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I put a StewMac Parsons Street humbucker in the neck slot of my MiK Broadway and love it. Then I put a Seymour Duncan PhatCat (?) --the P90 in the Humbucker form factor--in my Zephyr Regent...
I looked at the pickup openings and it looked solid. There is a strip of thin wood under the bridge, but not under the whole top. And I played my EEB and my L5ces alongside an Aria Pro II PE180...
That too. I couldn't sell anything without shipping. Palm Beach CO Florida local sales are anemic.
McCoy Tyner, famously a sideman for incomplete jazz musicians
There weren’t many jazz guitarists who got to make albums with a line-up like this: https://www.youtube.com/watch?v=BZhVDfH0a8s
I was wondering the same. I have never seen another like it. Don't blame him for not shipping....
I love Ben Webster. I have never heard any guitar player approach what Webster does. Regardless of the instrument played, Webster was a unique, individual talent. I do hear the slight similarity...
I just took a Quick Look at prices in the UK and the rest of Europe and the prices seem normal The Tours & Premier is like Squire or Epiphone they are designed to get you into the guitar market in...
Some even play picks that only have round corners.
Of course GG had drug issues, broken relationships etc., so did nearly all the jazz musicians back then, it was a tough profession. Has nothing to do with his playing. Some of them found the drugs...
Ah, yes - and the reverse can be true too; sets with a wound 3rd intonate a lot better on saddles that have obvious micro-compensation with the contact point for the 1st and 3rd strings at the same...
Yeah this is an obvious thing about the blues. But even with funk, R&B, and what we’d probably call Smooth Jazz—there’s a much more porous boundary between these and straightahead jazz than we...
Ben Webster
Today, 02:23 PM in The Players