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Helps to think about the melody line in relation and helps explain why altered dominants work so well decending by half step- a b5 on the passing chord is the nat 5 of the chord below it while a #5 is the 6th of the chord below, similarly, a b9 becomes a nat9 and a #9 becomes a maj 3rd
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11-14-2020 10:30 AM
Is the Bud 6 Really That Good?
Today, 02:33 PM in Guitar, Amps & Gizmos