Robin D. G. Kelly's Thelonious Monk: The Life & Times of an American Original---to me one of the truly stellar jazz biogs.
Anything by David Hajdu; especially Billy Strayhorn: Lush Life and his biog on Nat Cole. (I've also corresponded w/him and he seems truly nice).
Frank Buchman-Moller's You Just Fight for Your Life---the Story of Lester Young. (All the Pres biogs are worth reading).
Art Pepper's autobiog (written with Laurie Pepper); and Miles (written with Quincy Troupe) are self-gratifying and hampered by loads of BS, but I've read them both numerous times. Pepper is a spellbinding raconteur, and his insight into other musicians' work is interesting to read (if his comments about his own 'genius' are slightly delusional). Miles talking about music has been great food for thought.
The Benson book was mentioned. One thing that cracked me up: some poetic justice. I knew Eddie Diehl for years, and he had a bug up his ass about Kenny Burrell. It had to do with a record date where he was sent home and replaced by Kenny b/c the company wanted a 'name'. He neither ever forgot nor stopped bad-mouthing Kenny's playing til it came out of your ears. I guess it's SOMEWHAT understandable. Eddie WAS one of the best, and a truly good-hearted guy underneath it all. We're all sensitive, and rejection---perceived or real---can really hurt.
Anyway, in George's book when he got the call to go with McDuff he was to replace Eddie. His comments---and they were respectful---were (paraphrasing): '(Eddie) was a formidable musician----not on the level of Kenny Burrell...., but he definitely could play'. Eddie was still alive when that came out. I hope he read it---it MAY have shut his mouth. I doubt it though---shutting Eddie's mouth about ANYTHING, especially guitar players he was jealous of (their stature in the biz, not their playing), was a tall order. But I had quite a chuckle over that one...
I wanted to point out that Monk's ballads are formidable af! Everyone knows Round Midnight, but he has a handful of others that are really good.
Crepuscule with Nellie
...
Reminds me of my beloved 66 Epi Howard Roberts Standard !
The neck was not a short scale, definitely longer that the one of the Byrdland I had at the same time, very similar to my teacher's ES175...
That's an interesting POV the OP has.
Personally, as still really a beginner at guitar, the *only* things I play when comping are inversions. Not as a rule, you know, but 90% of the time that's...
Excellent instruments can be had in that range, especially when buying used. Based on this price range I’ll echo the Eastman 580 CE once more.
https://m.youtube.com/watch?v=NBrWfUiUmW4
Many common power tubes use the same socket, except the EL84. I also asked Koch about tube swapping and the amp can handle it. I’ve already tried a 6V6 in mine but prefer the stock EL34. I did swap...
Thanks RLetson,
-But why do we think it's important that an artist performs his/her own material?
The recording industry is always looking for the next Taylor Swift, still some of her greatest hits...
Yeah, same here.
A set of feeler gauges is very inexpensive, and can be had at any auto parts store, or, I would think, most music shops....but, I haven't found much use for my set.
For...
Thanks for the reply.
What gets me a bit questionned is the tube socket ?
I'm not sure an EL34 socket is the same as the 6V6, and moreover the 6L6?
Maybe an adaptator is needed ?
Koch's answer...
Apparently so. The user manual lists a few possible substitutes for the EL34, including 6L6, 5881 and 6V6. Your concern about this swap is exactly the reason I'm not doing it yet. I've sent in a...
Playing live and getting the best sound from the...
Yesterday, 02:08 PM in Guitar, Amps & Gizmos