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I’m not a Black Sabbath fan but Led Zeppelin and Deep Purple (not necessarily in that order) are dear to me.
My complaint is with the galloping beat in Crazy Train which has a fine intro. I hear this inevitably tuning into sports events playing music for empty stadiums though Crazy Train was popular when people gathered at arenas and stadiums.
After the stop time and the riff; in comes the horsey rhythm. The lyrics start, it's corny, I can think of no other way to describe it.
On the other hand Achilles Last Stand has a comparable gallop rhythm which kicks ass and astonishes me much the way LZ affected when I was thirteen. I can’t get what Bonham is doing. I don’t need to know but that’s partially what draws me to music; ie: the 'what the?'
There is corny Zeppelin and Deep Purple; Beatles, Al Hirt. I suppose there is corny Charlie Parker and even Monk must have played on bad sessions though I can think of none.
Am I sure I activate the ‘cornball eradication’ function when I play?
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07-25-2020 06:29 PM
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I love corn. The Jersey Silver Queen is just starting to hit the shelves.
Oh....
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07-25-2020, 07:08 PM #3joelf Guest
Worrying about it only makes one self-conscious. If there's corn, let it be.
When it's all corn is the time to start worrying...
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Corn is the jazz musician's curse. You start worrying about it and your playing can become either very parochial and tentative, or rote scales and patterns as you try to chase the corn heebie geebies away.
Re: Zep, I am just old enough that I thought Led Zeppelin was the kid's version of the Jeff Beck Group. Later, I thought Ozzy was the kid version of Zep. And so it goes.
I guess my band is aiming to be the kid version of the OP Trio.
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unfortunately corn or cheese is often the result of the record producer or label moreso than the artist...my fave example is charlie parker...who was into contemporary classical music...bartok, stravinsky, varese...wanted to do serious tracks of his alto with strings...so who did his record label hook him up with?...mr. zippiddeedooda -mitch miller...some of birds most painful recordings!!...same thing happened to wes with creed taylor...so many of the jazz guys...wound up doing schmaltz, bad pop tunes or disco that the record label pushed...the records are still out there
sad
keep your integrity folks...money comes and goes...but your good name is all you really own
cheers
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Corn has a legitimate purpose when its role is to set up contrast for something wonderful, like Kenny Burrell - plays a simple predictable line, does it few more times kind of corny but OK, then plays something that makes your heart hurt... analogous to dynamics, but of "deep jazziness".
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Sabbath rules, LZ is a bunch of thieves and wankers.
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Originally Posted by mr. beaumont
I knew could start a fight eventually.
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Originally Posted by A. Kingstone
And I love Sabbath, and don't really care for Zep, save for Houses/Graffiti.
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Originally Posted by mr. beaumont
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1. I suppose some thing were always corn and others became corn because of changing tastes. But which is which is a matter of history or taste. Did critics react badly to the Parker with strings thing? Was it always seen as exploitation, or was it once regarded as innovative music? Montgomery’s A Day in the Life sounds like lobby music to me, and an attempt to remain profitable. Others might think it as a serious attempt to broaden the repertoire.
2. I think what Bonham was doing was playing to the guitar, rather than with the bass.
3. It is curious that the British term, ‘wanker’, has become part of the American vernacular.
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Do we expect every sentence of a to be deep poetry or is it sufficient if a point is made by the text as a whole?
should every word from a poet’s mouth be High Art, or will “would you pass the bread, please” be contextually acceptable?
should every musical performance seek to push boundaries, or is it ok to simply reafirm conventions.
As for Parker With Strings: i dont know if it’s corny or exploitative, but I unapologetically love that take on Just Friends
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The arrangements are as Hollywood af but there’s something magical about hearing Bird improvise on the melody in that way.
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Dunno about avoiding Corn but I would advocate avoiding Korn
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Irving Berlin is credited with a line about corny things that I like: "There's an element of truth in every idea that last long enough to be called corny."
On a different subject, he said (or is said to have said) these two things: "Talent is only the starting point."
"Life is 10 percent what you make it, and 90 percent how you take it." (The older I get, the more accurate that sounds!)
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Originally Posted by Average Joe
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Originally Posted by mr. beaumont
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Originally Posted by MarkRhodes
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First of all, Crazy Train is not a Black Sabbath tune, it's Ozzy Osbourne. His early solo records sounded nothing like Sabbath, mostly because Randy Rhoads or Jake E Lee played nothing like Tony Iommy. Not better or worse, just completely different.
Secondly, it does not sound like galloping rhythm to me. At least not like Iron Maiden songs, which are the kings of gallop to me.
Btw, I used to be crazy about Sabbath, and then I 'upgraded' to Zep, but over time the appeal of Zep has evaporated for me, but the Sabbath still stands strong.
And honestly, it's not the first time I hear people saying about Crazy Train as a brilliant intro, but corny afterwards. I can see that, but I like it anyway. It rocks!
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Originally Posted by Hep To The Jive
Thanks for the clarification.
Perhaps I owe Jeff an apology.
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Check out the pre Zep Jeff Beck Group stuff with Rod Stewart. I think it's not corny and holds up better than LZ or Ozzy.
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Sabbath and Zep and Beck aren't as good as James Gang with Joe Walsh.
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I don't really know how to define "corn"--I guess I know it when I hear it.
Back in the 60's corn was Lawrence Welk, the Osmonds, the Brady Bunch SINGING (yes they had a variety show), Hee Haw, Sonny and Cher show.
Maybe Charlie or Wes with strings was sorta corny, but there was still the smoldering embers of genius under it all.
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Originally Posted by Doctor Jeff
Chief Xian aTunde Adjuah (Christian Scott)
Today, 12:32 AM in The Players