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Originally Posted by nevershouldhavesoldit
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07-23-2024 02:33 PM
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Originally Posted by wintermoon
I still think charts look like shit but it's better than having you make mistakes all night. When you need them for every gig it tells me you aren't learning the material and are wasting my time. I put food on the table by gigging so when I perceive someone making me look or sound like bad either through lack of personal hygiene, poor choice of stage clothing, endless chart use, throwing hissy fits on stage, texting between songs that is not gig related, loud foul language, being drunk or drugged up and not be able to play well, being late, or crying because my first set is 2 hours minimum I just see it as you taking food outta my kid's mouth and I have zero sympathy. I will short your pay and take your cut of the tips to split up between the guys who were on the ball.
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Originally Posted by docsteve
Originally Posted by Bop Head
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I use UnRealBook on my iPad. It is an app that essentially functions like a container for PDFs and some other kinds of images. You can also do markup of PDFs if you need to, very easily. On mine, I have PDF versions of all the 5th edition Real Books and the 6th edition one, as well as the Scher New Real Books. I have set lists set up for different bands, for practice, etc. Very convenient, easy to use and has a lot of features I've never tapped.
As for the crabbier members of our forum who think you look like a bum if you're on stage with a chart, all I can say is I see a lot of professional musicians on stage with charts these days. The expectation that every jazz musician has 1000 tunes memorized in all 12 keys went the way of the dodo along time ago. Although if your setlist is nothing but blues tunes, you're probably aren't gonna need charts for it.
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Just wondering... can consumer grade tablets function while being anywhere near a dimed Twin? You might need a military grade version. Something designed to withstand the shockwave of a M198 howitzer for EG :)
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Originally Posted by DawgBone
But I'm not going to derail this thread any more than it has been, it's supposed to be about picking a good iPad or tablet like the OP said before you insulted him. He's right, if people want to discuss non pertinent stuff best to start a dedicated thread.
I'm outta here like Vladimir......
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When I go to see a band that's in town on a tour, I don't expect to see charts. They're probably doing more or less the same show every night so they can memorize the music.
I rarely hear a band playing a standards gig. Now and then. I've seen them with and without charts. Even in situations which are mostly chart-free you're likely to see a phone or a tablet or a RB. Just in case.
I think that an audience can relate better to the band if at least one of the frontspeople don't have their face in a chart. If there's a singer, not reading, then nobody seems to notice if the sidemen are reading. Or so I think.
For myself, I'm not great at memorizing arrangements, but I don't want to give up music. So, there will be gigs I don't get offered and that's that.
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Originally Posted by RJVB
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Originally Posted by Bop Head
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Originally Posted by Cunamara
Hah, because they're now expected to memorise those tune in whatever mnemonic, abstract form that works for them and then transpose on the fly, no?
And with jazz, all you really need is to memorise a recognisable portion of the theme - for the improvised bits you just need the stick to the key?
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Originally Posted by Cunamara
More and more pro groups of all kinds and sizes are using electronic readers. There are purpose built devices for music, like the Onyx Boox and the Pad Mu 4. The Fujitsu Quaderno is also excellent for music. But for single sheet scores, a basic Android or iPad is fine. There’s useful info for the OP in this thread.
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Originally Posted by nevershouldhavesoldit
There are purpose built devices for music, like the Onyx Boox and the Pad Mu 4. The Fujitsu Quaderno is also excellent for music.
I seem to recall an argument from a similar thread a few years back that e-ink/e-paper readers weren't really up to the task (yet), but that was probably more about the Kindle readers. Apparently that's no longer true (?) but a quick look suggests there's no really competitively priced alternative in the current Kindle lineup (they're either "cheap" and tiny, or quite expensive already and not that big).
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Originally Posted by RJVB
I’m not defending Dawgbone’s opinion on this - I think he’s both way off base and being far too nasty about it to write off as a communication failure. But he’s absolutely right that many contemporary blues tunes have complex forms and changes, and the best performances incorporate very sophisticated accents, fills, dynamics, changes, modulations etc. Many who are unfamiliar with that kind of blues think it’s all 1 4 1 5 4 1. And at least as many think chamber music and a lot of classical works are little more than scales, exercises, and repetitive ditties.
I tried and obviously failed (at least with you) to draw the comparison. But it’s still valid. Most professional classical musicians know much of their repertoire by heart before the baton comes down on the first beat of public performance. Yet 99% of classical ensembles use charts for every performance.
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Originally Posted by nevershouldhavesoldit
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Originally Posted by nevershouldhavesoldit
(Did you see the smiley after that statement, or after my earlier "Define simple"? )
I tried and obviously failed (at least with you) to draw the comparison.
Most professional classical musicians know much of their repertoire by heart before the baton comes down on the first beat of public performance. Yet 99% of classical ensembles use charts for every performance.
All this of course also applies to a soloist who'll be expected to play from memory (not all do) or the conductor who conducts that way (even less do, I'd guess?). But there's a reason such performers tend to be considered gods...
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How do you make a Classical guitarist stop playing?
- Take his sheet music away.
How do you make an electric guitarist stop playing?
- Put sheet music in front of him.
Add electronic inflections of joke and irony here.
Edith reminds me of famous conductor Wilhelm Furtwängler. When asked why he directed from the score and not by heart, he answered: "Because I can read music."
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Originally Posted by docsteve
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Originally Posted by RJVB
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Originally Posted by DawgBone
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Originally Posted by fep
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Hey Dawg now you have me interested. Please show us a typical gig set list that will show these jazzers that reading from the bandstand is for losers.
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Everyone
Stop harassing Dawg, please.
This thread is meant to help, not harass.
Let's all be like fonzie
And what's fonzie like?
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Originally Posted by TheGrandWazoo
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Originally Posted by nevershouldhavesoldit
I used a lyric sheet for some new material a few times and immediately recognized that I would never learn the lyrics because I was keeping the crutches on my bandstand at the gig. Soon as I ditched them, they got committed to memory.
In the 80's and 90's I knew at least 8 or 10 phone numbers by heart. Home, dad's office, a couple best friends, girlfriends, work. I finally got forced into a smart phone. Today I know my phone number, the phone number of a lifelong friend who has had the same number 20 years, and one longtime ex bandmate and that's it yet I can still recall several of the numbers from 30+ years ago that belonged to people I haven't talked to since middle school. Amazing. Without the digital phone book in your pocket you're DOA if you needed any of those numbers in an emergency. I see the tablets in the same light. Musical astigmatism.
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Originally Posted by fep
Four of the finest jazz guitarists losers looking at sheesh music on wacky old stands:
Last edited by RJVB; 07-24-2024 at 08:53 PM.
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