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A lot of what Ed Bickert did weren't shell voicings. His comping involved harmonized lines with rootless voicings and lots of movements inside chords. At least the aspect if his comping that I really...
I use(d) a whiteboard marker to outline the position of the bridge. The line(s) can be effectively minimized and, anyway, will readily come off once the job is done.
Apologies - I didn't want to cause a fight :) I was giving my perspective as someone who is (relatively) on top of the trends in academic literature regarding amp modelling. I was making a bit of...
I remember a book called 'Melodic Structures', you had to know your scale intervals inside out. The book then used permutations of these scale intervals, then used these permutations over chord...
I've commissioned the build of more acoustic archtop, hopefully this will my last guitar,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, until the next one.:doh:
1st+7th+3rd(10th) voicings are all you really need for comping in a guitar duo. IMHO. :encouragement: Maybe, 1st+6th+3rd as well.
I write a 'T' on the treble side underneath the bridge. It avoids confusion when putting the bridge back..
Hello jazzguitar.be, This is a Reg appreciation post :) And also a jazzguitar.be appreciation post: at the time of Reddit, I prefer 100% this type of internet. It is nice to see that the...
They had us use this book for our first semester at Uni. It was different to any other approach. I was told by one lecturer that if you stick with it, then you will have a complete system for playing...
I wouldn't say muddy but dark sounding. Which wouldn't have bothered me as much as the lack of character, I always found them a little too neutral, not to say sterile. But I know there are fans for...
Playing at the speed of jazz
Today, 03:52 AM in Getting Started