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Originally Posted by JazzIsGood
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08-07-2024 05:41 PM
You're lucky this isn't a saxophone forum.Originally Posted by JazzIsGoodI also think it's OK to use someone else's transcription sometimes, just learn the lines using their notes or tab. There's lots of YT clips where people just give you the chart. All the sax players learn Charlie Parker transcriptions from this one book, I think it's call Omni Book. So don't believe them when they say "do everything by ear and never ever use a chart" .... they have all used charts to learn solos.
\m/ think the black metal phase I went through a few years back helped
It still sounds modern, at least to my ears.
Yet: Barry occasionally said (paraphrase) 'maybe somebody is teaching the Minor Seventh Diminished, I don't know'. Perhaps the most important page of our book. Oops, trimmed the bottom of the...
Yes. The third string. It's more the fact that the first note of the first triplet is a tie from 4&.
BWV You seem to have a solid understanding. Sixth Sixth Sixth Dm7 / G7 / C Dm7 - Two - F6o (SIXTH) G7 - Five - Dm6o or Abm6o (SIXTH)
I love a strat for jazz. You have to know how to play it right and set your amp right for it, but it's just a killer guitar. For jazz i think they sound best with 12s.
I’m far from any authority but what I find attractive is the return on practice time through simplification of the thought process while playing or arranging - for example rather than a laundry list...
Or maybe make a really hard distinction between “simple” and “easy.” Maybe “elegant” is a better word than simple. Because I do think one of the best parts of his whole thing is that he does strip...
I've been meaning to buy this book. I think it would be great ear training to play some of the bricks randomly and identify them.
Most metal guitarists play pointy guitars, but Jim Root of Slipknot plays a Telecaster. He is no less of a metal guitarist for it. I suspect many guitarists choose their instruments to observe...
Don't look to Barry Harris to make jazz expression simple. It ain't. Look to Barry Harris as method towards jazz expression. Whatever method we choose we need to work at it.
Mapping tonal harmony sound better in my opinion and works on a phone, but it is more complicated to use. It has a lot of other functions as well though.
This would be separate from the sixth diminished question. Beyond that, Christian probably better equipped to handle this one.
Anyone convert BH terminology?
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