was a great guitar with a wonderful tone. I only sold it because I prefer thinner necks.Here's a picture of mine, plus one of a Koa Hawk that I had, just because it's so pretty...
A variant on the Albatross was the Albatross SC Jazz, but very few of those were made. I got mine from a member here. No neck heaviness. Wonderful guitar. Vastly superior to any ES-339. The sound is much more like a Gibson ES-446 / 336 / 339 / 335 than a solid-body Les Paul of any sort.
Mine is about 3 years old. I have never noticed hiss. Can't say I have listened closely for it and I am listening with older ears. Used to really notice it with a JC55 amp that I had quite a few...
Well, I settled for what I already have experience of the Yamaha THR10. No hiss, good clean sounds for jazz, and other options easily available. It’s small, and does not look out of place in the...
C Dorian mode
C Eb G Bb D F A C
To consider a modal tune to be a one chord tune is a mistake.
Every sequence of notes in the mode is available. Often sorted into chord pairs … one of the...
I'm with NeverShould on this one. The piano is playing what definitely sound like F6/C and F#6/C# chords all through the head at the beginning. Yes, the guitar and bass are playing Cm runs, but the...
Fuchs ODH. 2,5kg, Tube pre and tube limiter. Sounds amazing clean and overdriven. 150-300 watts depending on the speaker you choose to use.
It really does the Robben Ford Thing and the cleans are...
Hi Rob,
in my experience, with a similar use, the almost total absence of hiss is essential.
I have two small amplifiers, a Fender Champion 20 and a Peavey Rage 258: at very low volume, even with...
Don’t think anyone ever disagreed that he was playing the head up a fourth. Doesn’t make it F major. Next time you find a Cm in your F major scale, call me.
But also remember you said this:
...
Gibson N225?
Today, 11:08 AM in Guitar, Amps & Gizmos