Robin D. G. Kelly's Thelonious Monk: The Life & Times of an American Original---to me one of the truly stellar jazz biogs.
Anything by David Hajdu; especially Billy Strayhorn: Lush Life and his biog on Nat Cole. (I've also corresponded w/him and he seems truly nice).
Frank Buchman-Moller's You Just Fight for Your Life---the Story of Lester Young. (All the Pres biogs are worth reading).
Art Pepper's autobiog (written with Laurie Pepper); and Miles (written with Quincy Troupe) are self-gratifying and hampered by loads of BS, but I've read them both numerous times. Pepper is a spellbinding raconteur, and his insight into other musicians' work is interesting to read (if his comments about his own 'genius' are slightly delusional). Miles talking about music has been great food for thought.
The Benson book was mentioned. One thing that cracked me up: some poetic justice. I knew Eddie Diehl for years, and he had a bug up his ass about Kenny Burrell. It had to do with a record date where he was sent home and replaced by Kenny b/c the company wanted a 'name'. He neither ever forgot nor stopped bad-mouthing Kenny's playing til it came out of your ears. I guess it's SOMEWHAT understandable. Eddie WAS one of the best, and a truly good-hearted guy underneath it all. We're all sensitive, and rejection---perceived or real---can really hurt.
Anyway, in George's book when he got the call to go with McDuff he was to replace Eddie. His comments---and they were respectful---were (paraphrasing): '(Eddie) was a formidable musician----not on the level of Kenny Burrell...., but he definitely could play'. Eddie was still alive when that came out. I hope he read it---it MAY have shut his mouth. I doubt it though---shutting Eddie's mouth about ANYTHING, especially guitar players he was jealous of (their stature in the biz, not their playing), was a tall order. But I had quite a chuckle over that one...
Thanks for the reply.
What gets me a bit questionned is the tube socket ?
I'm not sure an EL34 socket is the same as the 6V6, and moreover the 6L6?
Maybe an adaptator is needed ?
Koch's answer...
Apparently so. The user manual lists a few possible substitutes for the EL34, including 6L6, 5881 and 6V6. Your concern about this swap is exactly the reason I'm not doing it yet. I've sent in a...
I'm not sure I really understood. You can put a 6V6 in place of the EL34 right off the bat in this amp??
Thanks for all this great information. The Little Gristle got out of my interest for a while,...
I’d echo what @allenallen said about your amp. Admittedly I’ve not played through one but aren’t Fishman amps really specifically geared towards amplifying acoustic instruments?
Secondly, the...
Thanks so much for all of the responses. There's a lot to think about here and a lot of approaches and I will be revisiting this thread again and again. It'll give me new things to try and think...
My Campellone Special has exactly the same specs as a Gibson Johnny Smith. The scale, nut-width and body dimensions are all the same as a JS. Interestingly, the Campellone sounds more like my JS than...
Here's my first four measures, played slowly about 140 bpm. This is my brand new Cordoba Stage nylon-stringed amplified guitar. Played through a Fender Tone Master Twin Reverb, direct to the...
GuyBoden, thank you for this reminder. This is one of those things that can make a big difference if you are aware of it. It seems to me that less thumb pressure is always beneficial.
Playing live and getting the best sound from the...
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