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Can you be a jazz musician without playing jazz?
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03-18-2023 02:17 AM
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Originally Posted by kris
However, I have heard some self called Jazz musicians that didn't even play Jazz with Jazz musicianship.
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Originally Posted by pauln
I mean, you don't know who recorded it.
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1 - I'm primarily an improviser.
2 - I know the tunes.
3 - I use complex harmony.
There's a great big and long spanning world of jazz, but this is what it all has in common.
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If a jazz musician improvises in a forest and no one is around to hear him, does he make a sound?
Last edited by Litterick; 03-18-2023 at 06:20 AM.
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Originally Posted by Litterick
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You can take the boy out of jazz but you can’t take the jazz out of the boy
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Originally Posted by Litterick
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Originally Posted by Litterick
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Originally Posted by ccroft
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Originally Posted by Christian Miller
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Originally Posted by ccroft
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Originally Posted by ccroft
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As it has been mentioned in this thread, can anyone post an example of a jazzbo convincingly rocking out?
Just curious.
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I played a gig with a rock band a long time ago...45 years ago...
It was very loud...but ok.Simple playing without combinations.
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Originally Posted by Peter C
UPDATE: I have no doubt that Matteo Mancuso can nail this :-)Last edited by starjasmine; 03-19-2023 at 02:20 AM.
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Originally Posted by starjasmine
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Originally Posted by Christian Miller
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Originally Posted by starjasmine
So, as far as rocking out, maybe Matteo would be the guy.....(is he a bona fide jazzbo?)
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Originally Posted by Peter C
Steely Dan didn't use many straight ahead jazz guitar players, except for Jon Herrington, who started out in Indiana as a great straight ahead player, but then had a mid-life existential 'jazz crisis' and devoted all his time to learning other styles of music, and Denny Dias, who studied with Billy Bauer (I know three guys who studied with him, and it wasn't a pleasant experience, according to them).
Frank Vignola played on one tune, and Kurt Rosenwinkel did too, but if you listen closely to him, he's not exactly SA either.
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Scof was interested in rock in his youth.
You can definitely hear elements of this style in his playing
Last edited by kris; 03-20-2023 at 05:36 AM.
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Originally Posted by kris
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Originally Posted by Peter C
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Drink Scotch whisky, all night long.
But more seriously, play just what I feel. No, on any instrument I don't always play exactly what's in my ear...I can't do a Les McCann or George Benson, or any of the others who use this tool, "scat while playing," not with perfect honesty and accuracy, and this may sound odd, but I feel as a jazz musician, I can hang musicially with just about anything.
A whole lot of things I don't want to, and many I probably just couldn't, but c'mon, man! Who says a funk band can't play rock? Cheezits, who says a jazz player can't play some country, or anything else folk-music derived? Even legit music.
I don't call Alabama the Crimson Tide, but then they don't call me nothing either. Just a thing.
As a jazz musician, first I look at the purse. And that purse is not too full these days. So, I just play. No, not for play play. If I don't get paid, I don't play. Unfortunately, I don't play too much now! Ain't bringing my gear out to play for some comped beers and maybe get a few phone numbers to play with later! Maybe that's an arrogant jazz musician talking, but I just call myself a regular musician...who happens to be arrogant and would rather play to nobody or practice my craft than be shorted by some bar owner or whatever.
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Being a jazz musician is constant work on your jazz skills, daily practice and development, recording albums in the studio, club and festival concerts, listening to records ... etc.
That's what you did and do.
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