The Jazz Guitar Chord Dictionary
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  1. #26

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    Quote Originally Posted by M-ster
    It's a cheap thrill, but I like hearing/using V7 with (natural) 13 and b9 -- G7(13)(b9) in C minor. (I think I'm answering the original question without pontificating ... !)
    If it's good enough for Pete Bernstein it's good enough for me.

    Jordan K not like it though :-(

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    The Jazz Guitar Chord Dictionary
     
  3. #27

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    interesting, i guess that’s what im doing when i play E7 for G7.

  4. #28

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    Quote Originally Posted by joe2758
    interesting, i guess that’s what im doing when i play E7 for G7.
    Yes - except I wouldn't play E7 - Cm :-)

  5. #29

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    You should. It’s wizard japes.

  6. #30

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    It's crap. I'd arpeggiate an E7 over G7 going to C major... that's quite japey.

  7. #31

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    Quote Originally Posted by christianm77
    It’s wizard japes.
    explain

  8. #32

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    what’s the problem Rag? the E? You said the maj13 worked

  9. #33

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    E7 with root in bass to cm6 with 3rd in bass or E7 woth 7th in bass to cm6 root position

  10. #34

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    Quote Originally Posted by ragman1
    It's crap. I'd arpeggiate an E7 over G7 going to C major... that's quite japey.
    It's not VERY japey. It's a bit milk and two sugars.

  11. #35

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    godammit miller explain your cryptic euro slang

  12. #36

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    this whole situation is pants

  13. #37

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    Quote Originally Posted by joe2758
    this whole situation is pants
    Whoa, you got pants?

  14. #38

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    Quote Originally Posted by joe2758
    godammit miller explain your cryptic euro slang
    I mean to say; it's great larks.

  15. #39

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    Quote Originally Posted by mr. beaumont
    Whoa, you got pants?
    Some interesting chord substitutions in a minor key?-img_7357-jpg

  16. #40

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    what is happening!?!?

  17. #41

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    then we got beaumont over here who says SHITE for some reason

  18. #42
    Quote Originally Posted by Babaluma
    I have been learning about IV minor chords and how to use them in a major key. For example borrowing Abmajor to use as a subdominant in C major. Are there any interesting substitutions you could use to add interest or reharmonize when playing in minor key with a for example a -M7 tonic?

    Thanks!
    So what is your current approach? What are you currently playing for chord voicings on minor 25?

  19. #43

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    Quote Originally Posted by christianm77
    It's not VERY japey. It's a bit milk and two sugars.
    Quite so, perhaps a trifle bland.

  20. #44

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    Quote Originally Posted by joe2758
    what’s the problem Rag? the E? You said the maj13 worked
    But a G13b9 does not an E7 make.

  21. #45

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    Quote Originally Posted by ragman1
    But a G13b9 does not an E7 make.
    it’s missing 2 notes, but it’s not like it adds anything outlandish (or at all for that matter)

  22. #46

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    It's not the notes, it's the impression.

  23. #47

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  24. #48

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    By the way, wizard = brilliant, jape = joke, prank. So a wizard jape is a brilliant prank. He wasn't being entirely serious, of course :-)

    (It's early 19-something Brit upper-class speak. Or it might be Harry Potter, borrowed from that era)

  25. #49

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    Quote Originally Posted by ragman1
    By the way, wizard = brilliant, jape = joke, prank. So a wizard jape is a brilliant prank. He wasn't being entirely serious, of course :-)

    (It's early 19-something Brit upper-class speak. Or it might be Harry Potter, borrowed from that era)
    dammit! haha i thought he was on my side

  26. #50

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    Fancy a cheeky Nando's?