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Otoh there’s a number of more effective and sophisticated ways to reach than simply telling people stuff. Generally making people derive and apply things themselves is best way to encourage long term retention in my experience.
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01-27-2024 01:26 PM
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Originally Posted by pamosmusic
I thought that it was interesting how Goodrich used the approach for learning to play on single strings, so I wanted to know if people had done the same with other guitar skills. I'm just curious about other people's experiences with constraint-led learning on the guitar.
With learning to improvise music you have two things happening: skill acquisition and artistic development. Some people express themselves in a very structured and systematic way, while others are more instinctual. Both can be compelling art. So, you really cannot insist on one way to learn to do it.
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I like playing whole tunes on one string. As a practice routine.
Yes, it's taken from the great Mick Goodrick Advancing Guitarist book.
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Originally Posted by GuyBoden
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Originally Posted by Christian Miller
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Originally Posted by Christian Miller
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Originally Posted by pamosmusic
but…. (No Christian, nooooooooo)
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Originally Posted by Christian Miller
Yea I think I agree, but what are those more effective and sophisticated ways. And what would be the context for that approach. I personally don't like the trial and error approach until, with respect to the fretboard, until the organization of the fretboard is understood.
Or are you generally talking in general.
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Originally Posted by Reg
I generally find that students who prefer less structure and like to noodle and explore can take a highly structured concept or lesson and just use what they want. Students who prefer high levels of structure can’t take something very loose and unstructured and impose their own structure on it. So I err on the side of more structure, rather than less. Though it’s also important to teach structured learners that they can and should learn how to start imposing their own structures onto looser concepts.
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Originally Posted by Christian Miller
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Yeah just on the basic level it’s leading the student by asking them questions.
So for a beginner- ‘what’s the advantage of using a different finger for C and A?’, if that’s the C# one higher than the C on the B string, what finger would we use?’ ‘Why that one? Why would we not use the same finger?’ ‘Ok so that’s a D flat, what does it remind you of?’ ‘What’s the problem with playing a Bb?’ ‘Ok - how do you know you got it right?’ ‘What should it sound like?’ Etc.
You can do this with scale fingerings generally. In my experience the toughest thing is getting them to use consistent fingering. Finding the actual notes is less problematic.
The bulk of students are really dependent on being spoonfed info by the teacher. I see a large part of my job as encouraging them to become more independent learners.
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Originally Posted by pamosmusic
one thing I’ve noticed is that students most often don’t think to *look at* what I am doing for assistance. The idea of demonstration and copying what their teacher is showing them is quite alien to their experience. I find that really interesting. You really have to clue them into the fact that you are showing them what to do a well as telling them. Most look for verbal input because it is what they are used to.
I am probably non diagnosed dyslexic and a hilariously slow verbal responder. I have to remember that if I was in my class I’d be the kid looking a bit confused and trying to strum the guitar with the fretting hand lol.
Anyway, lots to learn.
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There is one way to learn and infinite excuses.
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Originally Posted by pamosmusic
in this case the process of how you derive voicings and inversions is more important than the voicings in the long run. Although the voicings are also important obviously.
This is all classic Paul Harris ‘the Virtuoso Teacher’ stuff of course. Also it means I skew (ideologically) heavily towards Andragogy or Heutagogy (I would regard being called a Pedagogue an insult haha) but this probably reflects my own inclinations. I don’t see long term value in dependent pedagogical relationships esp. with adults. I can see value in them in the short run, but long term I want to encourage self reliance.
Sent from my iPhone using TapatalkLast edited by Christian Miller; 01-28-2024 at 01:40 PM.
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If you are talking about the VARK style learning styles
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Originally Posted by Christian Miller
I tend to feel like lessons where I’m just telling folks how to do x or y tend to feel less structured actually, in the end.
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Originally Posted by PMB
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Originally Posted by Krinky
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Originally Posted by Christian Miller
Long-term retention is much more dependent on review than the initial mode of instruction.
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Originally Posted by Krinky
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Originally Posted by pamosmusic
I was just thinking that I should add that the most important thing is that you don't discourage them. Many teachers have great students simply because they weed out the "unworthy". When my sons were in preschool they had a violin teacher weed them out for not being "serious" enough. Granted, they were both knuckleheads. But they both went on to become accomplished musicians.
First do no harm.
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Originally Posted by Krinky
And if so... at what point do you quit baby sitting. (I'm not implying baby sitting is bad or wrong).
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In my experience, a lot of babies act like babies.
But, having taught both children and adults, I'd say certain principles are universal, while all people are different.
For example, deliberate practice will work better than mindless repetition for everyone. But how that looks for a given individual will vary.Last edited by Krinky; 01-30-2024 at 04:36 PM.
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Originally Posted by Krinky
Thanks...I still tend to go with the 5 basic types of peoples. And generally find that almost all people don't change that much. Not bad or good... just helps skip a lot of wasting time.
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Originally Posted by Reg
Heritage H525 (like Gibson 225)
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