Robin D. G. Kelly's Thelonious Monk: The Life & Times of an American Original---to me one of the truly stellar jazz biogs.
Anything by David Hajdu; especially Billy Strayhorn: Lush Life and his biog on Nat Cole. (I've also corresponded w/him and he seems truly nice).
Frank Buchman-Moller's You Just Fight for Your Life---the Story of Lester Young. (All the Pres biogs are worth reading).
Art Pepper's autobiog (written with Laurie Pepper); and Miles (written with Quincy Troupe) are self-gratifying and hampered by loads of BS, but I've read them both numerous times. Pepper is a spellbinding raconteur, and his insight into other musicians' work is interesting to read (if his comments about his own 'genius' are slightly delusional). Miles talking about music has been great food for thought.
The Benson book was mentioned. One thing that cracked me up: some poetic justice. I knew Eddie Diehl for years, and he had a bug up his ass about Kenny Burrell. It had to do with a record date where he was sent home and replaced by Kenny b/c the company wanted a 'name'. He neither ever forgot nor stopped bad-mouthing Kenny's playing til it came out of your ears. I guess it's SOMEWHAT understandable. Eddie WAS one of the best, and a truly good-hearted guy underneath it all. We're all sensitive, and rejection---perceived or real---can really hurt.
Anyway, in George's book when he got the call to go with McDuff he was to replace Eddie. His comments---and they were respectful---were (paraphrasing): '(Eddie) was a formidable musician----not on the level of Kenny Burrell...., but he definitely could play'. Eddie was still alive when that came out. I hope he read it---it MAY have shut his mouth. I doubt it though---shutting Eddie's mouth about ANYTHING, especially guitar players he was jealous of (their stature in the biz, not their playing), was a tall order. But I had quite a chuckle over that one...
Older Heritage were the closest to Gibsons I've seen, great guitars.. I once missed buying a used lefty 575 for a great price .. :( But the Gibson guys are gone from Heritage now, and I haven't...
I like the sound of flatwounds but they're hard for me to play because I can't get any traction on them with the pick. Recently I put some blue painter's tape on the wound strings near the bridge....
Hi Greg. We plan to roll out the 27" Swan necks in the not-too-distant future. We feel like we need the larger body (15") for the 27" neck, so we are coordinating the production and rollout of those...
Thanks for all the thoughts. On the recording, I don’t think it sounded bad, just not what I was expecting, as PaulN pointed out.
What I gather from your comments and thinking about it some more...
The Fishman is my go-to gigging amp because it is light, loud, has decent reverb and chorus, has a sweepable midrange filter to tame feedback/wolf tones, and rather flat frequency profile. Oh, and it...
I have built my lo-power Tweed Twin from a kit with upgraded Heyboer transformers. I run it with the 12AY preamp tubes as per Leo's original design and add a touch of reverb through either a Strymon...
How to make roundwound strings sound like...
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